Category Archives: Helen Mirren

Screen Actors Guild awards 2022: Squid Game, Will Smith and Coda win big

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Netflix phenomenon and Apple’s deaf family drama make history at this year’s SAG awards ceremony

The indie drama Coda has won big at this year’s Screen Actors Guild awards, picking up best ensemble in a movie and best supporting actor for Troy Kotsur, who is the first ever deaf actor to win an individual SAG award.

The Apple drama about a deaf family was bought for $25m from last year’s Sundance film festival and has also been nominated for three Academy Awards, including best picture.

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The Duke review – Jim Broadbent steals show in warm-hearted 60s-set crime caper

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Roger Michell’s final feature retells story of the cussed Newcastle pensioner who stole a Goya portrait in protest at government spending priorities

For what has become his final feature film, director Roger Michell made this sweet-natured and genial comedy in the spirit of Ealing, which bobs up like a ping pong ball on a water-fountain. It is based on the true story of Kempton Bunton, the Newcastle bus driver who in 1965 was had up at the Old Bailey for stealing Goya’s portrait of the Duke of Wellington from London’s National Gallery. The mystery of its disappearance had so electrified the media that there was even a gag about it in the James Bond film Dr No, using a copy personally painted by the legendary production designer Ken Adam, which was itself stolen. Maybe there should be a film about that as well.

The court heard this was Bunton’s protest at government misuse of taxpayers’ money (the painting had been saved for the nation at some cost) and to publicise his demand for pensioners to be given free TV licences. (This film features the usual “historical coda” sentences over the closing credits, and one sentimentally records that free TV licences for the over-75s were finally introduced in 2000. But no mention of these being taken away again in 2020.)

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Helen Mirren says questions over playing Golda Meir ‘utterly legitimate’

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Maureen Lipman criticised decision to cast Mirren as former Israeli prime minister as she is not Jewish

Dame Helen Mirren has said questions over the choice to have her play Israel’s first female prime minister, Golda Meir, are “utterly legitimate”.

The Academy award-winning actress said there was “a discussion to be had” about the suitability of certain actors for certain roles.

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Helen Mirren: is the Israeli icon Golda Meir a role too far for the dame who does it all?

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She has played the Queen and a gangster’s moll but her latest casting has sparked controversy

Nobody is quite what they seem. And actors? Well, for actors that’s the job. Dame Helen Mirren, as well as being herself for 76 years, has by now notably been Lady Macbeth, a London gangster’s moll, a thief’s wife, an alcoholic cop, an action hero, Prospero and also a British monarch at least four times. Now she takes on Golda Meir, the late prime minister of Israel, in a new biopic, and the casting has caused controversy.

The choice of a non-Jewish actor to star as a woman with such a prominent place in the history of Israel has prompted irritation on both sides of the argument. Another illustrious dame, Maureen Lipman, was first to raise the issue – or “blast” Mirren, according to some reports last week – and then Dame Esther Rantzen defended the director’s choice. It is the latest instance of a ‘Jewface’ row, a backlash to the assignment of a major Jewish role to someone not from that minority background.

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‘They cut the beheading scene’: The Long Good Friday, remembered by Helen Mirren and co-stars

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Prophetic, frenetic and shockingly brutal, the film became a British classic. For its 40th anniversary, Mirren and other cast members relive their roles in the menacing gangland masterpiece

It has been 40 years since the release of The Long Good Friday, a gangster film still revered as one of the best British movies of all time. Shot in London in the late 1970s and starring the late Bob Hoskins and Helen Mirren, it told the story of an underworld boss trying desperately to stop the IRA from dismantling his empire.

The backdrop for the film was the London Docklands, then mostly undeveloped. With corrupt city planners in his pocket, Hoskins’ character – the pugnacious, barrel-chested Harold Shand – attempts to woo the New York mafia into a partnership to transform the area, selling the idea to them with a speech during a trip up the Thames on his yacht. “Our country is not an island any more,” he snarls. “We’re a leading European state. And I believe this is the decade in which London will become Europe’s capital … no other city in the world has got, right at its centre, such an opportunity for profitable progress.”

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‘I even loved his Twankey’: Dench, Hopkins, Mirren and more on Ian McKellen at 80

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Wild parties, stunning performances, silhouette erections and marrying Patrick Stewart twice. As the actor turns 80, friends including Derek Jacobi, Janet Suzman, Michael Sheen, Bill Condon and Stephen Fry pay tribute

Ian has been been very important in my life, even before we became good friends. When I was a young teen I remember watching Walter on the TV and being hugely affected by it. Then at Rada in the early 90s, I finally saw him live, in Richard III at the National. I was blown away. I remember him doing the opening speech while lighting a cigarette one-handed. It was brilliant, so understated. It exemplified his mastery – and his work ethic. To do something so difficult and complicated and make it look so easy. Ian has an innate sense of theatrical audacity, something I think he shares with Olivier. They both did things that would make the audience gasp self-consciously.

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