London’s Central drama school axes audition fees to end elite grip on the arts

The institution hopes to ‘shift the dial’ and encourage a more diverse range of students to apply

A key obstacle in the path of poorer aspiring actors is to be removed at one of the UK’s leading drama schools, the Observer can reveal. The Royal Central School of Speech and Drama, one of the country’s top drama schools, where Dame Judi Dench, Andrew Garfield, Riz Ahmed, Jason Isaacs, Cush Jumbo and Martin Freeman all learned their craft, is to scrap audition fees for prospective students in an effort to broaden its intake.

“None of us want drama schools to be the preserve of the well off. Ideally, they are places where people from all backgrounds can come together and learn from each other,” said Freeman, a Central graduate and star of The Responder, Sherlock and The Office. “Without my grant from Richmond council many years ago, I would never have been able to enjoy my three years at Central. That seems to have become harder and harder in recent years; who knows how many young actors are lost to us, due to lack of funds. I hope this inspires others to follow suit in trying to make attending drama school fairer for all.”

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Joanna Scanlan among actors backing gender equality push in theatre

Women in Theatre Lab will act as incubator for playwriting and acting talent and address gender inequality

Gemma Arterton, Joanna Scanlan and Stella Kanu are some of the figures backing an initiative to promote women in the theatre, who are being overlooked across the industry, according to the project’s founder.

Women in Theatre Lab will primarily act as an incubator for playwriting and acting talent. Its founder, Jennifer Tuckett, said the group would also put pressure on Arts Council England (ACE) to launch a review of gender inequality across the arts.

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Kit Connor and Rachel Zegler to lead ‘brutal’ Romeo + Juliet on Broadway

Acclaimed director Sam Gold will adapt the Shakespeare tragedy with new music from hitmaker and Taylor Swift collaborator Jack Antonoff

West Side Story’s Rachel Zegler and Heartstopper breakout Kit Connor are set to play Shakespeare’s tragic lovers Romeo and Juliet on Broadway.

Romeo + Juliet will premiere later this year from Tony award-winning director Sam Gold, who has previously taken on other Shakespeare plays such as Macbeth, Othello and King Lear.

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The Picture of Dorian Gray’s Kip Williams steps down as Sydney Theatre Company artistic director

Williams, who directed the play, leaving company to prepare for its potential Broadway season following acclaimed West End run starring Sarah Snook

The Sydney Theatre Company artistic director, Kip Williams, who steered the theatre to new heights with the global success of his one-woman production the Picture of Dorian Gray, has announced he is stepping down after 13 years with the company.

Williams was the youngest artistic director of the STC when he was appointed at the age of 30 in 2016. He will finish his tenure at the end of 2024 after eight years, in anticipation that The Picture of Dorian Gray will head to Broadway next year. In its recent run in London’s West End, Succession star Sarah Snook played all 26 roles to huge acclaim. The role was first performed by Eryn Jean Norvill in multiple sell-out runs across Australia.

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James Corden to return to London stage in political drama The Constituent

Joe Penhall’s new play marks the talkshow host’s first theatre role since One Man, Two Guvnors and will see him star opposite Anna Maxwell Martin at the Old Vic

James Corden is to return to the London stage for his first role since the National Theatre’s blockbuster farce One Man, Two Guvnors.

The star, who last year left his US late-night talkshow after eight years, will appear in a new political drama by Joe Penhall. The Constituent, at the Old Vic theatre, is set in an MP’s constituency office. Corden will play “an ex-serviceman with a life in freefall” while Anna Maxwell Martin (Motherland, Line of Duty) is an opposition backbencher whose ideals of public office are tested by his demands. Zachary Hart completes the cast as a parliamentary protection officer. The play will be directed by the Old Vic’s artistic director, Matthew Warchus, and is said to explore “the conflict between public service and personal safety”.

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‘Laced with fear and a lot of fun’: Punchdrunk announce new ‘slumber party’ show

Company founder Felix Barrett says Viola’s Room, written by Daisy Johnson, will be an audio-driven production perfect for date nights

Punchdrunk’s last immersive production, The Burnt City, drew more than 600 masked theatregoers each night to spend three hours venturing around a sprawling saga based on Greek myths. Their next show, announced on Monday, will invite them to take off their shoes and socks for a slumber party.

“This whole thing is a bedtime story,” said the company’s founder, Felix Barrett, of Viola’s Room, which will open in May at their headquarters in Woolwich, south-east London. Audiences will wear headphones rather than masks and follow what Barrett called an audio-driven “linear story” rather than explore the “open world” of Punchdrunk’s trademark shows, which let you roam freely around the space. Theatregoers will, according to publicity material, “feel their way through a maze-like installation as an unseen narrator guides them on a sensory journey”.

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Ava Pickett’s drama of female friendship in Tudor England wins Susan Smith Blackburn prize

Pickett’s ‘very funny and very angry’ play 1536 follows three women as they discuss the arrest of Anne Boleyn

The British playwright Ava Pickett has won this year’s Susan Smith Blackburn prize for female, transgender and non-binary playwrights.

Pickett’s winning play, 1536, unfolds in Tudor Essex and follows three women as they discuss the news of Anne Boleyn’s arrest. Pickett called it a “very funny and very angry play” about female friendship. In a ceremony at the Royal Court theatre in London on Monday, she was awarded $25,000 (£19,900) and a signed print by Willem de Kooning.

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Rising festival 2024: theatre-maker to be drugged unconscious in ‘deeply unnerving’ show about date rape

A Brazilian artist will have her body manipulated while passed out, in a lauded work about sexual violence that headlines Melbourne’s winter festival

A theatremaker will be drugged unconscious on stage in Melbourne this year, in a controversial and highly lauded theatre work about sexual violence that will have its Australian premiere at Rising festival.

Cadela Força Trilogy: The Bride and the Goodnight Cinderella is directed by and stars Brazilian artist Carolina Bianchi, who recounts her experience of being drugged and sexually assaulted, before taking a drug on stage. Once unconscious, female performers then move her body around, even at one point inserting a speculum and camera into her vagina, with a live video feed shown to the audience in a simulation of a post-rape forensic examination.

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Matthew Perry, Richard Lewis, Glenda Jackson and Alexei Navalny remembered at Oscars

Annual sequence devoted to recently deceased figures in the film industry also recognised Tom Wilkinson and William Friedkin

Prominent figures from the Hollywood and global film industry were honoured in the Oscars’ traditional in memoriam segment at the 96th Academy Awards, currently taking place in Los Angeles.

The names and brief clips were soundtracked by Andrea and Matteo Bocelli singing It’s Time to Say Goodbye, and preceded by a short clip of Alexei Navalny, the Russian opposition leader, who died last month.

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Unlucky in love: statue of Shakespeare’s Juliet in Verona damaged by tourists

Visitors joining in tradition of touching breast of artwork to bring them fortune in relationships have worn hole in it

Tourists in the northern Italian city of Verona have once again created a hole in the right breast of a statue of William Shakespeare’s heroine Juliet.

The bronze statue sits beneath the balcony in a tiny courtyard where Romeo is said to have wooed Juliet, attracting hundreds of visitors each day who flock there for a selfie and to touch the breast as part of a ritual that is believed to bring luck in love.

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‘We’re going back to silly’: what’s the next turn for British comedy in era of nostalgia?

It’s no joke for new shows as classic favourites live on while investment in sitcoms and sketches falters

There is a quip beloved of comedians, when asked if their industry is going down the pan: “Nostalgia? It ain’t what it used to be.”

But for fans of well-worn jokes, and the shows in which they appear, 2024 could be truly a golden era.

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Scrap trigger warnings for theatre audiences, says Ralph Fiennes

Audiences should be ‘shocked and disturbed’ by the impact of theatre, says Schindler’s List and Harry Potter actor

Trigger warnings for theatre audiences should be scrapped because people should be “shocked and disturbed” by what they see, the actor Ralph Fiennes has said.

The warnings are issued before the beginning of a performance to alert audiences to upsetting or distressing content and have become increasingly commonplace in theatres.

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Of death – and laughter: how to write plays in Ukraine during wartime

A dozen playwrights and directors meet in Kyiv and find comedy can be an important part of their creative process

In a studio theatre tucked into a courtyard behind Kyiv’s main Khreshchatyk Street, six playwrights and six directors were hammering out a fraught question: how to write plays about war, during the war.

One unexpected outcome of their workshops was: through jokes.

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Play about computing pioneer Ada Lovelace wins Women’s prize for playwriting

Sarah Grochala’s Intelligence follows Lovelace’s attempts to be taken seriously as a scientist in 1840s London

A play about the reincarnation of the Victorian computing pioneer Ada Lovelace has won this year’s Women’s prize for playwriting.

Intelligence, by Sarah Grochala, follows Lovelace’s attempts to forge a career for herself as a serious scientist in 1840s London and being continually obstructed by men.

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Move over Abba: new ‘riskier’ wave of British musicals to challenge West End’s established order

Theatreland is taking a gamble on a wave of quirky little shows to challenge the big but tired box office beasts

A fresh kind of musical theatre show, set apart by having started life on the fringe or in a small-scale provincial production, is challenging the established order in London’s West End this season.

A wave of new, quirky productions will be taking their places alongside Phantom of the Opera-style classics and all those big, popular musicals that rework a familiar film title or milk a superstar legacy.

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Actor drives 150 miles to star in Evita after lead and understudy fall ill

Jessica Daley rushed to the rescue after Curve theatre in Leicester put out a call for someone who knew the role

An actor travelled more than 150 miles to ensure the show went on after both the lead and understudy became ill and could not perform in a musical.

Jessica Daley travelled from her home in Middlesbrough to the Curve theatre in Leicester to sing the starring role of Eva Perón in a 7.30pm performance of Evita on Saturday.

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‘What is it about life that’s sacred?’: Harriet Walter backs change in law on assisted dying

The actor, who has played characters on both sides of the debate, says the UK needs a conversation about euthanasia and assisted suicide

About a decade ago, Dame Harriet Walter, the 73-year-old star of stage and screen, decided to make a living will. The will, also known as an advance decision, informs family, carers and doctors of a person’s wish to refuse specific treatments should they become too ill to communicate those choices. (It stops short of requesting help with end of life; euthanasia and assisted suicide remain illegal in the UK.) But, when it came to actually completing the details of her living will, Walter always found something else to do.

“I had the will sitting in my filing cabinet for about three or four years before I got round to it,” says Walter, who made her name in the theatre but has recently had eye-catching roles in the TV shows Succession, Killing Eve and Ted Lasso. “It’s not something you really want to look at, it’s not something you want to think about. But it will be good to know that there’s something in place that you could use when the time comes. Then you close that filing cabinet.”

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Indhu Rubasingham chosen as National Theatre’s next director

Artistic director of the Kiln theatre will take over from Rufus Norris in spring 2025

Indhu Rubasingham has been announced as the next director of the National Theatre, marking the first time that a woman and a person of colour has taken on the biggest role in British theatre.

Rubasingham, who has been artistic director of the Kiln theatre since 2012, will take over from Rufus Norris in spring 2025, when his second term ends. She and Kate Varah will also become joint chief executives in a co-leadership model.

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‘Nobody speaks about this’: Diana Rigg made impassioned plea for assisted dying law before death

In a recording in 2020, the actor made a case for giving ‘human beings true agency over their bodies at the end of life’

• Read more: ‘Push me over the edge’ – Diana Rigg’s daughter Rachael Stirling writes about her mother’s dying wishes

Diana Rigg made an impassioned case to legalise assisted dying in a message recorded shortly before her “truly awful” and “dehumanising” death from cancer three years ago.

The actor’s statement calling for a law that gives “human beings true agency over their own bodies at the end of life”, published today in the Observer, adds to the ongoing debate on assisted dying, with MPs expected to publish recommendations to the government within weeks.

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Royal Court theatre launches digital archive of every play performed there

London venue’s online collection of performances dating back to 1956 will be free to use for writers, directors and the public

The Royal Court has launched a free digital archive of every play performed at the London theatre since 1956 as a resource for writers, directors and members of the public.

Almost 2,000 plays by more than 1,000 writers are accessible on the theatre’s Living Archive, along with lists of their casts and directors.

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