Prado show aims to highlight true colours of polychrome sculpture

Madrid Exhibition intends to rescue the technique – coloured paint applied to statues – from centuries of indifference

In a darkened corner of the Prado, not far from an outsized crucifixion and a sculpture of a dead, recumbent Christ with eyes of glass, teeth of ivory and fingernails of horn, is another depiction of Jesus that is remarkable in its poignancy, its humanity and its history.

The tiny, painted terracotta scene, titled Los primeros pasos de Jesús (Jesus’s First Steps), is domestic rather than divine and shows a chubby, beaming infant ambling towards his equally beaming father. Its creator was the Spanish baroque artist Luisa Roldán who, despite becoming the first female sculptor to the royal court in 1692, is only now making her debut in the hallowed Madrid museum.

Continue reading...

Dorset ‘Stonehenge’ discovered under Thomas Hardy’s home

Enclosure older than Salisbury monument found under late novelist’s garden is given heritage protection

When the author Thomas Hardy was writing Tess of the D’Urbervilles in 1891, he chose to set the novel’s dramatic conclusion at Stonehenge, where Tess sleeps on one of the stones the night before she is arrested for murder.

What the author did not know, as he wrote in the study of his home, Max Gate in Dorchester, was that he was sitting right in the heart of a large henge-like enclosure that was even older than the famous monument on Salisbury Plain.

Continue reading...

Show shines light on overlooked artist who made UK’s first Holocaust memorial

Work of German-Jewish sculptor Fred Kormis, who fled Nazis in 1930s, is subject of exhibition in London

The work of an overlooked German-Jewish artist who created the UK’s first memorial to victims of Nazi persecution is to be the focus of an exhibition that shines light on the unreported aspects of his life.

Fred Kormis, who fled Germany in the 1930s and later became a British citizen, was described by the Wiener Holocaust Library in London as a forgotten émigré artist who played a unique role in Weimar culture and 20th-century British art.

Continue reading...

‘Absolutely hideous’: new London sculpture of Oscar Wilde condemned by his grandson

Gloomy segmented head of famed playwright fails to convey his wit and brilliance, says Merlin Holland

A huge sculpture of Oscar Wilde’s head lying on its side, his face sliced into segments, has been condemned as “absolutely hideous” by the playwright’s grandson.

Merlin Holland, an expert on Wilde’s life and works, has ­criticised a 2ft-high black bronze sculpture by Sir Eduardo Paolozzi that is to be unveiled in a public garden in Chelsea, south-west London, near Wilde’s former home.

Continue reading...

London’s fourth plinth artwork aims to ‘unite trans community around the world’

Trafalgar Square piece by Mexican artist Teresa Margolles is made of masks depicting faces of transgender and non-binary people

A towering cuboid made of more than 300 masks depicting the faces of transgender and non-binary people, this year’s fourth plinth artwork, has been described as a piece designed to “unite the trans community around the world”.

The Mexican artist Teresa Margolles was flanked by members of her country’s trans community as Mil Veces un Instante (A Thousand Times in an Instant) was unwrapped in Trafalgar Square on Wednesday.

Continue reading...

River Stour sculpture commemorates 16th century drowning that inspired Shakespeare

Figure of woman on her back underwater draws inspiration from Hamlet’s Ophelia and death of senior Tudor judge

Almost 500 years ago, a wealthy and well-connected judge named Sir James Hales walked into the River Stour near Canterbury in order to take his own life. Hales had risen to favour under King Henry VIII but had refused to convert to Catholicism under the repressive regime of his daughter Mary, and had been imprisoned in the Tower of London.

Struggling with his mental health after his release in 1554, he drowned himself. But as suicide was a crime at the time, his widow was denied the right to inherit his property and so took the matter to law, in a case that became so famous in the 16th century that it inspired Shakespeare’s portrayal of the suicide by drowning of Hamlet’s Ophelia.

Continue reading...

Vandals in Austria behead sculpture of Virgin Mary giving birth to Jesus

Artist behind controversial piece in Linz cathedral says vandalism shows there are still ‘people who question women’s right to their own bodies’

Vandals have beheaded a sculpture of the Virgin Mary giving birth to Jesus on display in the cathedral in the Austrian city of Linz. The work had drawn criticism from some Catholics, who said it was blasphemous.

The sculpture had been on view at the St Mary Cathedral, Austria’s largest, as part of an art installation about women’s roles, family images and gender equality, the Linz diocese said in a statement. It said the vandalism, which occurred on Monday, had been reported to police.

Continue reading...

Oxford University to return 500-year-old sculpture of Hindu saint to India

Indian high commission made claim bronze depicting Tirumankai Alvar which it believes may have been looted

Oxford University has announced it is to hand back a 500-year-old sculpture of a Hindu saint to India.

The almost 60cm-tall bronze statue, which depicts Tirumankai Alvar, had been on display at the university’s Ashmolean Museum.

Continue reading...

‘George’s machines’: museum devoted to George Wyllie opens on the Clyde

The Wyllieum will showcase work of ‘social sculptor’ who used humour to make serious criticisms of climate crisis and capitalism

He was the artist who sailed a paper boat past New York, set a straw locomotive on fire over the Clyde, and inserted a question mark into the word sculpture.

George Wyllie, a prolific, self-taught “social sculptor” who worked with steel, stone, wood and paper, used humour to make deeply serious criticisms of the climate crisis, capitalism and Britain’s industrial decline.

Continue reading...

New York’s Vessel to reopen with steel-mesh safety measures after suicides

Climbable sculpture in Hudson Yards in Manhattan closed in 2021 after four people died by suicide

The Vessel, the huge climbable centerpiece of New York’s upmarket Hudson Yards development that saw a number of suicides, is set to reopen later this year with new safety features, according to developers.

The 150ft sculpture, designed by Thomas Heatherwick and built at a cost of $260m, was closed three years ago after four people jumped to their deaths. Besides overall criticism of its design – including descriptions of it as a giant gold shish-kebab rotisserie – the construction was grimly described to the Guardian as “staircase to nowhere”.

In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on 988lifeline.org, or text HOME to 741741 to connect with a crisis counselor. In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@samaritans.org or jo@samaritans.ie. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at befrienders.org

Continue reading...

Ukrainian sculptor who fled Kyiv accepted into Royal Society of British Artists

Alex Lidagovsky was forced to leave Ukraine with his family when his studio was bombed during the Russian invasion

A Ukrainian sculptor who fled to the UK when his studio was destroyed has been accepted into the Royal Society of British Artists.

Alex Lidagovsky was forced to leave Kyiv with his wife, Dasha Nepochatova, and 16-year-old stepdaughter after the Russian invasion began on 24 February 2022.

Continue reading...

Long-buried Atlas statue raised to guard Temple of Zeus in Sicily once more

Eight-metre statue dating from fifth century BC restored and assembled piece-by-piece to be displayed in Valley of the Temples

A colossal statue of Atlas that lay buried for centuries among ancient ruins has been reconstructed to take its rightful place among the Greek temples of Agrigento in Sicily, after a 20-year research and restoration project.

The statue, standing at 8 metres (26ft) tall and dating back to the fifth century BC, was one of nearly 38 that adorned the Temple of Zeus, considered the largest Doric temple ever built despite never being completed.

Continue reading...

‘Dust is everywhere’: rare glimpse of how Michelangelo’s David is kept clean

Florence museum boss compares process to cleaning a bathroom as media are granted privileged access

Michelangelo’s David is recognised as one of the most sublime works in the history of sculpture, but according to the director of Florence’s Accademia Gallery, dusting it is much like cleaning a bathroom.

“You know when you clean a bathroom, you clean and clean and think you’ve done a great job but then you spot some dust and wonder ‘where did that come from?’,” Cecilie Hollberg said on Monday. “This is what it’s like. Dust is everywhere.”

Continue reading...

Sculpture of colonial officer’s ‘angry spirit’ returns to DRC as Dutch urge reckoning

Carved wooden figure at Venice Biennale aims to spark debate about colonial blindspots in the art world

A statue depicting the angry spirit of a Belgian officer beheaded during a 1930s uprising in the Congo will go on display at the Dutch pavilion of this year’s Venice Biennale, seeking to spark a debate about colonial blindspots in the art world – and the Belgian pavilion next door.

The carved wooden figure of colonial administrator Maximilien Balot will not be physically present at the world’s largest art event: a screen will show a livestream from a gallery in Lusanga, in the Democratic Republic of the Congo (DRC), where the artefact will be on display for the six-month duration of the festival.

Continue reading...

Eiffel Tower crowned as world’s tallest matchstick building after record U-turn

Guinness World Records initially said 7.2-metre structure made from more than 700,000 matches broke rules

A man has been awarded the Guinness world record for creating the tallest structure using matchsticks, after his Eiffel Tower replica was initially rejected.

Richard Plaud, from France, said he had been on an “emotional rollercoaster” this week, after spending 4,200 hours building his model from more than 706,000 matches and 23kg of glue. “For eight years, I’ve always thought that I was building the tallest matchstick structure,” he said.

Continue reading...

‘Pile of bricks’ artist Carl Andre dies at 88

Famed and derided for his minimalist aesthetic, the artist’s career was overshadowed by suspicions about his role in the death of his wife Ana Mendieta

Carl Andre, the minimalist sculptor whose life’s work was overshadowed by accusations that he had murdered his third wife, has died aged 88.

The artist was a pioneer of minimalism, and famed for austere works such as 1966’s Equivalent VIII, an arrangement of 120 fire bricks on the gallery floor. But he was also notorious for being a suspect in the murder of Ana Mendieta, who fell from the couple’s apartment window after an argument in 1985. Despite being acquitted of second-degree murder in 1988, the accusations continued to follow Andre for the rest of his life, with supporters of Mendieta turning up to protest at his exhibitions.

Continue reading...

Greece would offer major treasures to UK for Parthenon marbles, minister says

Culture minister Lina Mendoni pledges to ‘fill the void’ at British Museum should ancient sculptures be returned to Athens

Greece is prepared to part with some of its greatest treasures to “fill the void” at the British Museum if the Parthenon marbles were reunited in Athens, the country’s culture minister has said.

Speaking to the Guardian at the end of a momentous year for the campaign to retrieve the fifth-century BC masterpieces, Lina Mendoni promised that the London institution’s revered Greek galleries would never go empty.

Continue reading...

Sunak says retaining Parthenon marbles is matter of law as he denies ‘hissy fit’

PM reaffirms stance after George Osborne suggests snub to Greek counterpart was result of ‘petulance’

Rishi Sunak has denied having a “hissy fit” over the Parthenon marbles row and has said they cannot be returned to Greece “as a matter of law”.

The prime minister this week accused his Greek counterpart of using a trip to London to “grandstand” over the issue of the ancient Greek sculptures.

Continue reading...

Sunak accuses Greek PM of ‘grandstanding’ over Parthenon marbles

Prime minister escalates row with Athens counterpart in first public comments after cancelling their meeting

Rishi Sunak has intensified his diplomatic spat with his Greek counterpart, accusing Kyriakos Mitsotakis of using his recent trip to London to “grandstand” over the issue of the Parthenon sculptures.

The prime minister told MPs on Wednesday he had cancelled a planned meeting with Mitsotakis in London on Tuesday because the Greek prime minister had reneged on a promise not to use the trip as an opportunity to advocate for the sculptures’ return.

Continue reading...

V&A director says museum trustees ‘infantilised’ amid row over Parthenon marbles

Tristram Hunt says trustees should be able to ‘make case’ for items to be retained or returned to countries of origin

Museum trustees should be able to “make the case” whether items in their collections should be retained or returned to their countries of origin, but instead were being “infantilised” and “hidebound” by legislation, Tristram Hunt, the director of the V&A, has said.

He was speaking as a diplomatic row between the UK and Greece over the future of the Parthenon marbles, held at the British Museum, blew up this week after Rishi Sunak abruptly cancelled a meeting with the Greek prime minister, Kyriakos Mitsotakis.

Continue reading...