Review: Get Out (2017) Peele bal…

The opening scene of Jordan Peele’s foray into horror resembles a reboot of John Carpenter’s “Halloween” as we watch a young African American man walk through a suburban neighborhood at night while a car follows closely behind. It’s not Michael Meyers behind the wheel but it is an indication of the sinister events headed our way.

Peele uses comedy, horror to talk race

The film is outrageous and deadpan, a mixture that keeps audiences discombobulated throughout. Writer-director Jordan Peele classifies his low-budget $4.5 million directorial feature debut as a “social thriller.”

What’s in the basement of – Get Out’? A metaphor.

What would you say if I told you the best movie of the young year to date is a horror comedy made by the guy from Key and Peele? And by “best,” I mean the funniest, smartest, creepiest, and most culturally trenchant? All while playing like a combination throwback to/parody of thousands of cheesy don’t-go-in-the-basement thrillers that some of us never tell anyone we watch on Cinemax at 1 a.m.? That’s a hefty assignment. Writer-director Jordan Peele – the short one of TV’s comic duo – has pulled it off without breaking a sweat.

Jordan Peele turns his focus to directing in ‘Get Out’

While that might be a dagger in the hearts of fans who came to know and love Peele as an uncannily calm Barack Obama, the endlessly annoying Meegan or any of the other characters he played in the sketch comedy series “Key & Peele,” the good news is that he’s still in the business of entertaining. He’s just taking a seat behind the camera.

‘Get Out’: Film Review | Sundance 2017

One of the most satisfying thrillers in several years, Get Out proves that its first-time director, Key and Peele costar Jordan Peele, has plenty of career options if he should grow tired of doing comedy in front of the camera. Moreover, its timing couldn’t be much better, as it exploits racial fears that have become substantially more potent since the events of November 8. Fans of K&P may have had unrealistic hopes for Keanu , the duo’s debut feature vehicle, which underperformed when released this April.

15:05 Ten movies to watch in 2017 – BBC

Inspired by an unfinished James Baldwin book about the assassinations of black leaders in the 1960s, Raoul Peck’s documentary brings Baldwin, who died in 1987, into the 21st Century, where his scorching appraisal of the history of race in the US is, unfortunately, as timely as ever. Drawing from decades of Baldwin’s writing and public statements although rarely touching Baldwin’s work on sexuality the movie is less a summary than a sance, with Samuel L Jackson’s impassioned narration all but bringing him back to life.

George Michael Put Our Faith in Pop

… singer-songwriter’s premature death at age 53 seemed terribly at odds with his splashy introduction to the entertainment world: the preternaturally bouncy Wham! hit ” Wake Me Up Before You Go-Go ,” whose upbeat eye-confection video turned “Choose …