Category Archives: Blues

Cher, Ozzy Osbourne and A Tribe Called Quest among 2024 Rock and Roll Hall of Fame inductees

Posted on by

Cher finally recognised 60 years after her first recordings, while Mary J Blige, Peter Frampton and Dave Matthews Band are among the other inductees

Cher, Ozzy Osbourne, Mary J Blige and A Tribe Called Quest are among the stars to be added to the Rock and Roll Hall of Fame this year – many of them rather overdue.

Artists can be added to the US institution 25 years after their first recording, but Cher – who once described her snub by the Hall as “kind of rude” – has had to wait until 60 years after her first releases with Sonny & Cher to be included.

Continue reading...

Kelly Joe Phelps, blues and country musician, dies aged 62

Posted on by

Musician celebrated for slide guitar playing and soulful voice released a string of acclaimed albums between 1994 and 2012

Kelly Joe Phelps, the celebrated singer and guitarist whose music traversed blues, country and jazz, has died aged 62. A post on his Facebook page said he died “quietly at home in Iowa”.

Born in Washington state, Phelps was raised in a musical family and first trained as a jazz musician, but broadened his playing after being inspired by artists such as Mississippi Fred McDowell. “I wanted to figure out a way to improvise like a jazz musician would, but at the same time play a style of music that was more closely linked to folk forms,” he explained.

Continue reading...

Syl Johnson, much-sampled blues, funk and soul singer, dies aged 85

Posted on by

Singer’s upbeat and socially conscious songwriting appears on tracks by Wu-Tang Clan, Public Enemy and Kanye West

Syl Johnson, the blues, funk and soul singer whose work was much sampled in US hip-hop, has died aged 85.

No cause of death was announced by his family, who said of Johnson: “He lived his life as a singer, musician and entrepreneur who loved black music … A fiery, fierce, fighter, always standing for the pursuit of justice as it related to his music and sound, he will truly be missed by all who crossed his path.”

Continue reading...

Rod Stewart: ‘I got Elton a fridge for Christmas. He got me a Rembrandt’

Posted on by

Answering Guardian readers’ questions, the singer discusses his epic railway modelling, his admiration of the Sex Pistols and the secrets of his hair regime

Did you have any heroes in the beginning of your career that you wanted to move or look like? JoeHill

I didn’t look at singers and think: “That’s how I want to move,” but I sorta wanted to sound like ’em. I started off with Eddie Cochran – that rough-edged voice – and moved on to Otis Redding, Sam Cooke, Bobby Womack and David Ruffin. I went from being a beatnik to a mod with long hair.

Continue reading...

‘I’ve been dead so many times’: the life and times of New Orleans’s blues king

Posted on by

Little Freddie King has survived three shootings, stabbings, a near fatal bike accident, a stomach ulcer, an accidental electrocution, Hurricane Katrina, and now a pandemic

In a dark, wood-panelled room, thick with humidity and reeking of smoke, the bluesman sits on a battered red couch that droops in the middle. He takes a moment to reflect before walking to the stage. He’s dressed in a pair of shades, a straw fedora, and a technicolor suit jacket splashed with turquoise, pink and peach. His flamboyance is an instant contrast with the dingy surroundings. He takes a final drag of a cigarette, down to the butt, before adjusting his tie.

Little Freddie King has played this venue – BJ’s Lounge, a ramshackle bar in the Bywater neighbourhood of New Orleans – for the past 27 years. But tonight is special. Tonight is his 81st birthday.

Continue reading...

‘We’re like Mork and Mindy!’ Robert Plant and Alison Krauss, music’s odd couple

Posted on by

Fourteen years after their Grammy-winning debut, the roots duo have reunited – facing high expectations. They explain how they left their comfort zones with a ‘nuts but tasteful’ all-star band

More than half a century since arriving to play his first show in the US with Led Zeppelin, Robert Plant was in the strange position of having to explain himself to the authorities.

“I had to prove that I was contributing to the betterment of the American system somehow, which is kind of cute, really,” Plant says of this post-lockdown trip to Nashville. He is sitting in the city’s famous Sound Emporium studio with his collaborator, the bluegrass legend Alison Krauss. It is the same place where they recorded their second, highly anticipated record as a duo, Raise the Roof, before the pandemic put the world on pause.

Continue reading...

Dan Aykroyd: ‘I still have the lizard brain of a 20-year-old’

Posted on by
The actor, 69, talks about crying over his kids, not being able to cook and still having 80% of his dance moves

I am actually one of the few people on the planet who is a heterochromiac syndactylite. I have webbed middle toes on both feet. I also have different coloured eyes: one is brown, one is green. I don’t know how many of us there are: I heard seven.

I think I still have the lizard brain of a 20-year-old. I wake up every morning and I have the same vision, the same perception – except when I start to move. The lag between my perception of how young I feel and that mobility… There’s a lag there.

Continue reading...

‘Not just a drummer – a genre’: Stewart Copeland and Max Weinberg on Charlie Watts

Posted on by

The Police and Bruce Springsteen drummers share memories of their late Rolling Stones counterpart, explaining his technical brilliance, his verve – and his clothes-folding skills

I’m an early-period Stones fan, and not so much because of losing interest in them, but because when you’re 16, music is 100 times more important – and the Rolling Stones were right there when I was 16. Humans are sort of like ducks. A duck comes out of the shell, the first warm thing it sees is mama; for adolescent teenage humans, the first raucous sound of rebellion, that’s daddy. And in my generation, that sound was the Stones.

Continue reading...

Charlie Watts: the calm, brilliant eye of the Rolling Stones’ rock’n’roll storm

Posted on by

Unruffled amid excess, personality clashes and musical disputes, the Rolling Stones’ exceptional drummer used technique to deepen the meaning and power of their songs

By any standards, Charlie Watts was an unlikely candidate for rock stardom.

He was quiet, drily funny and unfailingly modest, characteristics theoretically better suited to his initial profession as a graphic designer than the scream-rent world of 60s pop. Furthermore, by his own admission, he didn’t particularly care for rock’n’roll (“I didn’t know anything about it … I used to hate Elvis Presley. Miles Davis – that’s what I considered someone,” he told an interviewer in 1993) and had initially had to have the rhythm and blues so beloved of his bandmates explained to him: “I didn’t know what it was. I thought it meant Charlie Parker, played slow”.

Continue reading...

Bowie, bed-hopping and the blues: the wild times of Dana Gillespie

Posted on by

She tamed Keith Moon, got laughed into bed by Bob Dylan and went to a young David Bowie’s house for tuna sandwiches – but the blues singer’s 72 albums are what really define her

“No one has understood how deeply rooted in music I am because they got distracted by my tits,” Dana Gillespie complains.

Now 72, the singer and songwriter’s curvaceous figure ensured she regularly appeared in both tabloids and films from the 1960s to 80s but, she says, this was a mere sideline: music was always her mission in life, it’s just that the British refuse to take her seriously. In Austria and Germany – where she has enjoyed hit singles and hosted a long-running radio show – they do. Ditto in India, where she records devotional music with leading Indian musicians. But in Britain she is too often been relegated to “lover of” status for her string of flings with the likes of Bob Dylan, David Bowie, Mick Jagger and Michael Caine. “I’m Britain’s best-kept secret,” says Gillespie, and she may well be correct.

Continue reading...

‘An American riddle’: the black music trailblazer who died a white man

Posted on by

A fascinating new podcast delves into the life of Harry Pace, forgotten founder of the first black-owned record label in the US – and unlocks a shocking and prescient story about race

There are, according to the academic Emmett Price, “six degrees of Harry Pace”. He is referring to the man born in 1884 who founded America’s first black-owned major record label; desegregated part of Chicago; mentored the founder of Ebony and Jet magazines and spearheaded the career of blues singer Ethel Waters. Pace is a figure who is seemingly everywhere at once, yet his name has been suspiciously absent from the history books.

“This story encapsulates how progress comes about in America – and it is never in a straight line,” says Jad Abumrad. “It is often a cycle – one that contains hope and despair, smashed together.”

Continue reading...

Van Morrison: Latest Record Project Volume 1 review | Alexis Petridis’s album of the week

Posted on by

(Exile/BMG)
The veteran bluesman loudly wakes up the sheeple with this boring and paranoid double album, reminiscent of a dinner party with a bitter divorcee

Even a man as implacably opposed to lockdown as Van Morrison – who spent 2020 releasing songs rubbishing science as “crooked facts”, mocking people for wearing masks and describing the government as “fascist bullies” while also invoking the Berlin Wall – might be forced to concede it had its advantages. After all, it gave him the time to write the material for Latest Record Project Volume 1, a 28-song, two-hour-plus opus that allows him to set out his latterday worldview more fully than any previous work.

Continue reading...

Witch Camp (Ghana): I’ve Forgotten Now Who I Used To Be review – magical sound of the marginalised

Posted on by

(Six Degrees)
Sung in little-spoken Ghanaian dialects, these haunting, spontaneous songs by women accused of witchcraft are unlike anything you have ever heard

Now that it is fashionable for aggrieved political factions to dismiss criticism as a “witch hunt”, it’s worth remembering what makes actual witch hunts so pernicious. It’s not that the women thus accused are in fact innocent – it’s that they couldn’t possibly be guilty. In northern Ghana, witch hunts are more than a political metaphor. Even now, vulnerable women are accused of the dark arts because they have a mental illness, a physical disability or simply because their families want them out of the way. They are blamed for infertility, crop failure, bad weather, accidental deaths and much more besides. Lynchings and burnings still occur from time to time. That’s what a witch hunt means.

While belief in witchcraft is not unique to Ghana, witch camps are. These small settlements, which still exist despite government efforts to shut them down, offer accused women safe haven, albeit within the same framework of belief that drove them from their homes: the chiefs claim to ask the local gods to neutralise their powers and render them harmless. Protection assumes guilt. “If we are here, then we must be witches,” one told a journalist a few years ago.

Continue reading...

Jackie Kay on Bessie Smith: ‘My libidinous, raunchy, fearless blueswoman’

Posted on by

As a black girl growing up in 1970s Glasgow, poet Jackie Kay developed a passion for Bessie Smith. In this extract from her new book, she remembers the wild spirit who helped her find her true self

I was adopted in 1961 and brought up in a suburban house in a suburban street in the north of Glasgow. A small, semi-detached Wimpey house. Outside our house is a cherry-blossom tree that is as old as me. It doesn’t seem the most likely place to be introduced to the blues, but then blues travel to wherever the blues lovers go. In my street and in the neighbouring streets to Brackenbrae Avenue, I never saw another black person. There was my brother and me. That was it. The butcher, the baker and the candlestick-maker were all white. (Although I never actually met a candlestick-maker – has anyone?)

So the first time I saw Bessie Smith, it really was like finding a friend. I saw her before I heard her. My father – a Scottish communist who loved the blues – bought me my first double album. I was 12. The album was called Bessie Smith: Any Woman’s Blues and produced by CBS Records ( John Hammond and Chris Albertson; Albertson went on to write her biography). I remember taking the album off him and poring over it, examining it for every detail. Her image on the cover captivated me. She looked so familiar. She looked like somebody I already knew in my heart of hearts. I stared at the image of her, trying to recall who it was she reminded me of.

Continue reading...

John Mayall’s teenage obsessions: ‘I lived in a tree house until I got married’

Posted on by

As a huge box set of his work is released, the 87-year-old British bluesman reminisces about the thrill of discovering boogie-woogie piano and buying his first six-string in Japan

I lived in Acre Lane in Cheadle Hulme, Greater Manchester, and became a teenager on 29 November 1946. My parents had divorced and I lived with my mother and my grandfather. The house was a bit crowded, so I built a tree house in the garden, which basically became my room, my world. I built it with window frames and tarpaulin, but eventually it had a paraffin lamp, a bed and all my 78rpm records and such up there. It was about 25ft (7.6 metres) up an oak tree.

Continue reading...

Ma Rainey’s Black Bottom review – Chadwick Boseman glorious in his final film role

Posted on by

The movie version of August Wilson’s story of the blues, starring Boseman and a tremendous Viola Davis, is a ferocious opera of passion and pain

A detonation of pure acting firepower is what’s on offer in this movie version of August Wilson’s 1982 stage play. Declarative and theatrical it might be, but it’s also ferociously intelligent and violently focused, an opera of passion and pain. We see African-American musicians hanging around a white-owned Chicago studio one stiflingly hot day in the 1920s, waiting for the legendary blues singer Gertrude “Ma” Rainey to show up with her entourage so they can cut an album. The lead track is expected to be her live hit, Ma Rainey’s Black Bottom, and the drama imagines a certain pushy trumpeter in the band named Levee angling for his own version to be recorded. A simmering argument about how this song is to be arranged and performed forms the basis of a confrontation about race, sex and power.

Viola Davis plays Ma Rainey with tremendous hauteur: Cate Blanchett’s Elizabeth I never arrived at Hampton Court with more magnificent display or more queenly prerogative than Davis’s Rainey making her entrance, with her own lovers and court favourites, sweating at the temperature, her painful feet and the incompetence of the studio chiefs. And Chadwick Boseman gives a moving performance as the fiercely talented but insecure Levee, crucified by a childhood experience of racist violence and dreaming of fronting his own band.

Continue reading...

10 of the best Christmas songs (that aren’t by Mariah Carey)

Posted on by

The classics are back in the charts even earlier than usual – alongside the perennial row about the Pogues. So why not discover these lesser-known festive bangers?

Judging by the number of trees and lights going up already, the UK is rounding off the worst year ever by turning Christmas 2020 into a six-week celebration of successful vaccine trials. Sure enough, sales and streams of festive songs are up by 50% compared with the same week last year, with Mariah Carey leading the charge and likely to go Top 40 tomorrow. But to avoid being thoroughly sick of All I Want for Christmas Is You before you have even opened an Advent calendar, consider adding these lesser-known tracks to your playlists.

Continue reading...

Steve McQueen: ‘It’s rebel music that moves me’

Posted on by

The director on the reggae-fuelled house parties he witnessed as a child - lovingly recreated in his new film, Lovers Rock – and how their raw energy shaped his taste in music

Reggae music is the beating heart of Steve McQueen’s Small Axe series, which traces Black British experience from the late 1960s to the early 1980s. In the 1970s, when the characteristically defiant Bob Marley song that gives the series its title was released, McQueen’s aunt, Molly, used to regularly sneak out of her family house in Shepherd’s Bush, west London, on weekend nights to go to “blues parties” – all-nighters usually held in someone’s house.

Back then, the blues party was a staple of West Indian immigrant life in England, a makeshift club-cum-shebeen, usually held in someone’s front room or basement, where, as the night progressed, the sweet smell of ganja merged with the lingering aromas of West Indian home cooking. As an escape from her strict, religious upbringing, Molly would dance until dawn to roots reggae, sweet-sounding “lovers rock” and floor-shaking dub instrumentals.

Continue reading...

Too black, too queer, too holy: why Little Richard never truly got his dues

Posted on by

How did a turbaned drag queen from the sexual underground of America’s deep south ignite rock’n’roll? We unravel the mystery behind Little Richard’s subversive genius

As the world marks and mourns the passing of Little Richard, many have been asking: how was someone so unapologetically black and queer present at the origins of rock, a world-shaking music still associated, to this day, with white male musical acts like the Beatles and the Rolling Stones?

All these artists and more, including Bob Dylan in a Twitter thread, would be quick to acknowledge Little Richard’s formative influence on them. But “influence” is perhaps too weak a word here. Rock’n’roll history has never exactly neglected or ignored Little Richard: it just has never quite known what to do with him. The longstanding pissing contest over who can claim the title “King of Rock’n’Roll” – Elvis? Jerry Lee Lewis? – is a case in point. While his authorised biographer went celestial in choosing to style Richard “the Quasar of Rock”, perhaps we might do better to listen to the artist, introducing himself at the Club Matinee in Houston, Texas, in 1953: “Little Richard, King of the Blues … and the Queen, too!”

Continue reading...

Bob Dylan announces first original album in eight years, Rough and Rowdy Ways

Posted on by

Album news revealed with release of third song from the project, swaggering blues number False Prophet

Bob Dylan has announced his first album of original songwriting in eight years.

Rough and Rowdy Ways will be released on 19 June. It follows three albums of cover versions – Shadows in the Night (2015), Fallen Angels (2016) and triple album Triplicate (2017) – with his previous album of his own songs, Tempest, released in 2012.

Continue reading...