The singer took home four awards in a night that also saw major wins for Kendrick Lamar, Adele and Harry Styles
Beyoncé has become the most awarded artist in Grammys history during a historic evening in Los Angeles.
The singer, who was a late arrival at the ceremony after being stuck in traffic, won for best R&B song, best dance/electronic recording, best dance/electronic album and best traditional R&B performance. She has now won 32 Grammy awards.
Continue reading...Oscar-winning actor hits back at critics over negative reviews of her performance as Michelle Obama in drama series The First Lady
Viola Davis has responded to widespread criticism of her latest performance by stating that critics “serve no purpose”.
The Oscar-winning actor has received negative feedback from both critics and on social media for playing Michelle Obama in the Showtime series The First Lady. In an interview with the BBC, Davis called the response “incredibly hurtful”.
Continue reading...Guardians of the Galaxy’s James Gunn is a good directorial fit for the humour and freaky violence of DC’s bad-guy jamboree
DC’s new Suicide Squad movie announces itself as different from the coolly received first film from 2016 simply by adding “The” to the title, maybe sneakily trying for an unacknowledged rebrand or reboot. James Gunn, also in charge of Marvel’s Guardians of the Galaxy, is brought on board as director and co-writer. This second Squad outing (if you don’t count last year’s standalone Harley Quinn adventure Birds of Prey) is a long, loud, often enjoyable and amusing film that blitzes your eyeballs and eardrums and covers all the bases. There is Guardians-style comedy mixing humans and talking animals, there is freaky violence – including what I have to say is a gruesomely impressive interior-anatomical shot, showing a knife plunging into the still-beating heart – and there is colossal CGI spectacle for the final act in which a giant thing runs rampant in a city, while the gang look up at it; a trope that has become almost legally mandatory for superhero movies.
Viola Davis once again brings a touch of class to the Suicide Squad franchise as the chillingly manipulative security chief Amanda Waller who now springs supervillain Bloodsport (Idris Elba) from jail so that he can head up an elite new crew of misfits, desperadoes and undesirables. These include Harley Quinn (Margot Robbie), Rick Flag (Joel Kinnaman), the ironically belligerent Peacemaker (John Cena), King Shark – a great big talking shark in Hulk-ish stretchy shorts – voiced by Sylvester Stallone, Ratcatcher II (Daniela Melchior), who commands an army of rats wherever she goes, and Polka-Dot Man (David Dastmalchian), who fires molten polka-dots at the enemy, revving himself up for the task by imagining that this is his overbearing mother. There is also a kind of B-team of Squadders whose job is to be hilariously expendable.
Continue reading...The movie version of August Wilson’s story of the blues, starring Boseman and a tremendous Viola Davis, is a ferocious opera of passion and pain
A detonation of pure acting firepower is what’s on offer in this movie version of August Wilson’s 1982 stage play. Declarative and theatrical it might be, but it’s also ferociously intelligent and violently focused, an opera of passion and pain. We see African-American musicians hanging around a white-owned Chicago studio one stiflingly hot day in the 1920s, waiting for the legendary blues singer Gertrude “Ma” Rainey to show up with her entourage so they can cut an album. The lead track is expected to be her live hit, Ma Rainey’s Black Bottom, and the drama imagines a certain pushy trumpeter in the band named Levee angling for his own version to be recorded. A simmering argument about how this song is to be arranged and performed forms the basis of a confrontation about race, sex and power.
Viola Davis plays Ma Rainey with tremendous hauteur: Cate Blanchett’s Elizabeth I never arrived at Hampton Court with more magnificent display or more queenly prerogative than Davis’s Rainey making her entrance, with her own lovers and court favourites, sweating at the temperature, her painful feet and the incompetence of the studio chiefs. And Chadwick Boseman gives a moving performance as the fiercely talented but insecure Levee, crucified by a childhood experience of racist violence and dreaming of fronting his own band.
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