Critics of Napoleon epic have fallen for emperor’s fibs, says film’s military expert

The ex-para who advised Ridley Scott on the new movie’s battle scenes claims historians who attacked it have fallen for Bonaparte’s own hype

Critics of the “damaging” and “inaccurate” portrayal of Napoleon Bonaparte in Ridley Scott’s new cinematic epic Napoleon are just victims of the French emperor’s enduring propaganda, according to the military adviser behind the film’s vast battle scenes.

Paul Biddiss claims that “Old Boney”, as he was known to the Duke of Wellington’s British troops, was promoted largely because he elaborated on his own successes. Bonaparte’s fibs impressed all France and intimidated his enemies – until, that is, he met his Waterloo in 1815.

Continue reading...

Emperor’s new clothes: why the French are ready to embrace Napoleon again

With Ridley Scott’s epic set to launch, there has been renewed discussion about the military leader’s legacy – and film fans can’t wait

A Hollywood war epic about the world’s most famous Frenchman – directed by an Englishman – was bound to contain its share of historical inaccuracies. So Ridley Scott’s big-budget battle extravaganza, Napoleon, which opens worldwide next week, has inevitably seen every aspect of its trailers scrutinised in France.

From the age of the actors (Joaquin Phoenix is older than the military leader he plays and Vanessa Kirby is younger than his wife, Joséphine), to a scene in which Napoleon’s cannons fire at the Egyptian pyramids when in reality his troops were kilometres away, nothing has escaped.

Continue reading...

What happens when your star is cancelled but you can’t cancel the film?

Scandals affecting Armie Hammer, Kevin Spacey and Johnny Depp have all hit their movies. We look at how film companies cope when leading players’ box-office stock crashes

Does Armie Hammer ever yearn for the time when the worst thing people said was that nobody liked him? “Ten Long Years of Trying to Make Armie Hammer Happen” was the cruel but incisive headline of a 5,000-word BuzzFeed article from 2017 which concluded that only a wealthy white man could not merely have withstood so much failure but have been rewarded for it. The US actor tweeted about the piece, calling it “bitter AF” before making a celeb’s exit from the social media platform: he deleted his account then quietly reactivated it.

Those must seem now like halcyon days. Hammer’s fall began a year ago when messages surfaced online, purportedly sent from him to various extramarital partners, suggesting an erotic interest in cannibalism. Sexual assault allegations were made by multiple women, while an accusation of rape prompted a Los Angeles police investigation. Hollywood tends to act fast when handling a scandal in the age of social media and #MeToo: Hammer was dropped immediately by his agents, William Morris Endeavor. He exited projects including the Jennifer Lopez romcom Shotgun Wedding, Amma Asante’s cold war thriller Billion Dollar Spy and The Offer, a 10-part series about the making of The Godfather. His scenes in Taika Waititi’s soccer comedy Next Goal Wins were reshot with Will Arnett taking his place.

Continue reading...

House of Gucci is ‘painful and insulting’, says Gucci family

Heirs of Aldo Gucci issue statement taking issue with Ridley Scott’s film but have stopped short of legal action

Surviving family members of the Gucci fashion dynasty have expressed unhappiness with their representation in the new film House of Gucci.

In a statement issued on Monday, the heirs of Aldo Gucci – who ran the fashion house for 33 years until the mid-1980s – said they were aggrieved by the lack of consultation by film-makers, as well as their portrayal as “thugs, ignorant and insensitive to the world around them”.

Continue reading...

Searches for Gucci label soar after release of murder film starring Lady Gaga

Designer brand reaps the benefit of Ridley Scott’s movie telling the story of the killing of firm’s ex-boss

When is murder good for business? When it is made into a Hollywood movie, for one – and when that film stars Lady Gaga. House of Gucci, the Ridley Scott feature released last week to mixed reviews, has sent interest in the Gucci brand soaring.

Searches for Gucci clothing were up 73% week on week, according to e-commerce aggregator Lovethesales.com on Friday, with a leap of 257% for bags and 75% for sliders. The figures suggest that the luxury brand stands only to gain from Hollywood’s telling of the story ofthe glamorous Patrizia Reggiani, who hired a hitman in 1995 to kill her ex-husband Maurizio Gucci, the former head of the fashion label.

Continue reading...

Gaga, Gucci and prison ferrets: how true crime conquered the world

Ridley Scott’s House of Gucci stars Lady Gaga in a tale of fashion and murder. But is true crime – once the soul of cinema, from thrillers and horrors to westerns – now outgrowing the big screen?

What took you so long, House of Gucci? This story was destined to become a movie from the moment the bullet left fashion heir Maurizio Gucci dead outside his Milan office in March 1995 – shot, a witness said, by a hitman with a “beautiful, clean hand”. The film by Ridley Scott now finally arrives dripping with star power, and Lady Gaga as Gucci’s ex-wife Patrizia Reggiani. But the story alone was enough: a glittering tickbox of money, revenge and a villainess kept company in jail by an illicit pet ferret called Bambi.

True crime gold. So why, now that the film is actually here, does the Gucci case feel a strange fit for a movie after all? Put it down to timing. The film’s development began in entertainment prehistory: 2006. Back then, a lavish movie was still the grand prize for any news story, and true crime – that trashbag genre – would simply be glad of the association. Now though, film and true crime have the air of an estranged couple. Had Maurizio Gucci been gunned down on Via Palestro last week, Netflix would already have the rights and the podcast would be on Spotify.

Continue reading...

Ridley Scott films – ranked!

With The Last Duel out now, and House of Gucci at the end of the month, we rate the top 20 movies by the go-to director for swords, sandals, cyborgs and Sigourney

A film to prove that straight-up feelgood comedy is not Ridley Scott’s forte and casting his favourite leading man is no guarantee of success, either. This is based on a novel by Peter “A Year in Provence” Mayle: incredibly, it is Russell Crowe playing the quirkily conceited yet adorable Brit who inherits a sumptuous house-plus-vineyard in the south of France, comes over intending to sell it, but instead falls in love with the place and all the picturesque Frenchness thereabouts, including Marion Cotillard.

Continue reading...

Madness in her method: Did Lady Gaga really stay in character for 18 months?

Lady Gaga inhabited her role in upcoming drama House of Gucci off screen and on for a year and a half. Was the ‘psychological difficulty’ she suffered as a result worth it?

A Star Is Born was both a blessing and a curse for Lady Gaga. A blessing because it put her at the centre of a commercially successful, Oscar-nominated film, thereby rocketing her to the top of a profession of which she had very little experience. A curse, too, because she was essentially just playing herself; a singer who went from performing in drag bars to commanding huge stages in very little time. Quick, without looking, tell me the name of the character Lady Gaga played in A Star Is Born. You can’t, can you? You’ve always just called her Lady Gaga.

This means that she ultimately had two options after A Star Is Born. She could abandon her movie career in the knowledge that she had blurred the line between character and performer more successfully than any actor working today, or she could find another role. A role not so heavily steeped in her own biography. A role that would finally prove to the world that she was an actor of the highest calibre.

Continue reading...

The top 20 duels in cinema – ranked!

Forty-four years after The Duellists, Ridley Scott draws swords again with his star-studded swashbuckler The Last Duel. But which one-on-one fight film is the champion? Let mortal combat begin …

Inspired by Ridley Scott’s The Duellists, Gregory Widen wrote a screenplay about immortals trying to hack each other’s heads off with big swords. Former Olympic fencer Bob Anderson choreographed the showdown between Christopher Lambert and evil Clancy Brown, who is clearly having too much fun to live. “There can be only one!” Followed by a zillion sequels and TV spin-offs.

Continue reading...

‘Short, fat, ugly’: Gucci family lashes out at cast appearance in new film

Ridley Scott biopic tells story of Patrizia Reggiani’s doomed marriage to Maurizio Gucci

The Gucci family has hit out against the “horrible, horrible” and “ugly” casting of the House of Gucci film, starring Lady Gaga and Adam Driver.

The film, which is now in production and directed by Sir Ridley Scott, tells the story of Patrizia Reggiani and her doomed marriage to Maurizio Gucci. Reggiani was convicted of his assassination in 1998 after hiring a hitman to kill him.

Continue reading...

Christopher Plummer, Sound of Music star and oldest actor to win an Oscar, dies aged 91

Veteran and respected actor had a career stretching back to the 1950s, but won his Oscar for best supporting actor for Beginners in 2011

Christopher Plummer, the dazzlingly versatile Canadian actor whose screen career straddled seven decades, including such high-profile films as The Sound of Music, The Man Who Would Be King and All the Money in the World, has died aged 91.

His family confirmed the news, saying he died peacefully at home in Connecticut with his wife of 53 years, Elaine Taylor, by his side.

Continue reading...

Mother of all sci-fi: which is the best Alien movie?

The series has delivered a horror masterwork, a seminal shoot-em-up and some auteurist gems ... but how do they rank?

What better way to celebrate the recent Alien Day than to place the eight movies in the long-running space saga into some kind of order of excellence? And also perhaps to ask how so many film-makers have managed to muck up the original film’s formula.

Let’s start at the bottom. The two Alien vs Predator movies from 2004 and 2007 are now remembered largely for their staggering blandness, as if everybody involved had forgotten what made the early films so chilling. Ostensibly B-movies, but lacking the joyful, half-cocked knockabout bombast of a Roger Corman or Ray Kellogg film, they even disappointed fans of the crossover comic books that spawned them. If 20th Century Fox thought it was getting the new Ridley Scott when the studio hired Paul WS Anderson to direct ’s Alien vs Predator they were sadly mistaken. Bringing the xenomorphs to Earth, as Fox had intended to do in 1992 prior to David Fincher’s Alien 3, turned out to be the dumbest move since John Hurt decided to take a closer peek at the funny egg thing on LV-426. Even a smart moment of stunt-casting – Aliens’ Lance Henriksen as Charles Bishop Weyland – couldn’t paper over the cracks of this weirdly bloodless film. Aliens vs Predator: Requiem upped the gore but dropped quality levels even further, with untried music video directors Colin and Greg Strause at the helm. That the saga survived at all after this twin descent into movie purgatory is remarkable in itself.

Continue reading...