Olivia de Havilland: Hollywood’s queen of radiant calm | Peter Bradshaw

The Gone With the Wind star, known for her lifelong feud with her sister as much as the bewitching brilliance of her acting, and the last link to Hollywood’s golden age

Olivia de Havilland established herself for ever in the film world’s collective memory at the age of 22, as the wise, gentle and beautiful Melanie Hamilton in the colossal epic Gone With the Wind. The film appeared in 1939 as war was breaking out in Europe: the mighty theme of old orders being swept away was especially potent. De Havilland was an exemplar of radiant womanly calmness, a polar opposite to the capricious sexiness of Vivien Leigh’s bewitching belle Scarlett O’Hara. The role probably encumbered her with something stately and reserved, which she never entirely lost – though with a hint of mystery and suppressed emotional tumult, on screen and off. Because, however sedate her image, De Havilland was the subject of two of the juiciest scandals of Hollywood’s golden age: her relationship with longtime co-star Errol Flynn, and her lifelong feud with her sister and rival Joan Fontaine.

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And the 2019 Braddies go to … Peter Bradshaw’s film picks of the year

Ahead of the launch on Tuesday of the Guardian’s films of the year countdown, our critic selects his personal choice of the movies, directors and performances of 2019

• The Braddies are listed in alphabetical order, rather than ranked in terms of merit

Once again, the awards season comes to its climax with my “Braddies” for the calendar year, a selection of my personal awards that exists entirely independently of Guardian Film’s best-of-the-year countdown.

As ever, there are 10 “nominees” in 10 categories: film, director, actor, actress, supporting Actor, supporting Actress, documentary, cinematography, screenplay, directorial debut. There is also the single-entry nomination in the special category: quirkiest future cult classic most likely to beoverlooked by the boomer MSM establishment. The nominees are listed in alphabetical order and readers are invited to vote below the line for their preferred winner – and complain about omissions.

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Matthias & Maxime review – Xavier Dolan’s heartfelt tale of male longing

Two friends’ playful kiss rekindles suppressed feelings in a film swept along by rattling dialogue and simmering tensions

Xavier Dolan’s unstoppably garrulous, sweet-natured new movie is a coming-of-age film, or possibly an approaching-thirtysomethinghood film. Or perhaps it’s a portrait of a bunch of friends for whom things would never be the same again after that summer. It is not exactly a sexual awakening tale because the sexuality in question never really went to sleep. But it is a love story.

Related: Once Upon a Time ... in Hollywood review - Tarantino's dazzling LA redemption song

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