Category Archives: V&A

British Museum and V&A to lend Ghana looted gold and silver

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Objects to go on show at the Manhyia Palace Museum in Kumasi as part of Asante king’s silver jubilee celebrations

Gold and silver treasure looted from west Africa by the British army in colonial wars are to be lent to Ghana in a three-year deal, the British Museum and the Victoria and Albert Museum have announced.

The precious regalia, which had belonged to the Asante royal court, is regarded as part of the “national soul” of Ghana. Under the deal, 17 objects from the V&A and 15 from the British Museum, will go on show later this year at the Manhyia Palace Museum in Kumasi, the capital of Asante region. Many of the items have not been seen in Ghana for 150 years.

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V&A director says museum trustees ‘infantilised’ amid row over Parthenon marbles

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Tristram Hunt says trustees should be able to ‘make case’ for items to be retained or returned to countries of origin

Museum trustees should be able to “make the case” whether items in their collections should be retained or returned to their countries of origin, but instead were being “infantilised” and “hidebound” by legislation, Tristram Hunt, the director of the V&A, has said.

He was speaking as a diplomatic row between the UK and Greece over the future of the Parthenon marbles, held at the British Museum, blew up this week after Rishi Sunak abruptly cancelled a meeting with the Greek prime minister, Kyriakos Mitsotakis.

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V&A to look after ancient Yemen stones found in London shop

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Museum agrees to care for stelae dating from second half of first millennium BC until it is safe to return them

The V&A is to look after four ancient carved funerary stones that were found by police in a shop in east London in a historic agreement with Yemen.

The stelae, which date from the second half of the first millennium BC, come from necropoli that have been looted in recent years.

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Campaigners celebrate as V&A severs Sackler links over opioids cash

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London museum bows to years of pressure and removes signs acknowledging the family behind the OxyContin crisis

Campaigners calling for the name Sackler to be dropped from cultural landmarks are celebrating this weekend. Their smiles mark five years of demonstrations and dramatic stunts as another major arts institution – London’s Victoria and Albert Museum – takes down signs acknowledging the financial contribution from this wealthy family.

The museum is dropping it controversial ties with the Sackler family, descendants of US makers of addictive opioid prescription drugs. It’s a victory for the campaign group Sackler P.A.I.N, which staged a dramatic public protest at the gallery in November 2019. The group, led by American artist Nan Goldin, argued that donations from the family that founded now-bankrupt Purdue Pharma, maker of the painkiller OxyContin, were a moral stain on cultural institutions that accepted them.

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V&A to display its first African fashion exhibition

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Galleries will showcase designers who are often overlooked, in an effort to acknowledge colonial histories within the museum

The Victoria and Albert Museum will open its first African fashion exhibition this week, more than 170 years after it was founded.

Featuring designers who have worked with names including Beyoncé and architect David Adjaye, Africa Fashion aims to look across the fashion of the continent, exhibiting designs, photographs and films from 25 of the 54 countries.

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V&A to host exhibition on Coco Chanel’s career and designs

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Gabrielle Chanel. Fashion Manifesto will display 180 designs, jewellery, accessories and perfumes

The V&A is to host the first ever exhibition in a major UK museum on the work of Gabrielle “Coco” Chanel, covering the career of the French designer from the opening of her first millinery boutique in Paris in 1910 to the showing of her final collection in 1971.

The London museum’s exhibition, Gabrielle Chanel. Fashion Manifesto, will display 180 designs as well as jewellery, accessories and perfume, and outfits created for Lauren Bacall and Marlene Dietrich.

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V&A acquires ‘autograph suit’ signed by stars at Baftas and Oscars

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Outfit worn by costume designer Sandy Powell bought by charity boss who has given it to museum

The costume designer Sandy Powell’s one-of-a-kind “autograph suit”, which was signed by more than 200 Hollywood celebrities and luminaries including Leonardo DiCaprio, Spike Lee and Donatella Versace, has been acquired by the Victoria and Albert Museum.

The suit, worn by Powell during the 2020 film awards season, was auctioned as part of a fundraising effort by Art Fund to save Prospect Cottage, the creative studio of Powell’s mentor and friend Derek Jarman. It was bought by Edwina Dunn, the chief executive of the educational charity The Female Lead, who has given it to the V&A.

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‘Death of the suit’: V&A exhibition explores evolution of menswear

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From Harry Styles in a dress to gender-neutral dressing and ‘dad bods’, Fashioning Masculinities embraces past and present trends

From the death of the suit during the pandemic to Harry Styles appearing on the cover of US Vogue in a dress, the conversations around masculinity and fashion appear to be contemporary, however a new exhibition at the Victoria and Albert Museum aims to link modern men’s fashion to its storied past.

Fashioning Masculinities: The Art of Menswear, which opens on 19 March, will feature a host of contemporary fashion designers (Versace, Calvin Klein, Martine Rose) alongside historical examples of the way men dressed (from Bowie to Beau Brummell). There are more than 100 pieces which the curators hope will illustrate how glacial the trends around men’s fashion actually are.

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Sci-fi script and a cage-shaped mosque: Islamic art gets subversive

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From subtle riffs on traditional script-based decoration to a late father’s letters to his lover, the artists vying for the Jameel prize generate deep emotion from meticulousness

Words have had outsize importance in Muslim culture since the beginning. The Qur’an, which literally means “recitation”, was of course revered as the word of God. But, crucially, images of human beings and animals were disapproved of because they could distract people from prayer; as a result, artists poured all their creativity and imagination into calligraphy. Facing the same restriction, craftsmen and architects created dazzling geometric forms into which words were often incorporated. The discipline imposed by not being able to depict living things gave rise to some of the most beguiling decoration on the planet.

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Five thousand years of mystical magnificence: Epic Iran at the V&A – review

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V&A, London
Persepolis and Isfahan are dazzlingly brought to life in a blockbuster show that explores five jaw-dropping millennia of cultural history, from soaring domes to charging horses


Typical. You go for months without any culture, then 5,000 years of it come along at once. That’s what the V&A’s luxury coach tour of a blockbuster promises, and delivers, including quite brilliant recreations of Iran’s two most renowned sites, Persepolis and Isfahan. Epic Iran shows there is a cultural history that connects the country as it is today with the people who lived here five millennia ago. To put this in perspective, that’s like telling the story of Britain from before Stonehenge to the present and hoping it all connects up somehow. But in Iran, it does.

That’s partly because of a pride in history that preserved traditions across the millennia. The most important document of that is The Shahnameh, The Book of Kings, written at the start of the 11th century CE by the poet Ferdowsi. Iran had been converted to Islam in the seventh century, but Ferdowsi’s epic is packed with the heroic deeds and bloody battles of the ancient, pre-Islamic Sasanian empire. It is also written in Persian, as opposed to Arabic. There are gorgeous manuscripts of this classic. A masterpiece made in Tabriz in the 1500s for the Safavid ruler is open on a battle scene in which bejewelled horsemen charge each other across a sea-like expanse of blue: the painter takes time to depict little flowers blooming on the battlefield, just before the horses trample them.

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V&A in talks over returning looted Ethiopian treasures in ‘decolonisation’ purge

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Deputy director says museums must start telling a more honest story about provenance

The Victoria and Albert Museum in London has started talks with the Ethiopian embassy over returning looted treasures in its collections, including a gold crown and royal wedding dress, taken from the country more than 150 years ago.

Ethiopians have campaigned for the return of the items since they were plundered after the 1868 capture of Maqdala in what was then Abyssinia. Ethiopia lodged a formal restitution claim in 2007 for hundreds of important artefacts from Maqdala held by various British institutions, which was refused.

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Joana Choumali wins 2019 Prix Prictet photography prize

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Artist becomes first African to win the prestigious prize, for embroidered pictures created following terrorist attack

• See a photo essay of the Prix Pictet 2019 shortlist

Joana Choumali, a 45-year-old photographer from Ivory Coast, has become the first African artist to win the Prix Pictet. The announcement was made this evening in a ceremony at the Victoria and Albert Museum in London for the opening of an exhibition of the 12 shortlisted artists.

The theme of the eighth Prix Pictet, a global award for photography and sustainability, was Hope. The jury, which included last year’s winner, Richard Mosse, praised Choumali’s “brilliantly original meditation on the ability of the human spirit to wrest hope and resilience from even the most traumatic events”.

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Should museums return their colonial artefacts? | Tristram Hunt

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Europe’s museums serve a nuanced purpose and shouldn’t automatically bow to calls to return artworks plundered by 19th-century colonisers, writes V&A director Tristram Hunt

“I am from a generation of the French people for whom the crimes of European colonialism are undeniable and make up part of our history,” announced Emmanuel Macron to a crowded lecture theatre at Ouagadougou University, in Burkina Faso, in November 2017. “I cannot accept that a large part of cultural heritage from several African countries is in France … In the next five years, I want the conditions to be created for the temporary or permanent restitution of African patrimony to Africa.” In case anyone missed the significance of the French president’s remarks, the Elysée Palace was swift to spell out the new policy: “African heritage can no longer be the prisoner of European museums.”

The following year brought another notable intervention, this time from supervillain Erik Killmonger in the Marvel blockbuster Black Panther. Surveying the African collection at the “Museum of Great Britain”, Killmonger corrects the exhibition’s patronising white curator about the provenance of an axe: “It was taken by British soldiers in Benin, but it’s from Wakanda. Don’t trip – I’m gonna take it off your hands for you.” When the woman replies that the items are not for sale, Killmonger says: “How do you think your ancestors got these? Do you think they paid a fair price? Or did they take it, like they took everything else?” As the poisoned curator collapses, Killmonger deaccessions the artefact. Black Panther took just 26 days to reach $1bn (£784,000) in worldwide box office sales and, in one compelling scene, highlighted all the current controversies over museum collections and colonial injustice.

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‘Tardis’ phone boxes connect children to games of the past

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The Time Telephone offers a glimpse into the archive of songs, games and rhymes built up by Peter and Iona Opie

Time machines to rival Doctor Who’s Tardis are landing across the country this spring. Children who enter a series of specially adapted red telephone boxes can dial up the past and learn the playground games that once entertained their grandparents.

From rhymes like Ring a Ring o’ Roses and Here We Go Round the Mulberry Bush to active games like hopscotch and French skipping, the renowned research into oral traditions carried out by Peter and Iona Opie from the 1950s to the 1980s is being made available to children more used to video-gaming.

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