‘She would have been in awe of him’: how Laurence Olivier gave Margaret Thatcher private seduction lessons

New drama, When Maggie Met Larry, reveals exactly how the world’s most famous actor coached the fledgling Iron Lady

In 1972, a nervous Margaret Thatcher went to Laurence Olivier’s London home for a lesson on presentational skills. The most famous actor of the 20th century told the then education secretary to put a book on her head and walk around to improve her deportment. He also advised her to take long confident strides, and to use her eyes to seduce and flirt.

The future prime minister went on to visit Olivier’s house for a further five lessons, details of which are revealed in a new Radio 4 play, When Maggie Met Larry. Starring Derek Jacobi, who joined Olivier’s fledgling National Theatre when only 24, and Frances Barber as Thatcher, the drama tells of the previously unknown advice on style and voice offered to the Tory politician.

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‘A critic said my stomach was a warning to us all!’ Simon Callow meets Derek Jacobi

The theatre legends look back at working with Laurence Olivier and Peter O’Toole, the pain of biting reviews, the joy of a good run – and the agonies of being miscast

Derek Jacobi and Simon Callow first met at the Old Vic in London. Jacobi was treading the boards with Laurence Olivier, Peter O’Toole and other greats in the fledgling National Theatre company; the younger Callow was working at the box office. Prolific as ever through this lockdown year, both are juggling an assortment of stage and screen projects from home. They took time off to talk about Shakespeare, scathing reviews and how rifling through their family’s wardrobes led them into an acting career.

Derek Jacobi: Have we ever worked together, Simon? I can’t remember!

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‘I even loved his Twankey’: Dench, Hopkins, Mirren and more on Ian McKellen at 80

Wild parties, stunning performances, silhouette erections and marrying Patrick Stewart twice. As the actor turns 80, friends including Derek Jacobi, Janet Suzman, Michael Sheen, Bill Condon and Stephen Fry pay tribute

Ian has been been very important in my life, even before we became good friends. When I was a young teen I remember watching Walter on the TV and being hugely affected by it. Then at Rada in the early 90s, I finally saw him live, in Richard III at the National. I was blown away. I remember him doing the opening speech while lighting a cigarette one-handed. It was brilliant, so understated. It exemplified his mastery – and his work ethic. To do something so difficult and complicated and make it look so easy. Ian has an innate sense of theatrical audacity, something I think he shares with Olivier. They both did things that would make the audience gasp self-consciously.

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