Save the best for last

Let’s get this out there right now: Fox’s latest entry to their X-Men series of movies, “Logan,” is the Wolverine movie every fan has been wanting and waiting for. Hugh Jackman has said time and again that this would be his last outing as Wolverine.

Viceroy’s House – Movie Review

Filmmaker Gurinder Chada draws on her own family history to explore the events surrounding the 1947 independence and partition of India. The real history is far more complex and violent than any film could adequately capture, so Chadha relies on two parallel plots that touch on varied experiences.

Funny! Tabu rejected Golmaal Again initially – News

Bollywood’s quotient of intensity redefined Tabu turned down the chance of realizing her big dream to do a comedy. The actress who shared with us that she is really looking forward to do a comedy , got her wish answered when she was offered a role in the upcoming installment of Rohit Shetty’s ‘hit’ franchise GOLMAAL AGAIN.

Akshay Kumar will launch ‘Tu Cheez Badi Mast’ revised version from MACHINE – News

Recreating songs have become a trend in Bollywood and using it in films is something we simply can’t miss. The last few films that had revised numbers are ‘Saara Zaamana’ in KAABIL, ‘Humma’ song in OK JAANU and the latest one being ‘Tamma Tamma Again’ from BADRINATH KI DULHANIA and now one more iconic song has been reprised and it’s none other than MOHRA’s iconic number ‘Tu Cheez Badi Hai Mast’ .

Lars von Trier’s serial-killer thriller “The House” welcomes distributors

PanARMENIAN.Net – Nordic powerhouse TrustNordisk has inked several pre-sales for Danish auteur Lars von Trier ‘s serial-killer thriller “The House That Jack Built” , which will star Matt Dillon and Bruno Ganz, Variety said. TrustNordisk is shopping the project at Berlin’s EFM and has pre-sold “The House That Jack Built’s” German and Austrian distribution rights to Tele Mnchen, one of Germany’s biggest distributors.

Anushka Sharma’s guts on display with PHILLAURI – News

Anushka Sharma , still in her late 20’s, is yet to complete a decade in the show business but has proven with the release of her second production PHILLAURI’s trailer , that she has the guts to take on the conventional of Hindi film industry. With more than a dozen films already released and most of them being in the regular Bollywood genres, she stood out with her maiden outing as a producer with NH10.

Sundance winners: ‘I Don’t Feel at Home,’ ‘Crown Heights’ reign victorious

Sundance winners: ‘I Don’t Feel at Home,’ ‘Crown Heights’ reign victorious The art-house dramas prevailed over crowd favorites ‘Call Me By Your Name,’ ‘Patti Cake$.’ Check out this story on USATODAY.com: http://usat.ly/2jJAgq8 Melanie Lynskey, right, and Elijah Wood star in ‘I Don’t Feel at Home in This World Anymore,’ which won the Grand Jury Prize at this year’s Sundance Film Festival.

A List of LGBTQ Films at Sundance 2017

Today marks the start of the 39th annual Sundance Film Festival, the largest independent film festival in the U.S.. Whether you plan on going or not, it’s good to know about the LGBTQ films at Sundance 2017 because you’ll likely hear about them again, either as they wind their way around the festival circuit or as they they hit at your local art house movie theatre months from now.

REVEALED: Shahid-Kangana-Saif’s RANGOON first poster – News

On the personal front Shahid and wife Mira welcomed their bundle of joy Misha last year, and on professional front the 35-year-old actor garnered lot of praises for his UDTA PUNJAB role. Now starting 2017 on a very bright note actor Shahid Kapoor shared on a social media platform the first poster of his next film RANGOON , directed by Vishal Bhardwaj, one of the finest directors of Bollywood.

The Ten Best TV Shows of 2016

Fences is a film about how our environment shapes us, and how, no matter how noble their intentions, our parents can’t help but mess us Abundantly talented writer/director Maren Ade fully embraces the inherent awkwardness of a testy emotional bond and tackles it to the ground. “The Ballad of Narayama” is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty.

What to see at the movies this Christmas

A merry Christmas to all! We hope you’re all enjoying this day of unwrapping presents, dining on a holiday feast and spending time with loved ones. But what to do after all the presents are unwrapped, dinner is done and you could use a break from your loved ones? Christmas is one of the busiest times of year for your local movie theater, and this year, there’s a blizzard of cute kids movies, dramas destined for awards and intense action flicks to help celebrate the season with cinema.

FILM: Business as Usual

HENRY JAMES ‘S DESCRIPTION of certain doorstop-sized nineteenth-century novels – the “large, loose, baggy monster” – applies pretty well to Maren Ade ‘s Toni Erdmann , a downbeat comic study of a dysfunctional father-daughter relationship that comes in a bit short of the three-hour mark, and which has as its keystone gag an actual large, loose, baggy monster. Ines is a thirtysomething German professional adrift in professional stasis despite her monomaniacal focus on climbing the corporate ladder at the backwater Romanian branch of a consultancy firm.

FILM: Business as Usual

HENRY JAMES ‘S DESCRIPTION of certain doorstop-sized nineteenth-century novels – the “large, loose, baggy monster” – applies pretty well to Maren Ade ‘s Toni Erdmann , a downbeat comic study of a dysfunctional father-daughter relationship that comes in a bit short of the three-hour mark, and which has as its keystone gag an actual large, loose, baggy monster. Ines is a thirtysomething German professional adrift in professional stasis despite her monomaniacal focus on climbing the corporate ladder at the backwater Romanian branch of a consultancy firm.

‘Loving,’ ‘Jackie’ and ‘Hail, Caesar!’ make Kenneth Turan’s Top 10 films of 2016

It’s been more than half a century since the formidable Sam Fuller looked directly at the camera in Jean-Luc Godard’s “Pierrot le Fou,” but what he said came instantly to mind as I was putting together my 10 best list for 2016. The year just ending was unusually strong across the board, with impressive work visible in films with astronomical budgets, like Marvel’s $165 million Benedict Cumberbatch/Tilda Swinton “Doctor Strange,” as well as those with tiny ones, like the 150,000-Euro-budgeted, Anna Rose Holmer-directed “The Fits.”