Jeremy Strong to follow Succession with a return to Broadway

The actor will head up an adaptation of Henrik Ibsen’s 1882 play An Enemy of the People once the hit HBO drama has ended

Jeremy Strong is going from a corporate boardroom on TV to a whistleblower on Broadway.

The actor who plays Kendall Roy in the HBO television series Succession has signed on to play a man who tries to expose water contamination in a Norwegian spa town in Henrik Ibsen’s 1882 play An Enemy of the People.

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Armageddon Time: film featuring Trump family is attack on capitalism, says maker

New movie set in 80s US and starring Succession star Jeremy Strong with Jessica Chastain as Donald Trump’s sister, traces fault lines of political and social division back to Reagan era

A new film set in 1980s New York, in which Donald Trump’s property mogul father, Fred, and high-achieving lawyer sister Maryanne appear as characters is a direct attack on late-stage capitalism, according to its principal cast and director.

Armageddon Time, which is premiering at the Cannes film festival and stars Succession’s Jeremy Strong alongside Oscar-winner Jessica Chastain as Maryanne Trump, in a cameo, is set during the run-up to the election of Ronald Reagan as president and examines the layers of privilege that determine the future of children attending different schools in the same city.

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Succession creator Jesse Armstrong on its thunderous finale: ‘That might be as good as I’ve got’

Season three of the hit show has made even more headlines than usual. We ask its British creator if he’s had enough yet, if actor Jeremy Strong is doing OK – and if his character Kendall is actually Jesus

• Warning: contains spoilers

Yesterday, like much of the rest of the world, I watched the finale of the third season of Succession. And, like much of the rest of the world, I found myself buffeted by one astonishing twist after another – and a gasp-inducing climax that outdid even those of series one and two. Unlike my fellow viewers, however, pretty much the first thing I see after the end credits roll is the face of Jesse Armstrong, the show’s creator, popping up over Zoom and politely attempting to dissuade me from discussing the episode.

Unlike other big TV showrunners – who will happily explain, and sometimes over-explain, every single second – Armstrong prefers to remain hands off. He tries not to read the acres of theorising that Succession inspires. Such post-match analyses, he says, can often feel like a tightrope walk. “There’s a bit of me that just wants to find out what the fuck everyone is saying about the show,” he says from his book-lined study in London. “But you can’t. It wouldn’t be good for me psychologically – and it wouldn’t be good for the creative process of doing the show.”

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