Gucci design staff strike in protest at plan to relocate to Milan

About 50 workers take part in action, claiming move from Rome would be tantamount to collective dismissal

About 50 Gucci employees in Italy have gone on strike in protest against plans to relocate a significant part of its design studio team from Rome to Milan in what they claim is a “mass redundancy in disguise”.

Gucci, which is owned by the French-based luxury goods group Kering, announced in October it would move 153 of its 219 design employees from the Italian capital to Milan, 380 miles away in Lombardy.

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Gucci announces Sabato de Sarno as its new creative director

De Sarno, who spent 13 years reinvigorating Valentino, replaces Alessandro Michele, who led a stellar renaissance at the brand

There is a new name in fashion. The most illustrious job vacancy in the industry has been filled, with Gucci announcing the appointment of Sabato de Sarno to the role of creative director.

Events at Gucci have been moving fast, as the brand undergoes a shake-up to turnaround “brand fatigue” blamed for the house being overshadowed in growth last year by Kering Group’s stablemate Saint Laurent.

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‘Death of the suit’: V&A exhibition explores evolution of menswear

From Harry Styles in a dress to gender-neutral dressing and ‘dad bods’, Fashioning Masculinities embraces past and present trends

From the death of the suit during the pandemic to Harry Styles appearing on the cover of US Vogue in a dress, the conversations around masculinity and fashion appear to be contemporary, however a new exhibition at the Victoria and Albert Museum aims to link modern men’s fashion to its storied past.

Fashioning Masculinities: The Art of Menswear, which opens on 19 March, will feature a host of contemporary fashion designers (Versace, Calvin Klein, Martine Rose) alongside historical examples of the way men dressed (from Bowie to Beau Brummell). There are more than 100 pieces which the curators hope will illustrate how glacial the trends around men’s fashion actually are.

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Searches for Gucci label soar after release of murder film starring Lady Gaga

Designer brand reaps the benefit of Ridley Scott’s movie telling the story of the killing of firm’s ex-boss

When is murder good for business? When it is made into a Hollywood movie, for one – and when that film stars Lady Gaga. House of Gucci, the Ridley Scott feature released last week to mixed reviews, has sent interest in the Gucci brand soaring.

Searches for Gucci clothing were up 73% week on week, according to e-commerce aggregator Lovethesales.com on Friday, with a leap of 257% for bags and 75% for sliders. The figures suggest that the luxury brand stands only to gain from Hollywood’s telling of the story ofthe glamorous Patrizia Reggiani, who hired a hitman in 1995 to kill her ex-husband Maurizio Gucci, the former head of the fashion label.

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Gaga, Gucci and prison ferrets: how true crime conquered the world

Ridley Scott’s House of Gucci stars Lady Gaga in a tale of fashion and murder. But is true crime – once the soul of cinema, from thrillers and horrors to westerns – now outgrowing the big screen?

What took you so long, House of Gucci? This story was destined to become a movie from the moment the bullet left fashion heir Maurizio Gucci dead outside his Milan office in March 1995 – shot, a witness said, by a hitman with a “beautiful, clean hand”. The film by Ridley Scott now finally arrives dripping with star power, and Lady Gaga as Gucci’s ex-wife Patrizia Reggiani. But the story alone was enough: a glittering tickbox of money, revenge and a villainess kept company in jail by an illicit pet ferret called Bambi.

True crime gold. So why, now that the film is actually here, does the Gucci case feel a strange fit for a movie after all? Put it down to timing. The film’s development began in entertainment prehistory: 2006. Back then, a lavish movie was still the grand prize for any news story, and true crime – that trashbag genre – would simply be glad of the association. Now though, film and true crime have the air of an estranged couple. Had Maurizio Gucci been gunned down on Via Palestro last week, Netflix would already have the rights and the podcast would be on Spotify.

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‘Short, fat, ugly’: Gucci family lashes out at cast appearance in new film

Ridley Scott biopic tells story of Patrizia Reggiani’s doomed marriage to Maurizio Gucci

The Gucci family has hit out against the “horrible, horrible” and “ugly” casting of the House of Gucci film, starring Lady Gaga and Adam Driver.

The film, which is now in production and directed by Sir Ridley Scott, tells the story of Patrizia Reggiani and her doomed marriage to Maurizio Gucci. Reggiani was convicted of his assassination in 1998 after hiring a hitman to kill him.

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‘I came up a black staircase’: how Dapper Dan went from fashion industry pariah to Gucci god

In the 1980s, his Harlem store attracted famous athletes and musicians. Then the luxury brands got him shut down. Now, at 76, he’s more successful than ever – and still on his own terms

It was a mentor on the gambling circuit in Harlem, New York, who gave Daniel Day the moniker that would make him famous. Day was just 13, but had revealed himself to be not only a better craps player than his guide, who was the original Dapper Dan, but also a better dresser. So it came to be that Day was christened “the new Dapper Dan”.

It wouldn’t be until decades later that Day would truly make his name. Dapper Dan’s Boutique, the legendary Harlem couturier he opened in 1982, kitted out local gamblers and gangsters, then later hip-hop stars and athletes such as Mike Tyson, Bobby Brown and Salt-N-Pepa. His custom pieces repurposed logos from the fashion houses that had overlooked black clientele. A pioneer in luxury streetwear, Day screenprinted the monograms of Gucci, Louis Vuitton, MCM and Fendi on to premium leathers to create silhouettes synonymous with early hip-hop style: tracksuits, bomber jackets, baseball and kufi caps. In the process he became a pariah of the fashion industry – and to this day, now aged 76, still one of its great influencers.

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Gucci heiress files lawsuit alleging stepfather sexually abused her

Alexandra Zarini alleges Joseph Ruffalo sexually abused her from the age of six to when she was about 22

Alexandra Zarini, the 35-year-old granddaughter of Aldo Gucci, the man who turned a small Italian artisanal company into a global fashion brand, has filed a lawsuit in a US court alleging that her stepfather sexually abused her over a period of 16 years.

The action, filed in the California superior court in Los Angeles, describes years of sexual abuse from her former stepfather, Joseph Ruffalo, and complicity and a cover-up on the part of her mother, Patricia Gucci, and grandmother Bruna Palombo.

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Emma Watson joins board of Kering, the luxury fashion giant behind Gucci

Actor and eco-fashion advocate to take a seat on board of conglomerate that oversees Gucci, Balenciaga, Saint Laurent, Bottega Veneta and Alexander McQueen

Emma Watson, the actor and activist who made her name as Hermione Granger in the Harry Potter films, has joined the board of the French fashion giant Kering, in a major coup for the world’s second-biggest luxury group.

The British star, who was born in Paris, is the face of the Good On You app, which rates fashion brands on their ethical and sustainability credentials. Watson is also known for her work with Eco Age’s Green Carpet Challenge. She wears sustainable red carpet looks, frequently custom-made by top-tier designers, for most public appearances.

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Parr’s makeup ad for Gucci has a brush with controversy

The shoot, featuring musician Dani Miller in mascara, has reignited debate about realistic standards of beauty

One is famed for warts-and-all realism, the other for high-end gloss, so there was always going to be something spectacular in the offing when British photographer Martin Parr was asked to shoot a make-up advertising campaign for the Italian fashion house Gucci.

The imagery – for the brand’s new L’Obscur mascara – features New York punk musician Dani Miller and her now-famous gap-toothed smile. With lashings of heavy black mascara, natural eyebrows (complete with, shock horror, regrowth), and minimal foundation, it has divided customers and started yet another debate about diversity, even in these times of increased body positivity.

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Guess which important person got the middle finger at Fashion Week

Apparently, it is Fashion Week, and Julie Tong relates that "Italian favorites from Gucci to Prada filled their collections with opulent color, excess, and maximalist style. While at Versace, powerful words like 'unity,' 'courage,' and 'love' were emblazoned on hats and sleeves and more."