Trump drawing to be first New Yorker cover featuring courtroom sketch

Jane Rosenberg was one of three permitted sketch artists during the hearing involving the ex-president on Tuesday

The next cover of the New Yorker will feature a drawing of Donald Trump at his arraignment on felony charges this week – the first time a courtroom sketch has graced the cover of the famous magazine.

Jane Rosenberg was one of three permitted sketch artists during the hearing involving the former president at the Manhattan criminal courthouse on Tuesday.

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Madness in their method: have we fallen out of love with actorly excess?

The Succession star Jeremy Strong has been widely scorned after a magazine profile revealed his ‘preening’ and ‘self-indulgent’ acting process. But many actors have been lauded for their method – so what has changed?

Robert De Niro is the greatest actor of his generation. So claimed the headline in a popular magazine last year, and it’s not a controversial claim. The evidence offered for this opinion was the same that’s always wheeled out when discussing De Niro’s acting: “[He] took method acting to previously uncharted levels. He got a New York cab licence for Taxi Driver, learned Italian and lived in Sicily to prepare for The Godfather Part II, put on 60lbs to play Jake LaMotta in Raging Bull, learned Latin for True Confessions and the sax for New York, New York. He was the hardest-working man in Hollywood,” wrote the journalist.

For decades, this has been the general feeling about actors: the more method, the better. After all, if they don’t eat raw bison and sleep in an animal carcass (Leonardo DiCaprio in The Revenant), stay in a wheelchair and be spoonfed by the crew (Daniel Day-Lewis in My Left Foot) or lose so much weight that they start to go blind (Matthew McConaughey in Dallas Buyers Club), they’re just playing make-believe. And why should they get all that fame, adoration and money just for that? All of the above actors were rewarded for their efforts with an Oscar, and actors talking about their method efforts has become as much a part of the run-up to the Oscars as shops playing Do They Know It’s Christmas in the run-up to the holidays.

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‘Who are we performing for?’: Will McPhail on the strange art of small talk

The New Yorker cartoonist’s debut graphic novel In follows an aimless artist who struggles to connect with others. He talks about his own experiences, and his love for drawing ‘characterful’ pigeons

One morning this week, Will McPhail went out to buy a coffee. While fishing for his keys, he rested the takeaway cup on the roof of his car. A passerby spotted him.

“Oof,” the man said, with a convivial, wotcha-cobber gesture at the coffee. “Don’t drive off!”

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New Yorker suspends Jeffrey Toobin for allegedly masturbating on Zoom call

  • Magazine says it is investigating matter
  • Toobin says ‘I thought I had muted the Zoom video’ in apology

The New Yorker magazine has suspended one of its long-time staff writers, legal expert Jeffrey Toobin, while it investigates a report that he was allegedly masturbating during a Zoom work call earlier this month.

“I made an embarrassingly stupid mistake, believing I was off-camera,” Toobin said in a statement on Monday about the situation, first reported by Vice.

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Ronan Farrow: master #MeToo reporter hit by surprise New York Times takedown

Pulitzer-winning New Yorker journalist rejects claims from paper’s Ben Smith that work exhibits ‘shakiness at its foundations’

Ronan Farrow is no stranger to the rough and tumble of investigative journalism. His exposés on sexual abuse that helped to inspire the #MeToo movement have led to him to being trailed by private detectives employed by his most famous target – Harvey Weinstein – and to accusations from his former employer, NBC News, that he told “outright lies”.

Related: Shredded Trump documents and spy games: Ronan Farrow's biggest scoops

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