Former weightlifter and actor best known for playing Darth Vader in the Star Wars movies has died, his agent has said
David “Dave” Prowse, the actor best known for playing Darth Vader in the original Star Wars trilogy, has died at the age of 85, his agent has said.
Agent Thomas Bowington said: “It’s with great regret and heart-wrenching sadness for us and million of fans around the world, to announce that our client Dave Prowse MBE has passed away at the age of 85.”
Continue reading...Film director recalls the long and rocky road to meeting the mercurial subject of his film
Football is a huge part of my life. I was 14 when Diego Maradona scored the two goals against England – the hand of God and the wonder goal. Despite the first goal, I always thought he was the best player in the world. I’ve always been a fan of outsiders, rebels.
Everyone wanted to be Maradona. He was the global phenomenon. The pope wanted to meet him. Fidel Castro would sit and listen to Diego tell a story.
Continue reading...The Londoner has spent years slogging away in hardman movies, but his latest film is a darkly funny exploration of masculinity. He discusses branching out – and the film’s unsimulated sex
Craig Fairbrass has made a career from giving a certain type of person exactly what they want. His films have titles such as Deranged and Hijacked and St George’s Day. There are gangsters. There are guns. There are posters that look like a recently divorced dad’s experiments with Photoshop.
His characters have nicknames that come in inverted commas, like Freddy “Dead Cert” Frankham and Malcolm “Mental Fists” Wickes. The films are usually released to little fanfare and lapped up by a small but dedicated crowd, unnoticed by the rest of the world.
Fairbrass’s new film, Muscle, is different. It is extraordinary: a black-and-white exploration of toxic masculinity that is as darkly funny as it is outright horrifying. Fairbrass is remarkable in it, playing a hulking personal trainer who sniffs out a lost loner at a squalid gym and immediately sets about exploiting him for everything he is worth. It is an incredible, committed performance that goes to some unthinkably gruesome places. Remember the shock of seeing Mickey Rourke in The Wrestler after his wilderness years? We are in that sort of territory.
Sadism, demons and disappearing pencils: these are the big-screen baddies whose evil antics have haunted our nightmares
Continue reading...Other Music fuelled New York’s 00s indie boom, boasting Vampire Weekend and Animal Collective among its fans. Then it closed. A new documentary tells the story of the store’s tragic demise – and its ‘terrifying’ staff
A lot of skulking went on at Other Music, the celebrated New York record store. It was an odd kind of dance: nervous customers, hiding behind CD racks or LP sleeves, trying to conjure up a question that wouldn’t result in utter humiliation. The staff there had quite a reputation, after all.
The experience is relived in a surprisingly moving new documentary about the shop, also called Other Music. Notable fans Regina Spektor and Jason Schwartzman still sound daunted by Other’s intense atmosphere. “If I’m completely honest, I was never just ‘chill’ in there,” confides Spektor, to camera. “I always got that first-day-of-school feeling, like: OK, just don’t fuck up.”
Continue reading...In the former’s directorial debut, the pair play a father and son facing up to the older man’s dementia. It offers 80-year-old Henriksen the meatiest role of his astonishing career
Viggo Mortensen first met Lance Henriksen when he shot him dead. Mortensen, the Lord of the Rings star and three-time best actor Oscar nominee, was facing off the older actor – a veteran of more than 200 movies including Aliens and The Terminator – in the 2008 western Appaloosa.
“There were so many bullets flying around; I don’t think any one person can take the credit for killing me,” smiles Henriksen, his voice sandpapery but sweet. As we wait for Mortensen to join our video call, he says he is tip-top today. “I turned 80. But I don’t feel no 80.” Then he switches the subject abruptly. “I can’t tell you how much Falling has changed my life,” he says.
Continue reading...'Voodoo' has come to represent something evil when it appears in popular culture. 'Black magic', witchcraft – it's always portrayed as something to be feared. But in reality, Vodou, as it's correctly written, is an official religion practised by millions of people. Why has it been vilified for so long? Josh Toussaint-Strauss looks back over the history of Vodou and its portrayal to find an answer
With the actor’s new release, Superintelligence, seeing her try to save the world, here’s a look at the films that made her a comedy star
One of Melissa McCarthy’s many early, quirky cameos comes in the final film from the director Alan Parker – a mystery crime drama with a hint of Fritz Lang. Kevin Spacey stars as an anti-capital-punishment campaigner who finds himself on death row after being convicted of murder. McCarthy plays Nico, a goth girl in fishnets and piercings who gives creepy tours of the crime scene.
Continue reading...The pop star’s Disney+ movie about quarantine album Folklore reveals the potency of her songwriting, though it’s hazy on any ‘pandemic epiphanies’
Pre-pandemic, few artists were so keenly attuned to the music industry’s calendar as Taylor Swift. She timed her album releases for awards contention and singles to sustain her world tours; the promotional cycle for 1989, released in 2014, seemed to go on for years. With coronavirus, that “circus” – as she puts it on Mirrorball, one of a few songs on her “quarantine album”, Folklore, that address the pandemic directly – was abruptly called off.
Stripped of those structures, “this lockdown could have been a time where I absolutely lost my mind”, Swift says in The Long Pond Studio Sessions, a film that explores the making and meaning of Folklore. Instead, in a matter of months, she created an album as good as any she has ever written. She collaborated remotely with the National’s Aaron Dessner, writing to his musical sketches and self-recording her performances at home.
Continue reading...Tristram Shapeero pens public apology to Lukas Gage after commenting on Gage’s ‘tiny apartment’ without realizing actor could hear him
A director who forgot to mute his microphone during a Zoom audition as he criticised an actor’s apartment has apologised and claimed he was just sympathising with the plight of arts workers in the coronavirus pandemic.
Related: Actor calls out director for criticizing his 'tiny' apartment during Zoom audition
Continue reading...The gruesome decline and drugs-related death of the comedy icon has overshadowed his legacy, says his widow Judy, who welcomes a new film showing him as a sensitive star full of doubts
Can you disentangle the life of John Belushi from his tragic death? Has he left a comic legacy – or just a template for living fast and dying young? On the one hand, he spearheaded the pioneering comedy show Saturday Night Live, still running 45 years later, becoming its first breakout star with smash-hit movies Animal House and The Blues Brothers. The poster for the latter has been a fixture on teenagers’ bedroom walls ever since. But is that down to Belushi’s comedy – or because he was dead within two years of the film’s release, a victim of drug addiction and the pressures of extreme success?
This week sees the release of a Showtime documentary, Belushi, made by the team behind the Emmy-nominated Brando documentary Listen to Me, Marlon. It’s the first telling of Belushi’s story, says his widow Judy Belushi Pisano, to apportion “even-handed” attention to her husband’s life and death. Pisano has always regretted how Bob Woodward’s 1984 book Wired, a fix-by-fix account of the star’s gruesome decline, came to define her husband’s memory. “Had John died in his sleep,” she says, speaking to me by phone, “we would view his life much differently. We really would.”
Continue reading...The ugly green coat in the HBO drama The Undoing has usurped a starry cast that includes Nicole Kidman and Hugh Grant. But what are the show’s makers trying to say, exactly?
The real star of The Undoing, HBO’s absurd marital melodrama, is not Hugh Grant, the Manhattan skyline or even the pair of David Hockneys hanging inside a vast penthouse in episode one. It’s a coat.
Sludge-green, calf-length, with wide lapels and a hood, this coat is worn again and again by Nicole Kidman’s character, a gnomic therapist called Grace, as she floats down Madison Avenue, through Central Park and even into the prison on Rikers Island, brooding over her marriage to a man who may, or may not, have just murdered his lover with a lump hammer.
Continue reading...The film about the Stasi spying on East German lovers was seen as too dark, with one funder even wanting it remade as a comedy. But it went on to win an Oscar
In winter 1997, during my first year at film school in Munich, I was lying on the floor listening to music. I started thinking about how Lenin once told his best friend that he couldn’t listen to his favourite piano sonata as often as he would like, because it made him soft, and might stop him from wanting to hurt the people he needed to hurt. Suddenly, an image came to my mind: a man with headphones, in a bleak and depressing attic, secretly listening to his enemies, but thereby involuntarily hearing the kind of music he has been avoiding his entire life. I opened my laptop, started typing and within about an hour had written the outline of the movie.
Continue reading...Streaming services expect rise in searches for the 70s pop-reggae genre, a staple of the blues parties that shaped UK music
One of the most memorable moments in Steve McQueen’s Lovers Rock – the latest film in his five-part anthology series Small Axe – comes when a room full of young revellers sing Janet Kay’s classic Silly Games with their eyes closed, lost in the music, as they imitate her signature falsetto.
A staple of the lovers rock genre, which emerged in the 70s and was a blend of pop, reggae and disco, Kay’s song is the centre piece of McQueen’s film, which is itself an ode to the house parties, or “blues”, that his auntie attended as a young woman.
Continue reading...After living with Parkinson’s for 30 years, the actor still counts himself a lucky man. He reflects on what his diagnosis has taught him about hope, acting, family and medical breakthroughs
The last time I spoke to Michael J Fox, in 2013, in his office in New York, he was 90% optimistic and 10% pragmatic. The former I expected; the latter was a shock. Ever since 1998, when Fox went public with his diagnosis of early-onset Parkinson’s disease, he has made optimism his defining public characteristic, because of, rather than despite, his illness. He called his 2002 memoir Lucky Man, and he told interviewers that Parkinson’s is a gift, “albeit one that keeps on taking”.
During our interview, surrounded by the memorabilia (guitars, Golden Globes) he has accrued over the course of his career, he talked about how it had all been for the best. Parkinson’s, he said, had made him quit drinking, which in turn had probably saved his marriage. Being diagnosed at the heartbreakingly young age of 29 had also knocked the ego out of his career ambitions, so he could do smaller things he was proud of – Stuart Little, the TV sitcom Spin City – as opposed to the big 90s comedies, such as Doc Hollywood, that were too often a waste of his talents. To be honest, I didn’t entirely buy his tidy silver linings, but who was I to cast doubt on whatever perspective Fox had developed to make a monstrously unjust situation more bearable? So the sudden dose of pragmatism astonished me. Finding a cure for Parkinson’s, he said, “is not something that I view will happen in my lifetime”. Previously, he had talked about finding “a cure within a decade”. No more. “That’s just the way it goes,” he said quietly. It was like a dark cloud had partly obscured the sun.
Continue reading...The movie version of August Wilson’s story of the blues, starring Boseman and a tremendous Viola Davis, is a ferocious opera of passion and pain
A detonation of pure acting firepower is what’s on offer in this movie version of August Wilson’s 1982 stage play. Declarative and theatrical it might be, but it’s also ferociously intelligent and violently focused, an opera of passion and pain. We see African-American musicians hanging around a white-owned Chicago studio one stiflingly hot day in the 1920s, waiting for the legendary blues singer Gertrude “Ma” Rainey to show up with her entourage so they can cut an album. The lead track is expected to be her live hit, Ma Rainey’s Black Bottom, and the drama imagines a certain pushy trumpeter in the band named Levee angling for his own version to be recorded. A simmering argument about how this song is to be arranged and performed forms the basis of a confrontation about race, sex and power.
Viola Davis plays Ma Rainey with tremendous hauteur: Cate Blanchett’s Elizabeth I never arrived at Hampton Court with more magnificent display or more queenly prerogative than Davis’s Rainey making her entrance, with her own lovers and court favourites, sweating at the temperature, her painful feet and the incompetence of the studio chiefs. And Chadwick Boseman gives a moving performance as the fiercely talented but insecure Levee, crucified by a childhood experience of racist violence and dreaming of fronting his own band.
Continue reading...Her delicate beauty and starring roles made her seem fragile. But having endured an unloving mother and a perilous childhood under Nazi occupation, such an impression belied Hepburn’s remarkable strength, compassion and resolve
“Very alert, very smart, very talented, very ambitious.” That was the director William Wyler’s verdict after watching a screen test for Roman Holiday by a young chorus girl called Audrey Hepburn in 1951. She got the part, won an Oscar and the rest is history. For decades, Hepburn has been adored for her graceful beauty and style. But somehow, the “smart”, “talented” and “ambitious” woman Wyler described never makes it into the books about her enduring charm with titles such as How to Be Lovely: The Audrey Hepburn Way. Now a new documentary, Audrey, gives us a more complex picture of the woman.
Directed by Helena Coan, the film features never-before-seen archive footage of Hepburn alongside intimate interviews with her family and friends. Speaking on Zoom from his home in Italy, Hepburn’s eldest son, Sean Hepburn Ferrer, says his mother’s steeliness is often overlooked. “She was no pushover. You have to fight in Hollywood for every little bit, and she did. But she played the part of the ingenue. And that’s who she was, too. None of us are just one way or another.”
Continue reading...Lawsuit alleges boats lacked safety equipment and that there were no warning signs around California lake where she died in July
A wrongful death lawsuit has been filed over the drowning of Glee actor Naya Rivera, who died in July while boating with her four-year-old son on a lake in California.
The suit was filed on Tuesday against Ventura County and managers of Lake Piru over her accidental death on 8 July at the lake north-west of Los Angeles. It was filed on behalf of her son, Josey Hollis Dorsey, by Ryan Dorsey — Rivera’s ex-husband and the boy’s father and guardian — and also on behalf of her estate.
Continue reading...Spokesperson for the disgraced mogul would not ‘confirm or deny’ he has tested positive for Covid-19
Harvey Weinstein is unwell and is being “closely monitored” in prison, a representative for the disgraced Hollywood mogul said.
Continue reading...No one could have predicted that a simple family film would have been such a box office smash in 1990 or that it would remain a favorite decades after
To the news of Disney’s plans to produce a remake of holiday classic Home Alone, director of the genuine article Chris Columbus had words sharper than a toy car on a bare foot. “It’s a waste of time, as far as I’m concerned,” Columbus said in a recent interview with Insider commemorating the 30th anniversary of the film’s release. “What’s the point? I’m a firm believer that you don’t remake films that have had the longevity of Home Alone. You’re not going to create lightning in a bottle again. It’s just not going to happen.”
Related: My favourite Christmas film: Home Alone
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