‘Racism doesn’t dissolve once it’s out of the headlines’: is the fashion industry doing enough to address diversity?

Since the killing of George Floyd, the industry has attempted to tackle racism, but has it gone far enough?

This month, fashion’s unofficial watchdog, Diet Prada, posted a “how it started versus how it’s going” meme on Instagram. Contrasting a past moment of hope with a current moment of reckoning, Diet Prada turned its attention to the US clothing and homeware store Anthropologie.

The first picture was a screengrab from the brand’s official Instagram account, showing a pledge to diversify its workforce, written after the police killings of George Floyd and Breonna Taylor in the spring. A second screengrab showed the lineup for a series of Christmas virtual workshops – styling sessions, baking demonstrations and candle-making sessions run by blond, white women.

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Michaela Coel isn’t buying anything new next month. Are you?

From Chewing Gum to I May Destroy You, the writer and actor has carved out a groove as a true original. Who better to convince us all to shop secondhand?

Michaela Coel could be wearing anything she wanted, right now. As the star and creator of I May Destroy You, the BBC drama that became a water cooler hit even in a summer without water coolers, Coel is the hottest property in town. Any fashion designer would jump at the chance to dress her. But today she is enthusing over a time-pummelled black sweatshirt with faded insignia, sourced not from a Bond Street boutique but from Oxfam’s cavernous warehouse in Batley, North Yorkshire. “I’m here for it,” she murmurs approvingly, pulling it over her head.

She’s here for all of it. She’s here for the pale pink Burberry trenchcoat, another Batley treasure unearthed for our shoot by Oxfam’s senior fashion adviser, Bay Garnett, a nod to Coel’s neon bubblegum bob as Arabella in IMDY. She’s here for the dynamite 80s jeans and matching jacket in toffee-apple faux-leather, a rare Gaultier Jeans find. She’s here for the Fanta-coloured boilersuit (think Ripley in Alien meets Bananarama on Top Of The Pops), for the elegant 70s Jaeger mustard blazer with anchor-stamped gold buttons, and for a knockout pair of Versace high-waisted shorts, illustrated with classic Rita Hayworth film posters.

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Marcus Rashford scores cover of British Vogue’s September issue

The footballer is recognised for his activism in the magazine among 40 ‘faces of hope’

Marcus Rashford’s inspirational, policy-changing campaign against child poverty has garnered him accolades aplenty. Now it has also propelled the footballer on to the front cover of British Vogue’s September issue.

The Manchester United striker, who forced a government U-turn on the granting of free food vouchers for the poorest families over the summer, headlines a special edition dedicated to activism.

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Vogue Portugal under fire for mental health cover in ‘very bad taste’

Front of magazine’s ‘Madness’ issue attacked as attempt to glamorise mental illness

Vogue Portugal has been criticised for insensitive treatment of mental health on one of its latest magazine covers.

The image – one of four covers created for its July/August “Madness” issue – features model Simona Kirchnerova crouched in a bath flanked by two nurses, with one pouring water over her head. The cover has been criticised both for attempting to glamorise mental illness and for the use of the outdated term “madness”.

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Can Anna Wintour survive fashion’s reckoning with racism?

While Condé Nast has said the Vogue editor-in-chief will not be stepping down, turmoil has been mounting as employees past and present speak out

For decades she has stood astride the fashion industry, micro-managing the look and content of US Vogue, marshaling a significant part of the global fashion industry to her worldview, and presiding over a annual gala which, at $25,000 a head, paying guests and favored courtiers mounted lavishly-carpeted steps of Metropolitan Museum of Art to symbolically kiss the ring.

But for Anna Wintour this has been her annus horribilis. New York fashion week has been written off, the Met Gala has been cancelled, magazine advertising revenues are plummeting and there are scarcely any frocks to shoot since the coronavirus barged its way into the European fashion shows in February.

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Judi Dench becomes British Vogue’s oldest cover star

85-year-old Oscar-winner appears in the magazine’s June issue

Judi Dench has become British Vogue’s oldest cover star, securing her first front page for the style arbiter at the age of 85.

The Oscar-winning actor was photographed just before lockdown for the magazine’s June issue, but the accompanying interview explores her experiences self-isolating at home in Surrey.

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Vogue Italia drops photoshoots from January issue in green statement

Illustrated covers intended to highlight environmental impact of shoots

Vogue Italia will not feature any photoshoots in its January 2020 issue in a bid to make a statement about sustainability. The move is intended to highlight the environmental impact of photoshoots in print magazines.

In his editor’s letter, Emanuele Farneti listed some of the resources it took to fill the September 2019 issue, the biggest of the year, with original photographs: “One hundred and fifty people involved. About 20 flights and a dozen or so train journeys. Forty cars on standby. Sixty international deliveries. Lights switched on for at least ten hours nonstop, partly powered by gasoline-fuelled generators. Food waste from the catering services. Plastic to wrap the garments. Electricity to recharge phones, cameras … ”

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Taylor Swift reveals why she took a stand for LGBTQ rights

Singer says facing her previous lack of advocacy had been ‘kind of devastating’

Taylor Swift says she felt compelled to publicly champion LGBTQ causes in recent months because rights are being “stripped from basically everyone who isn’t a straight white cisgender male” in the US today.

The singer, who has been criticised in the past for not speaking up on political issues, particularly during the 2016 US presidential election campaign, discussed her recent shift to advocacy in a rare interview with Vogue magazine.

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Vogue Brazil director resigns over birthday photos evoking slavery

Images show Donata Meirelles, who is white, sitting on a throne-like seat flanked by four black women dressed in white

The fashion director of the Brazilian edition of Vogue has resigned after photos from her 50th birthday party drew criticism for evoking colonial depictions of slavery.

Images from the party showed Donata Meirelles, who is white, sitting on a throne-like seat flanked by four black women dressed in white at the celebration in Bahia, Brazil’s blackest state.

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