Getting Ziggy with it: David Bowie’s alter egos inspire dance show that will transform his songs

Subject to Change: A Dance for David Bowie will explore how the musician ‘practised a form of artistic reincarnation’, says choreographer Marcos Morau

‘Let’s dance,” sang David Bowie in 1983, commanding: “Put on your red shoes and dance the blues.” That call is to be answered – with footwear TBC – by an international dance production featuring new choral arrangements of songs from throughout his career.

Subject to Change: A Dance for David Bowie will be staged at Sadler’s Wells in London in autumn 2028 after a world premiere in Luxembourg. It will visit Tokyo in 2029. The show will explore how Bowie “practised a form of artistic reincarnation” according to Spanish choreographer Marcos Morau who is taking inspiration from the superstar’s transformations into personas such as Aladdin Sane and the Thin White Duke.

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Ian McKellen to star in UK premiere of ‘mixed reality’ play – but not in person

Audiences in Manchester will be asked to wear smart glasses for An Ark, which debuted in New York this year

Ian McKellen will star in a groundbreaking new play that gets its UK premiere in Manchester next spring. But the veteran actor will not set foot on stage.

The Lord of the Rings star is taking part in An Ark, a “mixed reality” play that had its debut in New York earlier this year. Theatregoers are asked to wear smart glasses, which project the actors into the room.

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Sacha Baron Cohen lined up for Quentin Tarantino’s West End playwriting debut

The Ali G and Borat creator is reported to be taking the lead in The Popinjay Cavalier, a swashbuckling comedy Tarantino is developing for early 2027

He will soon be seen resuming his old Staines rudeboy persona in the film
Ali G: Who Iz I?, but Sacha Baron Cohen may also be eyeing a new departure – on stage.

The actor will reportedly star in Quentin Tarantino’s first play, The Popinjay Cavalier, which is billed as a “rambunctious comedy of deception and disguise” and a “sweeping celebration of theatre and its heightened romance”, set in 1830s Europe. According to Deadline, Baron Cohen will play the swashbuckling title character in the play, which Tarantino will also direct.

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John Major’s rise from obscure whip to PM part of new National Theatre season

Play is one of eight world premieres in programme with global conflict and political upheaval at its heart

A new play about John Major’s rise to power, written by James Graham, will premiere at the National Theatre in London next year, as part of a season that puts political upheaval and global conflict at the heart of its programme.

Major reunites Graham with Jeremy Herrin, the director behind the acclaimed parliamentary drama This House. It will chart Major’s emergence from relatively obscure whip to prime minister, taking over from Margaret Thatcher at a pivotal moment in Britain’s relationship with Europe.

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The show must go on: musical theatre cancellations lead to industry calls for urgent government help

In the space of a week, two major musicals, Waitress and Beetlejuice, and a $20m opera were forced to cancel shows amid skyrocketing costs, putting hundreds out of work

Australia’s theatre industry is in desperate need of tax reform to keep it alive, experts have warned the federal government, after two major touring musicals and a $20m opera cancelled shows in the space of a week, citing skyrocketing costs and soft box office sales.

Broadway musical Waitress, starring Rob Mills and Natalie Bassingthwaighte, announced on Sunday that it would end in Melbourne on 19 July and will not tour to Sydney in August as planned.

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Tony awards 2026: full list of winners

This year’s Tony awards have already seen wins for musicals Schmigadoon! and Cats: The Jellicle Ball

Kevin Adams, Chess
Jane Cox, The Rocky Horror Show
Donald Holder, Schmigadoon!
Adam Honoré, Cats: The Jellicle Ball
Adam Honoré and Donald Holder (Lighting Design) and 59 Studio (Projection Design), Ragtime
Jen Schriever and Michael Arden, The Lost Boys – WINNER!

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Young Britons feel disconnected and locked out of creative arts, charity says

Research for Roundhouse in London shows 87% of 18- to 30-year-olds believe they have fewer artistic opportunities

Rising costs, the disappearance of third spaces and reduced access to artistic opportunities are causing young people to feel “disconnected, isolated and locked out of creativity”, according to research commissioned by a youth arts charity.

The Roundhouse, a multi-arts venue in north London that reopened in 2006 with a focus on running youth programmes, has released the findings to coincide with the publication of its 20-year impact report on Monday.

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Cynthia Erivo interrupts Dracula performance after spotting audience member’s camera

Wicked star’s one-woman West End show was stopped in response to an increasingly common problem for theatres

A performance of Dracula in the West End on Monday night was halted after its star, Cynthia Erivo, spotted that an audience member appeared to be filming the show.

A representative for the production, in which Erivo plays all 23 roles, confirmed that there had been a short stop caused by the incident. A commenter on the forum Theatreboard, who said they had been at the show, wrote that Erivo – roughly an hour into the performance – “looked out into the audience and said: ‘Are you filming? Is someone filming?’ and stopped the show”. Another commenter said that they had attended Dracula – which is at the Noël Coward theatre – the following night and that there were extra reminders to the audience about taking photos and filming.

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Cultural venues in England to share £130m under Arts Everywhere scheme

Galleries, theatres, museums and libraries to benefit from largest cash injection into the arts for a decade

More than 100 cultural venues, museums, and libraries will share £130m extra funding as part of the largest cash injection into the arts for a decade, ministers have announced.

The investment forms part of the Arts Everywhere Fund, a £1.5bn package to support cultural infrastructure projects over the course of this parliament, which was announced by the culture secretary, Lisa Nandy, earlier this year. The fund aims to save more than 1,000 arts venues, museums, libraries and heritage buildings across England.

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Lebo M sues comedian Learnmore Jonasi claiming Circle of Life misrepresentation

Grammy winner seeks more than $20m in damages over mistranslation of The Lion King chant

A Grammy-winning South African composer who wrote and performed the opening chant in Circle of Life for Disney’s The Lion King is suing a comedian for allegedly damaging his reputation by intentionally misrepresenting the song’s meaning on a podcast and in his standup routine.

Lebohang Morake’s lawsuit accuses the Zimbabwean comedian Learnmore Mwanyenyeka, known as Learnmore Jonasi, of intentionally mistranslating the chant, which launches the 1994 movie and is central to staged versions as well as Disney’s 2019 remake.

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‘It won’t be pretty!’ French and Saunders to play the Ugly Sisters in Palladium panto

Comedy duo will take the stage together in the West End for the first time in 17 years in Cinderella alongside Julian Clary

Dawn French and Jennifer Saunders are to return to the stage together for the first time in 17 years to play the Ugly Sisters in the London Palladium pantomime.

“It won’t be pretty,” the popular duo predicted in an announcement on Tuesday. “We have wished to play the Ugly Sisters for so many years, it feels this is the fulfilment of a dream – a dream our hearts made.”

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Rhoda Roberts, Indigenous cultural leader who introduced the term ‘welcome to country’, dies aged 66

Roberts, who was the first Aboriginal person to host a prime-time current affairs program, was diagnosed with a rare type of ovarian cancer seven months ago

Rhoda Roberts – obituary

Rhoda Roberts, the Bundjalung Widjabul Wiyebal cultural leader and arts devotee, has died at the age of 66.

In a statement made via Instagram, Roberts’s family announced she had died peacefully in hospital on Saturday afternoon, having been diagnosed with a rare type of ovarian cancer seven months ago.

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Queensland arts minister ignored recommendation that new theatre be named after poet Oodgeroo Noonuccal

Exclusive: Queensland Performing Arts Centre board nominated Oodgeroo as preferred name in 2024 but it was not one of four options put to public vote by LNP

A Queensland government minister intervened to ensure that a new theatre would not be named after the Aboriginal poet Oodgeroo Noonuccal, overriding the theatre’s board, according to documents obtained under right to information laws.

The late artist’s name is also set to be stripped from a state electorate, in draft electoral boundaries released by the state’s redistribution commission this week. The Liberal National party lobbied for the change.

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Boss of theatre hosting Chinese dance group Shen Yun in Sydney won’t be intimidated by ‘outrageous’ threats

Graeme Kearns, chief executive of Foundation Theatres, says: ‘Our job in theatre is to absolutely defend the right to tell stories about culture’

The head of the theatre hosting the Shen Yun dance troupe in Sydney says the company would not be intimidated to pull the shows by any “outrageous” anonymous threats and that the publicity had increased interest in the show.

On Monday, the Gold Coast venue for the Shen Yun performances was forced to evacuate after a bomb threat, with a similar threat forcing the evacuation of Prime Minister Anthony Albanese’s official residence, The Lodge, in Canberra the next day.

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Conservative theatre-making will kill the UK industry, says National’s director

Indhu Rubasingham calls in Jennie Lee lecture for renewed commitment to creative risk and new writing

The National Theatre’s artistic director, Indhu Rubasingham, has said conservative theatre-making will kill the industry, even if it helps venues balance the books for now.

Delivering the second-ever Jennie Lee lecture in front of an audience of 200 representatives from the UK arts industry on Thursday, Rubasingham called for a renewed national commitment to backing creative risk and new writing.

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Playwrights’ ‘thrilling’ debuts share the Susan Smith Blackburn prize

Hannah Doran’s The Meat Kings! (Inc) of Brooklyn Heights and Ro Reddick’s Cold War Choir Practice declared joint winners of award for female, transgender and non-binary writers

The Susan Smith Blackburn prize for female, transgender and non-binary playwrights has been awarded to joint winners, both for their debut plays.

Hannah Doran’s The Meat Kings! (Inc) of Brooklyn Heights and Ro Reddick’s Cold War Choir Practice beat the other eight finalists to the 48th annual award. Doran and Reddick each receive a cash prize of $25,000 (£18,500) and a signed print by the artist Willem de Kooning.

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‘The new Hamilton’? Show with Mary Todd Lincoln as drunken first lady comes to London

The one-act play Oh, Mary! – ‘the stupidest, funniest thing possible’ – to open after blockbuster run in New York

What if, in the final weeks before Abraham Lincoln’s assassination, the first lady could not care less about the American civil war and was instead hell-bent on becoming a cabaret star?

That is the question posed by Oh, Mary!, the smash-hit show that reimagines Mary Todd Lincoln as a gloriously unhinged alcoholic who despises her closeted husband.

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‘The ad libs had us shaking behind the camera’: Corbyn and McKellen cameos raise panto’s profile

Star turns are boosting ticket sales this season, including Islington show featuring MP’s Wizard of Oz and Olivier winner’s Toto

We’re a third of the way through the fabulously camp production of Wicked Witches, a mashup of Wicked and The Wizard of Oz, at the Pleasance theatre in Islington, north London. Dor (formerly known as Dorothy) and Tin 2.0 need guidance on how to take down the Wicked Witch and save the borough of Oz-lington from a great blizzard.

But wait! Who’s that Facetiming? It’s only Jeremy Corbyn, the wise Wizard of Oz-lington! The 200-person audience cheers and applauds the Islington North MP, who looks as if he’s beaming in from the allotment.

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Big belly, wavy fur and a nose for trouble: we exclusively reveal the new-look Paddington

It’s been the biggest secret in theatre: what will the marmalade-loving, hyper-polite Peruvian look like in Paddington the Musical? As the curtain rises, we speak to the new bear’s creator, a veteran of Star Wars and PG Tips ads

Paddington stands within touching distance. His fur flutters as he turns, his neat button nose sniffs the air, and his eyes soften with a smile. For years, design details of the bear for Paddington the Musical, directed by Luke Sheppard, have been kept top secret. Now here he is, in his blue duffel coat and red hat. A quiet theatrical marvel. “What we’re doing,” says producer Sonia Friedman, “has never been done before.”

Standing around 1.2 metres (just under 4ft) tall, the bear is beautifully round, all belly and sloping shoulders. He is not an exact replica of the Paddingtons we’ve seen in illustrations or movies, but something new. His shaggy, caramel fur has a gentle wave, and his white snout is dotted with a brown nose, ideal for sniffing out trouble. Around his neck sits a label, threaded through an old piece of string, asking for someone to look after him.

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What’s in a name? West End casting directors raise concerns about trend for big stars

Film and TV stars are selling tickets, but director says reliance on famous names is ‘killing audiences’ intellects’

From Ncuti Gatwa in Born With Teeth to Alicia Vikander in The Lady From the Sea and Susan Sarandon in Mary Page Marlowe, there is no shortage of starry celebrities being cast for the West End right now.

It is a phenomenon happening in subsidised theatre too: Indhu Rubasingham’s inaugural season at the National Theatre features the likes of screen favourites Paul Mescal and Nicola Coughlan.

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