James Cameron defends three-hour Avatar sequel: ‘I don’t want whining’

Director rejects fears that the sequel to record-breaking 2009 blockbuster will be met with apathy, since ‘people binge-watch TV for eight hours!’

James Cameron has pre-empted fears that his forthcoming sequel to 2009’s Avatar will be met with apathy when it’s released in December.

Speaking to Empire, Cameron addressed the frequent criticism of the original film that few can remember the name – Jake Sully – of its protagonist, played by Sam Worthington.

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Sigourney Weaver’s 20 best films – ranked!

With her new film My New York Year released on 21 May, plus Ghostbusters: Afterlife and endless new Avatars in the offing, we sift through the career of Hollywood’s imperious, stylish powerhouse

William Friedkin directed this broad, knockabout comedy about arms dealing without much flair and it is really only a vehicle for that lost legend of 80s screen comedy, Chevy Chase. He is a small-time arms dealer and Sigourney Weaver plays the haughty and enraged widow of a corporate defence contractor, Wallace Shawn, blaming Chase for her husband’s untimely death in the fictional South American state of San Miguel, where both men had been touting for business. United by greed, and maybe a spark of something more, Weaver joins Chase on a mission to close the arms deal of the century. This doesn’t do justice to Weaver’s class and style.

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Avengers: Endgame tops Avatar to be highest grossing film

Marvel Studios sequel has earned $3bn since its release in April, breaking 10-year record

Avengers: Endgame has surpassed Avatar to become the highest-grossing film of all time.

The Marvel Studios sequel, directed by Anthony and Joe Russo, earned over £2.3bn ($2.9bn) in revenue by Sunday, since being released in April. Avatar, directed by James Cameron, which was released in 2009, previously held the record as the highest grossing movie of all time , earning $2.79bn.

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What if more TV shows were anthologies? Viewers might be less overwhelmed.

Interpretation of the news based on evidence, including data, as well as anticipating how events might unfold based on past events Wouldn't it be nice if all new TV shows were anthologies? Except for the very superior ongoing dramas and comedies, what if every show kept to an eight- or 10-episode arc that wrapped itself up and then, with its creators and some of its repertory cast in tow, moved on to an entirely different story? Viewers could then dip in and out, depending on whether the current story grabs them. On FX, Ryan Murphy and his colleagues have most clearly demonstrated the appeal of this format with "American Horror Story," "American Crime Story" and "Feud."