Are they having a laugh? How The Father’s posters get the film so wrong

Anthony Hopkins’ harrowing dementia drama is the sensation of this awards season. So why is it endlessly being advertised as another movie altogether?

The Father is not out in the UK until next month, but we already know plenty about it. We know that its script won an Oscar for the uncanny way it dropped the viewer into the mind of someone with dementia. We know that Anthony Hopkins gave such a harrowing, desperate performance that he also won an Oscar. Perhaps you even read the New Yorker interview with Hopkins about the role, which inspired him to recount the circumstances of his own father’s death in devastating detail. Basically, we know that The Father is quite a dark film.

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And the winner should be … Peter Bradshaw’s predictions for the 2021 Oscars

Will Nomadland clean up this year? Will Anthony Hopkins get best actor? Our film critic gives the low down on the contenders for the Academy Awards

Will win: Nomadland
Should win: Nomadland
Shoulda been a contender: Quo Vadis, Aida?

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No man’s land: in crowning Chloé Zhao and Emerald Fennell, Bafta has triumphed

An immaculate set of choices this year were capped by best film for Nomadland and best British film for Promising Young Woman – with Anthony Hopkins’ honour the cherry on top

This year’s Bafta list has confirmed the amazingly meteoric career ascendancy of Chloé Zhao, the Chinese-born film-maker whose debut movie was just six years ago and who was unknown outside arthouse-connoisseur circles until relatively recently; she now is set to rule awards season with a remarkable film displaying her now fully developed authorial signature.

Related: Baftas 2021: Nomadland wins big as Anthony Hopkins and Promising Young Woman surprise

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Anthony Hopkins’ 20 best film performances – ranked!

Anthony Hopkins has been nominated for a Bafta and an Oscar for his role in The Father. But how does it compare with his performances as Hannibal Lecter, CS Lewis, Odin and an ageing Zorro?

Over the years, Anthony Hopkins acquired the sort of gravitas that allowed him to slot effortlessly into his stint in the Marvel special effects salt mines, nowadays a rite-of-passage for every actor. And he is perfectly cast as Odin, the one-eyed ruler of Asgard, legendary know-it-all and, in the MCU at least, the father of Hela, Thor and Loki. “I’m a little like Odin myself,” Hopkins said in an interview.

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Golden Globes: who will win and who should win the film awards? | Peter Bradshaw

Will The Irishman clean up? Or Marriage Story? And how will Once Upon a Time in Hollywood fare? Peter Bradshaw offers a lowdown of the main categories and his predictions and omissions

The best film category is dominated – just like everything else in the cultural conversation around movies – by Netflix, which has the majority of the nominees: Martin Scorsese’s The Irishman, Noah Baumbach’s Marriage Story and Fernando Meirelles’s The Two Popes.

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‘I even loved his Twankey’: Dench, Hopkins, Mirren and more on Ian McKellen at 80

Wild parties, stunning performances, silhouette erections and marrying Patrick Stewart twice. As the actor turns 80, friends including Derek Jacobi, Janet Suzman, Michael Sheen, Bill Condon and Stephen Fry pay tribute

Ian has been been very important in my life, even before we became good friends. When I was a young teen I remember watching Walter on the TV and being hugely affected by it. Then at Rada in the early 90s, I finally saw him live, in Richard III at the National. I was blown away. I remember him doing the opening speech while lighting a cigarette one-handed. It was brilliant, so understated. It exemplified his mastery – and his work ethic. To do something so difficult and complicated and make it look so easy. Ian has an innate sense of theatrical audacity, something I think he shares with Olivier. They both did things that would make the audience gasp self-consciously.

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