Go with it, and Christopher Nolan’s high-concept action romp will leave you ripping off your face mask for air, even as you wonder what it was all about
Who shall save cinema? Not James Bond apparently. There’s been a brand-new Daniel Craig spectacular ready to go since Easter, arguably just the thing to get punters’ actual bums back on actual seats. But Team 007 is wimping out, unwilling to splurge their product irreversibly into some potential new ruinous lockdown – and Disney has suffered a comparable bottle-loss, dumping its live-action version of the Mulan legend on to streaming services.
So it’s up to the mighty Christopher Nolan to take the heroic, morale-boosting gamble and open his big new film in cinemas. Tenet is a gigantically confusing, gigantically entertaining and gigantically gigantic metaphysical action thriller in which a protagonist called The Protagonist battles cosmic incursions from the future while time flows backwards and forwards at the same time. There’s a 747 plane that crashes into a warehouse and then uncrashes back out of it, for reasons that are not immediately obvious.
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