John Oliver rips into US clean-energy loans: ‘This business model is fundamentally flawed’

The Last Week Tonight host digs into a government program whose lack of oversight has left many risking their homes

John Oliver turned his attention this week to a public lending program called Pace, whose state-supported clean energy loans have stranded many vulnerable homeowners in overwhelming debt or at risk of losing their homes. The program, which stands for Property Assessed Clean Energy, “is a cautionary tale about how good intentions when not paired with careful, smart design, can end in disaster”, the Last Week Tonight host explained.

Through Pace, local governments borrow money at low rates made available to low-income borrowers for energy-saving home improvements, which are then paid back through increases to property taxes.

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Bob Odenkirk: ‘Soon people won’t remember Breaking Bad’

He charmed as slimeball lawyer Saul in the drugs drama and its spinoff – but now Bob Odenkirk has gone badass in action thriller Nobody. Has he left his comedy days behind?

On the surface, Bob Odenkirk’s new film is entirely preposterous. As the story of a man who goes on a murder spree after his house is broken into, Nobody is an all-out, full-throated action movie. In one scene, 58-year-old Odenkirk tears a handrail off the inside of a bus and beats a man senseless with it.

However, as he explains, the story stems from something much more personal. “My family had two break-ins,” he reveals from his home in LA, where he’s sitting beneath a vast Chinatown poster. “It was very damaging.”

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‘My parents still have no clue what I’m doing’: Lupin star Omar Sy on Hollywood, fame and fighting racism

After a decade in Hollywood, French actor Omar Sy returned home to star in Netflix’s much-loved hit, Lupin. He talks about playing the charming thief, growing up with Arsenal’s Nicolas Anelka and his battle with racism

Actors, obliged to exhaustively market their wares, will pose for hours in front of posters of their latest film or TV show. They’ll hop between city premieres, sit on dreary festival panels, tell rehearsed comic stories on night-time talkshows, then get up early to be on breakfast radio. Before meeting Omar Sy, a 43-year-old Frenchman who stars in the massively popular Netflix drama Lupin, I’d never heard of an actor picking up a bucket and brush to spend a day gluing up their own billboard posters on the Paris metro. Sy, who is 6ft 2in, born in a working-class Parisian suburb to West African parents, explains the thinking behind this unusual marketing stunt that took place just before the first series of Lupin debuted earlier this year.

“A lot of people know me in Paris,” begins Sy, who worked as a comedian in France through his 20s before becoming a film star there in his early 30s. “Because people in France have watched me in stuff for years, I’m used to meeting strangers who recognise me and who already have smiles on their faces.” In Lupin, lightly adapted from the classic heist books by Maurice Leblanc, Sy plays a French-Senegalese man called Assane Diop, an anonymous Parisian who is used to being ignored and overlooked in his home town, but who is willing to use that to his advantage while robbing the city’s jet-set blind. “The show is entertainment and we want to have fun with it,” he says, “but at the same time we’re talking about something very serious: that some people in France are simply not seen.”

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Daisy Haggard: ‘I love getting older. I care less about what people think’

The actor, 43, on hiding from her children in bed, hanging out with Matt LeBlanc and her love of Wotsits

I do all my writing in bed. Not due to decadence, but because it’s the place I can hide from my children most effectively.

My recent Bafta nomination genuinely came as a huge shock. I assumed it was Breeders that had been shortlisted, not me [for female performance in a comedy programme]. When I finally clicked, I blurted out, “Good God!” I don’t think I’ll win, but if by some miracle I did, my kids would immediately steal the trophy and put hats on it.

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‘I can’t believe someone’s written this’: the Muslim punk sitcom breaking new ground

Raucous comedy We Are Lady Parts follows an all-female group’s journey on to the toilet circuit. Its cast believe it’s time for new voices to be heard

It is loud when I enter the virtual room. Raucous laughter and excited chatter fill the air, and for a moment I feel like a teacher quieting an unruly class. It is a fitting start, given that I’m here to interview the cast of Channel 4’s new musical comedy, a six-part series following the exploits of an anarchic all-female, all-Muslim punk band setting out to make some noise.

Related: The Guide: Staying In – sign up for our home entertainment tips

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‘Stop drinking fake coffee!’ Your most annoying things about TV

We asked you to name your pet peeves of the small screen. Here are the things that rile you up – from empty cups to far too easy parking

‘Cliffhangers should be illegal!’: the most annoying things about TV

Empty coffee cups. You can tell from the way people hold them that there’s no liquid in them, never mind hot coffee – surely they could at least fill them with water?

Ditto suitcases – how many times do you see a character lifting suitcases with effortless ease, not wincing or bumping them off their leg as they lug it to the taxi. mikebhoy

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‘You’re toxic!’ Can TV shows survive when their star becomes a scandal?

From Jeffrey Tambor to Joss Whedon, high-profile accusations of improper behaviour are a minefield for TV makers – especially if the A-listers go rogue

In 2018, HBO breathlessly announced a brand-new drama from one of television’s most celebrated auteurs. The network was, it said, “honoured” to be providing a home for The Nevers, Joss Whedon’s long-awaited return to the small screen. A complex Victorian-era fantasy led by tormented female protagonists with supernatural powers, it had the Buffy the Vampire Slayer creator’s fingerprints all over it. Whedon would be writer, director and executive producer, and described his “odd, intimate epic” as “the most ambitious narrative” he had ever created.

Then, in November the same year, Whedon abruptly abandoned his passion project. He attributed his exit to tiredness (“I am genuinely exhausted, and am stepping back to marshal my energy towards my own life”). In a statement, HBO said: “We have parted ways with Joss Whedon. We remain excited about the future of The Nevers and look forward to its premiere.” But behind the scenes, a reputation-destroying storm appeared to be brewing. In July last year, the actor Ray Fisher claimed Whedon had been abusive while directing the blockbuster Justice League. Then he was accused of being “casually cruel” and perpetuating a “toxic” atmosphere on the Buffy set by the actors Charisma Carpenter and Amber Benson. Michelle Trachtenberg, who was 14 when she was cast as Buffy’s younger sister, claimed that Whedon was not allowed to be in a room alone with her. (In February, HBO’s chief content officer Casey Bloys said that the company had received “no complaints or no reports of inappropriate behaviour” against Whedon. Representatives for Whedon did not immediately respond when approached for comment for this piece.)

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No laughing matter: the TV prank shows that went too far

An Iraqi series has just been pulled off the air after staging fake Isis ambushes. So who thinks it’s OK to abduct people or simulate a plane crash?

There are prank shows, and then there is Tannab Raslan, an Iraqi prank show so extreme that it has just been yanked off the air. It has an unbelievably cruel premise: Iraqi celebrities are invited to a charity event, which is then ambushed by actors playing militants. In a recent episode, actor Nessma Tanneb gets blindfolded by terrorists and screams in mortal panic until she passes out.

Prank shows exist on a spectrum. There are the “just for laughs” kind that offend nobody, and exist mainly to kill time on planes. On the other is the show I watched on holiday in Malta 15 years ago, which I definitely didn’t imagine, where a succession of terrified people witness a mock drive-by shooting.

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‘A very dangerous way to run a show’: reclusive Simpsons writer speaks out

John Swartzwelder, known for creating some of the best Simpsons episodes, has opened up about the show’s heyday – and why Homer is a big talking dog

The reclusive Simpsons writer John Swartzwelder, who is credited with creating some of the most popular episodes in the show’s 31-year history, has given his first interview since leaving the hit series 18 years ago.

The screenwriter, who wrote 59 episodes between 1990 and 2003 – including the James Bond parody You Only Move Twice and Homer the Great, which memorably featured the Stonecutters sect – spoke to the New Yorker’s Mike Sacks via email. Introducing his subject, Sacks described Swartzwelder as a cult figure for his offbeat work on the show, “conjuring dark characters from a strange, old America: banjo-playing hobos, cigarette-smoking ventriloquist dummies … pantsless, singing old-timers”.

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‘The butt of all jokes’: why TV needs to ditch stale immigrant stories

The lead character in United States of Al is a bumbling, one-dimensional cliche whose sole purpose is helping his white peers. How sad that shows like this still get made

It feels sad, amid a wave of such positive, nuanced, complex depictions of immigrants on TV, that United States of Al had to launch this month in the US.

“How do you say: ‘We’re so happy to see you’ in … what language do they speak in Afghanistan? Afghanistanish?” is the first line of the new show, about an American war veteran whose Afghan friend, Al, comes to live with him in the US.

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‘A lovely bit of squirrel’: Paul Ritter’s most memorable roles

Ritter carved out a wonderful career, culminating in the acclaimed Chernobyl – but he’ll be remembered most as oddball patriarch Martin Goodman in Friday Night Dinner

Paul Ritter, who died on Monday at the age of 54, is destined to be remembered as the dad from Friday Night Dinner. And rightly so. If you think of Ritter, or Friday Night Dinner for that matter, one image will almost certainly be seared into your mind: Ritter, walking around with his top off like it was the most normal thing in the world, complaining about the heat, or enquiring after a “lovely bit of squirrel”.

That role, and that image, brought Ritter a level of fame he had previously never achieved. Before the sitcom, which began in 2011, he had worked solidly in a number of small screen parts, usually playing characters who were professions first and people second – Detective Sergeant in 1998’s Big Cat, Geography Teacher in 2007’s Son of Rambow and Prisoner Louis in Hannibal Rising from the same year – while tending to a growing reputation on the stage. In 2006, he was nominated for an Olivier award for Coram Boy, and a Tony three years later for The Norman Conquests.

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‘Rehab made me grateful to be alive’: Margaret Cho on sobriety, solitude and Stop Asian Hate

One of the world’s most outrageous comedians, Cho is helping to lead the battle to end racism against Asian-Americans. She discusses hatred, hope and how humour saved her life

● Warning: this article contains discussion of suicide from the start

The thing about being a standup comedian is that you can never turn off that part of your brain, not even when you are trying to kill yourself. Margaret Cho learned this in 2013 when she attempted suicide in a hotel room, using a shower curtain rail. “It started bending and I was like: Oh shit, I’m too fat to kill myself, so I had to get down,” says Cho. “I thought: I’ll go on a diet and I’ll try again when I reach my goal weight, which means I’m never going to kill myself, because I’ll never reach my goal weight.”

The 52-year-old Emmy-, Grammy- and Oscar-nominated comedian, author, actor and podcaster lets out a delighted cackle. “That joke … people get really upset. They’re like: ‘You should put in a trigger warning.’ I don’t know how to do a trigger warning!” The point Cho is trying to make is a serious one. “My sense of humour probably saved me from dying,” she says. “You can’t really shut that part of you off, because humour is really hope. Humour and laughter is the intake of breath, which is the preservation of the body for the next moment … at your darkest moments; it’s actually the thing that shines the brightest. I’m really grateful for it and I’m really grateful I got to live.”

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Lucille Bluth was the role Jessica Walter was born to play

Walter’s Arrested Development matriarch was drunk, dismissive, cruel and likable, yet we all envied her freedom. This was her masterstroke

Jessica Walter racked up a reported 161 film and TV credits over her 70-year acting career. If that number had only been 160, she would have still been the best sort of actor: a safe pair of hands who gets consistent work shoring up individual episodes of long-running shows. The spectrum of series that Walter appeared in over the years was impressive: Flipper, Columbo, Hawaii Five-O, Quincy, Knot’s Landing, Magnum, and Law and Order are just a few. She would pop in for a single episode, class it up a little and leave.

However, she will be remembered for one show above all. As Lucille Bluth in Arrested Development, Walter landed the role she was born to play: a beautifully written, brilliantly wicked character that she elevated to icon status.

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Jessica Walter, star of Arrested Development, dies aged 80

The Emmy-winning actor, who also starred in Play Misty For Me and Grand Prix, died at her home in New York

Actor Jessica Walter has died at the age of 80.

Walter, best known for her Emmy-winning role as Lucille Bluth in Arrested Development, died in her sleep at her New York home.

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Frasier returns: Kelsey Grammer’s comeback is loaded with risk

Can Grammer successfully reprise his role in the classic comedy as fastidious radio psychiatrist Dr Frasier Crane?

Already standing high in the tiny line of spinoff shows that at least equal the longevity and legend of the parent, Frasier (NBC, 1993-2004) – born out of Cheers (NBC, 1982-93) – will aim for a place on an even emptier plinth: classic series successfully revived after a long gap.

Arrested Development in the US, and Birds of a Feather and Open All Hours in the UK, have managed such a comeback, but those shows did not have the status of Frasier. To dust off the fastidious Seattle-based radio psychiatrist played by Kelsey Grammer entails something like the degree of risk in going back to Fawlty Towers, which its creator, John Cleese, has perhaps wisely always refused to do.

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Kelsey Grammer to return as Frasier in reboot of hit comedy

Actor is ‘gleefully anticipating’ the return of the comedy, which is being rebooted after 17 years

The hit 90s TV comedy Frasier, starring Kelsey Grammer as a snobbish radio advice-show host, is to return to television nearly two decades after it last aired. Grammer said he would reprise his role in a revival of the series, which ran for 263 episodes between 1993 and 2004.

Frasier, a spin-off of the TV series Cheers, was one of the most successful shows of the 90s and 00s, winning five consecutive Emmy awards for outstanding comedy series and running for 11 seasons. The series followed Grammer’s character, who returns to Seattle to care for his elderly father, with his pretentious psychiatrist brother, Niles Crane.

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Catherine O’Hara on the joy of Schitt’s Creek: ‘Eugene Levy is the sweetest man!’

The biggest TV hit of the pandemic? A comedy about a family holed up against their will. Its star discusses warmth, wigs and why she loves playing Moira Rose

Catherine O’Hara and I spend most of our time together anxiously apologising to one another, me for my terrible wifi connection, her for what she describes as her “ramblings”. Her infraction is more forgivable. A frozen Zoom screen is just annoying. O’Hara’s verbal meanderings (“Oh dear, what am I on about?”) are far more fun, swooping among the highlights from her career as a comedy cult star in the 1970s (the Canadian sketch show SCTV), 80s and 90s (Beetlejuice, Home Alone), and then Christopher Guest’s series of brilliant and largely improvised films (Waiting for Guffman, Best in Show, A Mighty Wind and For Your Consideration).

Now, at 66, she has peaked yet further, with her glorious performance as Moira Rose in Schitt’s Creek, the most endearing sitcom to come along in yonks. The show came to an end last year after six seasons and it went out with fireworks, setting the record for the most Emmys won by a comedy series in a single season. One went to O’Hara, almost 40 years after she won her first, for her writing on SCTV, in which she starred alongside John Candy, Harold Ramis and, most importantly, her Schitt’s Creek co-star Eugene Levy.

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Saved by the Bell actor Dustin Diamond dies aged 44

The actor, who played Screech in the high-school sitcom, had recently been diagnosed with stage 4 lung cancer

Actor Dustin Diamond, best known for playing Screech on high school sitcom Saved by the Bell, has died at the age of 44.

Diamond had been diagnosed last month with stage 4 small cell carcinoma, or lung cancer, and been in treatment ever since. His representative Roger Paul confirmed the news of his death.

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Call My Agent’s Camille Cottin: ‘Don’t we need culture more than we need shopping?’

The scene-stealing star of the French comedy series - a word-of-mouth Netflix hit - on her journey from a prank show in Paris to co-stardom with Matt Damon

“I bought a few sheep during lockdown. Nobody told me they’d eat all my plants. How Parisian is that?” I’m discussing the pandemic with actor Camille Cottin, who during the first Covid lockdown last year decamped from her apartment in the French capital to do up an old farmhouse in Normandy. Now, she’s back in Paris, preparing for what will be a huge year. Already a star in her native France, Cottin is making the leap to major Hollywood roles. Tom McCarthy’s Stillwater, in which she co-stars with Matt Damon, is due for release in the autumn. She is currently polishing her English for her role in Ridley Scott’s Gucci biopic, which starts shooting in a few months and features Adam Driver as Maurizio Gucci and Lady Gaga his ex-wife. And she has just signed up for a huge project that she’s not yet allowed to talk about.

Before all that comes the fourth and final season on Netflix later this month of Call My Agent!, the word-of-mouth hit drama that has found new fans looking to binge during lockdown. As Andréa – tough, ruthless, gay, and agent to some of France’s biggest movie stars – Cottin’s is the standout role in a show that has brought her international attention, including a role in series three of Killing Eve.

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Dan Levy on Schitt’s Creek: ‘Winning nine Emmys was surreal’

The writer and star of the dysfunctional-family sitcom on his top shows of 2020 and the touching legacy of his hit series

Was there a show that everyone else loved this year that you just couldn’t get on with?
Tiger King. I couldn’t do it. Something about it felt a little too exploitative for me. I never felt OK when I was watching it. Maybe that’s the main thing. There was a full month when everybody was watching it, when I desperately tried to stay part of the conversation. But I just could not invest. And I don’t know, there is something kind of icky about what was going on there. But this is one man’s opinion in a sea of other people.

Conversely, were there are any shows you enjoyed over lockdown that you didn’t expect to?
The Real Housewives of Atlanta. I feel like the characters on that show are so strong and opinionated and have a sense of humour and self-awareness. It’s an incredible alchemy. It’s a great social group that they’ve put together to film. I was surprised to enjoy it, because I worked in reality television for a long time. I hosted the aftershow for The Hills before my career started. And I think that when you work in reality TV, it kind of pulls back the curtain in a way that doesn’t necessarily make you want to watch more of it. So this was the first reality show that I had watched for a really long time.

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