Police notified after former trustees and current chief executive of Actors’ Benevolent Fund were sent notes
A bitter feud that tore apart an illustrious actors’ charity has been reignited by the emergence of poison pen letters threatening former trustees.
The annual meeting of the Actors’ Benevolent Fund (ABF) takes place on Tuesday after at least three years of turmoil with little prospect that it will pass off uneventfully.
Continue reading...Charity Commission says lessons have been learned after dispute involving Penelope Keith, Siân Phillips and ABF
The actors Dame Penelope Keith and Dame Siân Phillips have won a hard-fought apology from England’s charity watchdog after it admitted to blunders in its handling of a case involving a £40m actors’ hardship fund.
The pair, who with others were removed from the board of the Actors’ Benevolent Fund (ABF) two years ago in what they argued was an unlawful coup by rival trustees, had accused the Charity Commission of mismanaging its stewardship of the charity.
Continue reading...The institution hopes to ‘shift the dial’ and encourage a more diverse range of students to apply
A key obstacle in the path of poorer aspiring actors is to be removed at one of the UK’s leading drama schools, the Observer can reveal. The Royal Central School of Speech and Drama, one of the country’s top drama schools, where Dame Judi Dench, Andrew Garfield, Riz Ahmed, Jason Isaacs, Cush Jumbo and Martin Freeman all learned their craft, is to scrap audition fees for prospective students in an effort to broaden its intake.
“None of us want drama schools to be the preserve of the well off. Ideally, they are places where people from all backgrounds can come together and learn from each other,” said Freeman, a Central graduate and star of The Responder, Sherlock and The Office. “Without my grant from Richmond council many years ago, I would never have been able to enjoy my three years at Central. That seems to have become harder and harder in recent years; who knows how many young actors are lost to us, due to lack of funds. I hope this inspires others to follow suit in trying to make attending drama school fairer for all.”
Continue reading...Women in Theatre Lab will act as incubator for playwriting and acting talent and address gender inequality
Gemma Arterton, Joanna Scanlan and Stella Kanu are some of the figures backing an initiative to promote women in the theatre, who are being overlooked across the industry, according to the project’s founder.
Women in Theatre Lab will primarily act as an incubator for playwriting and acting talent. Its founder, Jennifer Tuckett, said the group would also put pressure on Arts Council England (ACE) to launch a review of gender inequality across the arts.
Continue reading...Kathy Burke and Daniel Kaluuya among alumni of her London school, credited with making stars of often working-class students
Tributes have been paid to Anna Scher, an influential drama teacher who taught actors including Kathy Burke, Daniel Kaluuya and Adam Deacon, after the announcement of her death on Sunday, aged 78.
Scher, who had taught children in north London to act for more than 50 years, has been credited with creating numerous stars, and was known for championing people from a working-class background. The Anna Scher Theatre (AST), which started as a drama club in January 1968, has a long list of well-known alumni, including Pauline Quirke, Linda Robson, Martin Kemp, Natalie Cassidy, Patsy Palmer, Sid Owen, Jake Wood, Reggie Yates and Brooke Kinsella.
Continue reading...Actor, 82, also comments she ‘wouldn’t want to be straight for anything’ as she appears on the cover of Vogue for the first time
Miriam Margolyes has said she “never had any shame about being gay” as she makes her British Vogue cover debut at the age of 82.
The award-winning actor, known for her foul mouth and lovable eccentricity, said gay people are “not conventional” and she “wouldn’t want to be straight for anything”.
Continue reading...Former Coronation Street actor calls for more support, as survey finds lack of safety net for self-employed creatives
More financial support should be available to artists in the periods where they are not working, the former Coronation Street actor Julie Hesmondhalgh has said, as research revealed universal credit is pushing the creative workforce into destitution.
The study by the performing arts union Equity and the University of Warwick found that of those subject to the universal credit rule known as the “minimum income floor” (MIF) – which reduces the amount of support that self-employed creatives are eligible for – 41% had gone without essential items such as food or utilities.
Continue reading...Petit Palais show celebrates breadth of belle epoque theatre star’s creative talents with 400 exhibits
On page 158 of a heavy, leather-bound Paris police register from the 19th century, a handwritten page headed with a photograph details the activities of a young “courtesan” called Sarah Bernhardt.
The Book of Courtesans, as it was known by the then equivalent of the vice squad, was a detailed record of high-class sex workers, often actors and dancers, who were the mistresses of princes, aristocrats and the wealthy.
Continue reading...Theatres such as now-closed Oldham Coliseum vital for northern working-class people, says actor
Christopher Eccleston has said it would be impossible for him to become an actor in today’s world, in an impassioned interview after the closure of Oldham’s Coliseum theatre.
The British actor spoke about how the closure of the historic theatre would affect the acting community and people from working-class backgrounds.
Continue reading...Study shows the proportion of musicians, writers and artists with working-class origins has shrunk by half since the 1970s
The proportion of working-class actors, musicians and writers has shrunk by half since the 1970s, new research shows.
Analysis of Office for National Statistics data found that 16.4% of creative workers born between 1953 and 1962 had a working-class background, but that had fallen to just 7.9% for those born four decades later.
Continue reading...Exclusive: Adrian Noble offers advice for directors who are often ‘rude, look at iPhones, run late and don’t apologise’
Actors must endure a “litany of misery” when auditioning for roles and the process must be improved, according to a former artistic director of the Royal Shakespeare Company.
Adrian Noble, whose casts have included Judi Dench and Derek Jacobi, said “every actor in the world” has their own “horror stories”.
Continue reading...As she returns to TV in the mind-bending Severance, the actor talks about life in the ‘never-ending emergency’ that is America, why she’ll never find Trump funny, and her need for a low-drama lifestyle
‘How did I feel?” repeats Patricia Arquette, clearly irritated. I have just asked the actor how it felt to land a role in Medium, the supernatural drama series that won her an Emmy – only to be asked to lose weight for the role. Although it happened in 2005, it is still clearly a sore point. “I felt annoyed and crappy. But I feel like it’s been a conversation my whole life. When True Romance came out, some critics said I was too fat or too heavy. I changed channels recently, happened upon True Romance, and thought, ‘Oh my God, look how young I was! I had a beautiful body. What are you talking about?’”
After True Romance, the Tony Scott-directed film in which she played a sex worker who falls in love with Christian Slater’s comic-book nerd, Arquette went on to star in plenty of acclaimed films, from David Lynch’s Lost Highway to Martin Scorsese’s Bringing Out the Dead. The latter starred Nicolas Cage, who she married in 1995. Their marriage lasted nine months.
Continue reading...He came blazing out of Glasgow like a rocket, scoring hits and acclaim. As he returns to the stage in a hard-rapping, homoerotic Cyrano de Bergerac, the star talks about partygate, snout size – and tackling Lear when he hits 100
James McAvoy is talking about Cyrano de Bergerac, the long-nosed, lovestruck poet he first played on stage in 2019, and is now about to reprise. But every now and again he interrupts himself with off-piste observations that have nothing to do with 17th-century libertines and doomed love triangles. It slowly becomes clear that he is inside his car, which is parked at the stage door of the Harold Pinter theatre in London, ready to jump into rehearsals after our chat.
“What’s this guy doing?” he says, in his meta commentary of people-watching. “Oh my God. There’s a labourer walking down the road and he doesn’t have any trousers on. He’s just in long johns and he has got the biggest penis I think I’ve ever seen.” Wait, how can he tell? “Because he’s wearing long johns! And he’s packing a nine-inch –”
Continue reading...The Succession star Jeremy Strong has been widely scorned after a magazine profile revealed his ‘preening’ and ‘self-indulgent’ acting process. But many actors have been lauded for their method – so what has changed?
Robert De Niro is the greatest actor of his generation. So claimed the headline in a popular magazine last year, and it’s not a controversial claim. The evidence offered for this opinion was the same that’s always wheeled out when discussing De Niro’s acting: “[He] took method acting to previously uncharted levels. He got a New York cab licence for Taxi Driver, learned Italian and lived in Sicily to prepare for The Godfather Part II, put on 60lbs to play Jake LaMotta in Raging Bull, learned Latin for True Confessions and the sax for New York, New York. He was the hardest-working man in Hollywood,” wrote the journalist.
For decades, this has been the general feeling about actors: the more method, the better. After all, if they don’t eat raw bison and sleep in an animal carcass (Leonardo DiCaprio in The Revenant), stay in a wheelchair and be spoonfed by the crew (Daniel Day-Lewis in My Left Foot) or lose so much weight that they start to go blind (Matthew McConaughey in Dallas Buyers Club), they’re just playing make-believe. And why should they get all that fame, adoration and money just for that? All of the above actors were rewarded for their efforts with an Oscar, and actors talking about their method efforts has become as much a part of the run-up to the Oscars as shops playing Do They Know It’s Christmas in the run-up to the holidays.
Continue reading...I am actually one of the few people on the planet who is a heterochromiac syndactylite. I have webbed middle toes on both feet. I also have different coloured eyes: one is brown, one is green. I don’t know how many of us there are: I heard seven.
I think I still have the lizard brain of a 20-year-old. I wake up every morning and I have the same vision, the same perception – except when I start to move. The lag between my perception of how young I feel and that mobility… There’s a lag there.
Continue reading...Among those honoured are health and social care workers, Covid response volunteers, virus experts and fund-raising centenarians
Hundreds of key workers and community champions who battled the pandemic have been recognised in the New Year honours list for the UK which celebrates people’s extraordinary response to the Covid-19 crisis.
Lewis Hamilton, the Formula One driver, and the cinematographer Roger Deakins are among the celebrities knighted, while the architect David Chipperfield gets the Companion of Honour. The actor Toby Jones and Jed Mercurio, creator of the TV series Line of Duty, are given OBEs for services to drama. On being made a dame for services to drama the actor Sheila Hancock said she feared she was “slightly miscast”.
Continue reading...It’s 130 years since Father Christmas first appeared in a department store. But this year is the strangest one yet – with virtual calls taking the place of shopping centre visits. Is it enough to keep the ho ho hos flowing?
Five bearded men, dressed head to toe as Santa, wearing fur-trimmed face masks, file into an office building in London and sit behind wooden desks – laptops and webcams in front of them. The room has been made magical with the addition of a red and gold curtain, a snow-flecked Christmas tree and a stuffed penguin perched on top of some lockers. In years gone by these off-duty actors and former children’s TV presenters would have sat in department store grottos and worn out their knees taking the weight of Britain’s children. But they are here today to brush up their tech skills and learn how the in-store Santa can adapt and survive in the middle of a pandemic.
The seminar is led by James Lovell, a honey-voiced compere who straddles the line between practical teaching and keeping up the illusion of snow and elves. He leads the five Santas through exercises and practical advice on how to handle the intricacies of online video calls. The Santas pepper Lovell and a tech expert with questions about how they will see the children in their virtual grottos.
Continue reading...Giles Terera claims Ain’t Nothin’ But blues bar denied group of actors entry because they were black
A star of the hit musical Hamilton has accused a Soho bar of racial profiling, claiming that it denied a group of actors entry because they were black.
Giles Terera said the Ain’t Nothin’ But blues bar had allowed 10 white people next to them to enter, but that the group of eight black actors were turned away.
Continue reading...She was photographed by Warhol, and Dalí wanted to paint her; the first films she made were Death in Venice and Cabaret. So why did she walk away?
Most people, says Marisa Berenson, “tend to live in my past. Which is fine.” She smiles, well aware of the fascination. “But I tend to live in the present and in the future.” A 2001 profile of the model/actor in the New York Times described her as a “Zelig of the zeitgeist … popping up in the right place at the right time”. And there is certainly something magical about her life and the people who have passed through it. As a child (she is now 72) she was taught to dance by Gene Kelly. Greta Garbo came to her parents’ parties; Salvador Dalí – a friend of her grandmother, the designer Elsa Schiaparelli – wanted to paint her. The legendary Vogue editor Diana Vreeland pushed her to become a model – Yves Saint Laurent would describe her as “the face of the 70s” – and she was photographed by giants such as David Bailey, Irving Penn and Richard Avedon. Andy Warhol photographed her wedding.
She discovered meditation in India alongside George Harrison and Ringo Starr, was at Bianca Jagger’s Studio 54 birthday party – the fabled night of the white horse – and attended Truman Capote’s famed Black and White ball. Although she continues to work in film, she hasn’t made a huge number of movies – but the biggest, early in her career, were Luchino Visconti’s Death in Venice, Bob Fosse’s Cabaret and Stanley Kubrick’s Barry Lyndon.
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