Ridley Scott films – ranked!

With The Last Duel out now, and House of Gucci at the end of the month, we rate the top 20 movies by the go-to director for swords, sandals, cyborgs and Sigourney

A film to prove that straight-up feelgood comedy is not Ridley Scott’s forte and casting his favourite leading man is no guarantee of success, either. This is based on a novel by Peter “A Year in Provence” Mayle: incredibly, it is Russell Crowe playing the quirkily conceited yet adorable Brit who inherits a sumptuous house-plus-vineyard in the south of France, comes over intending to sell it, but instead falls in love with the place and all the picturesque Frenchness thereabouts, including Marion Cotillard.

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Sigourney Weaver’s 20 best films – ranked!

With her new film My New York Year released on 21 May, plus Ghostbusters: Afterlife and endless new Avatars in the offing, we sift through the career of Hollywood’s imperious, stylish powerhouse

William Friedkin directed this broad, knockabout comedy about arms dealing without much flair and it is really only a vehicle for that lost legend of 80s screen comedy, Chevy Chase. He is a small-time arms dealer and Sigourney Weaver plays the haughty and enraged widow of a corporate defence contractor, Wallace Shawn, blaming Chase for her husband’s untimely death in the fictional South American state of San Miguel, where both men had been touting for business. United by greed, and maybe a spark of something more, Weaver joins Chase on a mission to close the arms deal of the century. This doesn’t do justice to Weaver’s class and style.

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Mother of all sci-fi: which is the best Alien movie?

The series has delivered a horror masterwork, a seminal shoot-em-up and some auteurist gems ... but how do they rank?

What better way to celebrate the recent Alien Day than to place the eight movies in the long-running space saga into some kind of order of excellence? And also perhaps to ask how so many film-makers have managed to muck up the original film’s formula.

Let’s start at the bottom. The two Alien vs Predator movies from 2004 and 2007 are now remembered largely for their staggering blandness, as if everybody involved had forgotten what made the early films so chilling. Ostensibly B-movies, but lacking the joyful, half-cocked knockabout bombast of a Roger Corman or Ray Kellogg film, they even disappointed fans of the crossover comic books that spawned them. If 20th Century Fox thought it was getting the new Ridley Scott when the studio hired Paul WS Anderson to direct ’s Alien vs Predator they were sadly mistaken. Bringing the xenomorphs to Earth, as Fox had intended to do in 1992 prior to David Fincher’s Alien 3, turned out to be the dumbest move since John Hurt decided to take a closer peek at the funny egg thing on LV-426. Even a smart moment of stunt-casting – Aliens’ Lance Henriksen as Charles Bishop Weyland – couldn’t paper over the cracks of this weirdly bloodless film. Aliens vs Predator: Requiem upped the gore but dropped quality levels even further, with untried music video directors Colin and Greg Strause at the helm. That the saga survived at all after this twin descent into movie purgatory is remarkable in itself.

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