Barbie star and producer will return to world of films based on toys with project based on the much-loved board game
Margot Robbie is set to partner with Hasbro for a new film based on the board game Monopoly.
The Oscar-nominated star of Barbie will help to shepherd the long-gestating project to the screen with her production company LuckyChap and Lionsgate.
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Paterson calls for ‘swift and decisive action’ against neo-Nazi groups
Over the weekend, NSW premier Chris Minns doubled down on his push to tighten anti-vilification laws after a group of neo-Nazis attempted to hold another rally in a public park.
I’d like to see swift and decisive action taken against these neo-Nazi groups who have no place in Australia.
I never thought we would see [something like this] in such a demonstrable way in a pluralistic country like Australia.
It’s the reason why the federal parliament, before Christmas, went to the extraordinary step of passing laws to ban Nazi symbols being publicly displayed, to ban the Nazi salute. And it’s critically important that those laws are rigorously enforced so that people understand there are consequences for this action.
Continue reading...Reviewers rave about Greta Gerwig’s ‘funny and smart’ satire, whose all-star cast includes Gosling as Ken alongside Margot Robbie’s Barbie and singer Dua Lipa
Barbie, Greta Gerwig’s ambitious satire in which Margot Robbie’s titular blonde escapes Barbieland to experience the real world, has drawn ecstatic reactions from audiences at an early screening.
Variety’s social media editor Katcy Stephan called the movie “perfection” and added: “Greta Gerwig delivers a nuanced commentary on what it means to be a woman in a whimsical, wonderful and laugh-out-loud funny romp. The entire cast shines, especially Margot Robbie and Ryan Gosling in roles they were clearly born to play.”
Continue reading...The film’s production designer Sarah Greenwood says ‘the world ran out of pink’ during construction of Barbieland and lifesize versions of the doll’s Dreamhouse
Greta Gerwig’s upcoming Barbie film required so much pink paint during construction that it wiped out an entire company’s global supply.
Speaking to Architectural Digest, Gerwig and the film’s production designer Sarah Greenwood, spoke about the construction of Barbieland, which is almost entirely fluorescent pink, from the lifesize versions of the doll’s famous “Dreamhouse” to the roads and lamp-posts.
Continue reading...Hollywood actor will play Donna Freedman one more time as Australian soap comes to an end
The Oscar-nominated actor Margot Robbie will join a handful of international stars returning to Ramsay Street for the final episode of the long-running Australian soap Neighbours.
The 32-year-old, who starred in The Suicide Squad and is playing Barbie in Greta Gerwig’s forthcoming film, will return to her role as Donna Freedman in the Australian soap.
Continue reading...The toy company has recruited Lena Dunham, Greta Gerwig and Tom Hanks to help usher in a new slate of films based on kids’ favourites
Deep down, everyone wishes they were Marvel. Armed with nothing but B-grade IP and heroic levels of pluck, a lowly comic book company slowly went about wrestling the film industry into an inescapable stranglehold. But a decade and a half on, Marvel has become the established order. It is time for a new plucky upstart to stage another revolution. That upstart?
Mattel. You know, Mattel. The toy people. No, really.
Continue reading...Guardians of the Galaxy’s James Gunn is a good directorial fit for the humour and freaky violence of DC’s bad-guy jamboree
DC’s new Suicide Squad movie announces itself as different from the coolly received first film from 2016 simply by adding “The” to the title, maybe sneakily trying for an unacknowledged rebrand or reboot. James Gunn, also in charge of Marvel’s Guardians of the Galaxy, is brought on board as director and co-writer. This second Squad outing (if you don’t count last year’s standalone Harley Quinn adventure Birds of Prey) is a long, loud, often enjoyable and amusing film that blitzes your eyeballs and eardrums and covers all the bases. There is Guardians-style comedy mixing humans and talking animals, there is freaky violence – including what I have to say is a gruesomely impressive interior-anatomical shot, showing a knife plunging into the still-beating heart – and there is colossal CGI spectacle for the final act in which a giant thing runs rampant in a city, while the gang look up at it; a trope that has become almost legally mandatory for superhero movies.
Viola Davis once again brings a touch of class to the Suicide Squad franchise as the chillingly manipulative security chief Amanda Waller who now springs supervillain Bloodsport (Idris Elba) from jail so that he can head up an elite new crew of misfits, desperadoes and undesirables. These include Harley Quinn (Margot Robbie), Rick Flag (Joel Kinnaman), the ironically belligerent Peacemaker (John Cena), King Shark – a great big talking shark in Hulk-ish stretchy shorts – voiced by Sylvester Stallone, Ratcatcher II (Daniela Melchior), who commands an army of rats wherever she goes, and Polka-Dot Man (David Dastmalchian), who fires molten polka-dots at the enemy, revving himself up for the task by imagining that this is his overbearing mother. There is also a kind of B-team of Squadders whose job is to be hilariously expendable.
Continue reading...With Leonardo DiCaprio and Brad Pitt playing a TV actor and stuntman who cross paths with the Manson cult, Tarantino has created outrageous, disorientating entertainment
Quentin Tarantino’s exploitation black-comedy thriller Once Upon a Time … in Hollywood finds a pulp-fictionally redemptive take on the Manson nightmare in late-60s California: a B-movie loser’s state of grace.
It’s shocking, gripping, dazzlingly shot in the celluloid-primary colours of sky blue and sunset gold: colours with the warmth that Mama Cass sang about. The Los Angeles of 1969 is recovered with all Tarantino’s habitual intensity and delirious, hysterical connoisseurship of pop culture detail. But there’s something new here: not just erotic cinephilia, but TV-philia, an intense awareness of the small screen background to everyone’s lives. Opinions are going to divide about this film’s startling and spectacularly provocative ending, which Tarantino is concerned to keep secret and which I have no intention of revealing here. But certainly any ostensible error of taste is nothing like, say, those in the much admired Inglourious Basterds. And maybe worrying about taste is to miss the point of this bizarre Jacobean horror fantasy.
Quite simply, I just defy anyone with red blood in their veins not to respond to the crazy bravura of Tarantino’s film-making, not to be bounced around the auditorium at the moment-by-moment enjoyment that this movie delivers – and conversely, of course, to shudder at the horror and cruelty and its hallucinatory aftermath.
Our first non-hero is Rick Dalton, played by Leonardo DiCaprio, a failing cowboy actor and alcoholic going to seed in the autumn of his career and in moments of bad temper beginning to resemble Jack Black. His best friend – pathetically, his only friend – is Cliff Booth, played by Brad Pitt in his Ocean’s-Eleven mode of easygoing competence and imperturbability. Cliff is Rick’s stunt double and has an awful secret in his life: a grisly event for which he may or may not be guilty. Cliff has to drive Rick everywhere because he has lost his licence, and he is Rick’s best pal, assistant, factotum, and the person who has to straighten Rick when he bursts into boozy tears of self-pity.
Tarantino’s epic is the big draw at Cannes. But there are other Manson movies around – including one about what ultimately happened to the young women who fell under the murderer’s spell
Over the last half century, one villain has loomed large over Hollywood. The gruesome murders committed by Charles Manson and his followers in the summer of 1969 have filled countless films and documentaries about stardom and the debaucheries of the 1960s. But his malign influence extends far beyond the screen. Aside from murdering eight people, Manson and his disciples – the Family – have been blamed for wiping out the counterculture, free love, communes and hippies.
Three new films are making fresh attempts to reckon with “the symbol of animalism and evil”, as Rolling Stone magazine called him. The biggest is Quentin Tarantino’s Once Upon a Time in Hollywood, about to premiere at the Cannes film festival. Set in Los Angeles during the Manson era, the film stars Leonardo DiCaprio as a fading TV western star and Brad Pitt as his stunt double, both attempting to make the leap to the big screen. Margot Robbie plays Sharon Tate – the actor and wife of director Roman Polanski – who was brutally murdered by the Family. Manson, a background figure in the film, is played by Damon Herriman.
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