Russell Tovey and Gugu Mbatha-Raw to star in Doctor Who spin-off

Posted on July 26, 2024 by Admin

Writer Russell T Davies says drama The War Between the Land and the Sea ‘will shake the Whoniverse to its foundations’

Russell Tovey and Gugu Mbatha-Raw are to star in a Doctor Who spin-off called The War Between the Land and the Sea, it has been announced.

They will lead the cast alongside Jemma Redgrave and Alexander Devrient in the series, which was created by Doctor Who showrunner Russell T Davies. He has co-written the series with Pete McTighe, who has also worked on Doctor Who.

Russell Tovey: ‘Queer people in my generation have section 28 in our blood’

Posted on August 12, 2021 by Admin

As he hits the stage in Constellations, Tovey talks babies, what he’d say to Oliver Dowden and why he finally understands The History Boys

Russell Tovey is trying to lick his elbow. It’s a ritual every performer has to go through in the opening scene of Nick Payne’s play Constellations – the response to a flirtily issued challenge from a stranger – but it seems particularly suited to someone whose physical presence combines goofiness and sex appeal in equal measure. The resulting ripple of laughter in a packed house feels mildly alarming after months of social distancing, but for Tovey it’s a reassuring sign of a return to normal. “It hasn’t felt as alien as I thought it was gonna be,” he says, adding that gaps between seats could feel “like you’re playing to a show that hasn’t sold that well”. Judging by the queues outside, there’s little danger of that.

We meet the next day at the bottom of a lightwell in the middle of a rehearsal studio in Covent Garden. It’s technically outside, which is better for Covid, the PR assures us – a reminder that normal is, in fact, some way away. Tovey is dressed in grey chinos and a darker sweater that chime with his now more-salt-than-pepper hair. The erstwhile History Boy is turning 40 in November (he played sixth-former Rudge in the Alan Bennett hit at the age of 23), though he still somehow manages to look younger than his years. The run-up to this milestone obviously hasn’t panned out as expected. In 2020 he was supposed to be on Broadway, performing in Who’s Afraid of Virginia Woolf? alongside Rupert Everett, and, as he told one interviewer, “putting the feelers out” on how to have a baby.

The Picture of Dorian Gray review – the ugly face of social media

Posted on March 15, 2021 by Admin

Available online
Eternal youth and beauty exist only online in this thoroughly modern adaptation of Oscar Wilde’s fable, which counts Stephen Fry and Joanna Lumley among its impressive cast

If Dorian Gray were reborn in our age, it seems entirely fitting that he would be a social media star obsessing over his image. So it makes great intuitive sense for this adaptation of Oscar Wilde’s novel to situate its protagonist in the centre of the digital whirl of 2021.

There is now no physical painting: the deal made with Basil Hallward allows Dorian eternal youth and beauty online, but age marks him in the real world, his face becoming etched with the ugliness of his accumulating misdeeds (snorting coke, catfishing and late night hookups). The pandemic is incorporated into the drama and enhances the storyline as Dorian wears his mask to cover his ageing face.

‘I even loved his Twankey’: Dench, Hopkins, Mirren and more on Ian McKellen at 80

Posted on May 22, 2019 by Admin

Wild parties, stunning performances, silhouette erections and marrying Patrick Stewart twice. As the actor turns 80, friends including Derek Jacobi, Janet Suzman, Michael Sheen, Bill Condon and Stephen Fry pay tribute

Ian has been been very important in my life, even before we became good friends. When I was a young teen I remember watching Walter on the TV and being hugely affected by it. Then at Rada in the early 90s, I finally saw him live, in Richard III at the National. I was blown away. I remember him doing the opening speech while lighting a cigarette one-handed. It was brilliant, so understated. It exemplified his mastery – and his work ethic. To do something so difficult and complicated and make it look so easy. Ian has an innate sense of theatrical audacity, something I think he shares with Olivier. They both did things that would make the audience gasp self-consciously.