London’s Central drama school axes audition fees to end elite grip on the arts

The institution hopes to ‘shift the dial’ and encourage a more diverse range of students to apply

A key obstacle in the path of poorer aspiring actors is to be removed at one of the UK’s leading drama schools, the Observer can reveal. The Royal Central School of Speech and Drama, one of the country’s top drama schools, where Dame Judi Dench, Andrew Garfield, Riz Ahmed, Jason Isaacs, Cush Jumbo and Martin Freeman all learned their craft, is to scrap audition fees for prospective students in an effort to broaden its intake.

“None of us want drama schools to be the preserve of the well off. Ideally, they are places where people from all backgrounds can come together and learn from each other,” said Freeman, a Central graduate and star of The Responder, Sherlock and The Office. “Without my grant from Richmond council many years ago, I would never have been able to enjoy my three years at Central. That seems to have become harder and harder in recent years; who knows how many young actors are lost to us, due to lack of funds. I hope this inspires others to follow suit in trying to make attending drama school fairer for all.”

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Martin Freeman’s teenage obsessions: ‘I still think that rude-boy skinhead look is hard to beat’

The Hobbit actor, who is back on TV in the sitcom Breeders, recalls sharp dressing on a budget, discovering Public Enemy and how Michael Caine got him into film

The first music I latched on to was British punk – the Sex Pistols, the Clash and the Jam. I just loved the power, the rawness and the rudeness. You had to turn it down when your dad came in the room; your parents were supposed to hate it. Bob Marley and the Wailers and Linton Kwesi Johnson became a religion alongside the Catholicism I was taught in school. From 17, I was a little hip-hop head, mad on Jungle Brothers, Boogie Down Productions and Public Enemy. I was obsessed with politics in that way you are as a teenager – when you actually know nothing.

I’m not a particularly knowledgable fan of the Fall, but I loved hearing their early stuff via my older brothers (I’m the youngest of five). I thought this bored Manc with this slightly aggressive snarl was great. I like hearing accents in music. I remember hearing Ian Dury for the first time and thinking: “Jesus Christ!” Not everyone can sound like Rod Stewart. I’m not sure there has to be a template for what a rock’n’roll singer sounds like anyway. You’d want Mark E Smith to like you even though he would really hate you. I have often thought that about John Lydon. I would love to say hello to him, but he’d hate me, just on principle.

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