Armageddon Time: film featuring Trump family is attack on capitalism, says maker

New movie set in 80s US and starring Succession star Jeremy Strong with Jessica Chastain as Donald Trump’s sister, traces fault lines of political and social division back to Reagan era

A new film set in 1980s New York, in which Donald Trump’s property mogul father, Fred, and high-achieving lawyer sister Maryanne appear as characters is a direct attack on late-stage capitalism, according to its principal cast and director.

Armageddon Time, which is premiering at the Cannes film festival and stars Succession’s Jeremy Strong alongside Oscar-winner Jessica Chastain as Maryanne Trump, in a cameo, is set during the run-up to the election of Ronald Reagan as president and examines the layers of privilege that determine the future of children attending different schools in the same city.

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Screen Actors Guild awards 2022: Squid Game, Will Smith and Coda win big

Netflix phenomenon and Apple’s deaf family drama make history at this year’s SAG awards ceremony

The indie drama Coda has won big at this year’s Screen Actors Guild awards, picking up best ensemble in a movie and best supporting actor for Troy Kotsur, who is the first ever deaf actor to win an individual SAG award.

The Apple drama about a deaf family was bought for $25m from last year’s Sundance film festival and has also been nominated for three Academy Awards, including best picture.

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‘You upgrade your phone, why not your marriage?’ The TV show set to send divorce rates soaring

Ingmar Bergman’s Scenes from a Marriage shook the world – and spiked divorce rates. Could the remake, with Jessica Chastain and Oscar Isaac, be even more controversial? Its director Hagai Levi bares all

In 1973, Ingmar Bergman released Scenes from a Marriage. The seminal Swedish TV series saw a luminous Liv Ullmann and a tortured Erland Josephson play Marianne and Johan, whose marriage is deliquescing with the most elegant ugliness. Their pain is exquisite and their liberation hard-won, but it is – in the end – a victory for authenticity. For these perfect people are trapped by convention.

“It was very political and very revolutionary,” says Hagai Levi, the Israeli director who has just remade the series for HBO, with Jessica Chastain and Oscar Isaac in the lead roles. “And very outrageous! Back then, even the word ‘divorce’ was shocking.” In Bergman’s series, the couple are crushed by the weight of their own seeming perfection, the relinquishment of which makes it feel so emancipating, and so novel. This was not an Ibsen rehash, a Doll’s House message (“it’s OK to leave bad people”) but something much more seismic, in the 70s at least. Even though Johan is the jerk who takes off, the point is: sometimes neither party is bad – they are simply not themselves until they part.

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Jessica Chastain and Kevin Bacon reveal how fame helped them escape speeding tickets

She told the Graham Norton show: "I wasn't driving but we got pulled over for speeding and I thought, 'This is a disaster', but the cop looked at me and said, 'Are you an actor?'. "When I said yes, he asked what films I have been in and I knew that was my moment to get out of the ticket and that I had better say the right film.