Big belly, wavy fur and a nose for trouble: we exclusively reveal the new-look Paddington

It’s been the biggest secret in theatre: what will the marmalade-loving, hyper-polite Peruvian look like in Paddington the Musical? As the curtain rises, we speak to the new bear’s creator, a veteran of Star Wars and PG Tips ads

Paddington stands within touching distance. His fur flutters as he turns, his neat button nose sniffs the air, and his eyes soften with a smile. For years, design details of the bear for Paddington the Musical, directed by Luke Sheppard, have been kept top secret. Now here he is, in his blue duffel coat and red hat. A quiet theatrical marvel. “What we’re doing,” says producer Sonia Friedman, “has never been done before.”

Standing around 1.2 metres (just under 4ft) tall, the bear is beautifully round, all belly and sloping shoulders. He is not an exact replica of the Paddingtons we’ve seen in illustrations or movies, but something new. His shaggy, caramel fur has a gentle wave, and his white snout is dotted with a brown nose, ideal for sniffing out trouble. Around his neck sits a label, threaded through an old piece of string, asking for someone to look after him.

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Tony awards 2025: full list of winners

Tonight’s nominations are led by musicals Maybe Happy Ending, Death Becomes Her and Buena Vista Social Club

Best performance by an actress in a featured role in a musical
Natalie Venetia Belcon, Buena Vista Social Club – WINNER!
Julia Knitel, Dead Outlaw
Gracie Lawrence, Just in Time
Justina Machado, Real Women Have Curves: The Musical
Joy Woods, Gypsy

Best performance by an actress in a featured role in a play
Tala Ashe, English
Jessica Hecht, Eureka Day
Marjan Neshat, English
Fina Strazza, John Proctor is the Villain
Kara Young, Purpose – WINNER!

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Charles Strouse, Tony award-winning composer of Annie, dies aged 96

Over the course of an illustrious career, Strouse composed music for Broadway shows such as Bye Bye Birdie and Applause but was best known for Annie’s evergreen songs

The composer Charles Strouse, a three-time Tony award-winner whose hits included Annie, has died at the age of 96. His death at home in New York on Thursday was announced by his four children.

Over the course of a long and illustrious career, Strouse composed music for the Broadway shows Bye Bye Birdie, Golden Boy, Applause, Rags and Nick & Nora. But he was perhaps best known for his score for Annie which opened in New York in 1977 and ran for almost six years. The story of the plucky red-headed orphan featured evergreen songs (with lyrics by Martin Charnin) including Tomorrow, You’re Never Fully Dressed Without a Smile and It’s the Hard-Knock Life, which was sampled by Jay-Z in a 1998 single. Annie received seven Tony awards, including best musical and best original score, and won the Grammy for best cast show album. It was adapted as a film in 1982.

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Ted Kotcheff, director of First Blood, Weekend at Bernie’s and Wake in Fright, dies aged 94

Prolific Canadian director also made one of the country’s first internationally successful films, The Apprenticeship of Duddy Kravitz, starring Richard Dreyfuss

Ted Kotcheff, the prolific Canadian director of films including First Blood, Weekend at Bernie’s, Wake in Fright and The Apprenticeship of Duddy Kravitz, has died aged 94. His daughter Kate Kotcheff told the Canadian Press that he had died of heart failure on Thursday in Nuevo Vallarta, Mexico, where he lived. His son Thomas said: “He died of old age, peacefully, and surrounded by loved ones.”

In an amazingly varied career, Kotcheff’s work ranged from hardhitting TV plays and low-budget features in the UK, to hit Hollywood comedies and prestige-laden award-winners and cult films. Kate Kotcheff said: “He was an amazing storyteller. He was an incredible, larger than life character [and] he was a director who could turn his hand to anything.”

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Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph

John Lithgow, Imelda Staunton, Romola Garai and Layton Williams are among the winners at the annual stage awards

The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

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Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph

John Lithgow, Imelda Staunton, Romola Garai and Layton Williams are among the winners at the annual stage awards

The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

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Mexicans make Emilia Pérez parody poking fun at French stereotypes

Spoof fires back at supposed inauthenticity of Oscar-tipped screen musical with a song-and-dance tale of boulangeries at war

The war of words between Mexico and France over trans gangster musical Emilia Pérez has heated up even more after the release of a spoof film called Johanne Sacreblu poking fun at French stereotypes.

Emilia Pérez, directed by Jacques Audiard and which is up for the best picture Oscar along with a best actress nomination for its star Karla Sofia Gascón, is the story of a cartel boss who hires a lawyer (played by Zoe Saldana) to enable a gender transition, and has attracted much criticism in Mexico, where it is supposedly set.

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Glicked double bill may not match Barbenheimer buzz, experts say

Gladiator II and Wicked filling up theatres but unlikely to replicate phenomenon of Barbie-Oppenheimer release

The great Barbenheimer clash of summer 2023 – when Barbie came out on the same day as Oppenheimer – will for ever be a part of cinema history for capturing the public imagination and bringing audiences back to cinemas in droves after years of Covid-induced antipathy.

So it’s unsurprising, that in an attempt to recapture some of the excitement, fans have come up with a new portmanteau: Glicked, used to refer to the face-off between Gladiator II and Wicked this week.

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Tony awards 2024: Stereophonic, Merrily We Roll Along and The Outsiders win big

At the annual celebration of Broadway, major acting winners included Jeremy Strong, Daniel Radcliffe and Sarah Paulson

The 77th annual Tony awards were dominated by major wins for shows Stereophonic, Merrily We Roll Along and The Outsiders as well as actors Jeremy Strong and Daniel Radcliffe.

Stereophonic, the most nominated play in Tonys history with 13 nods, picked up five awards including best play. It tells the story of a British-American rock band in the 1970s trying to make an album.

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‘I can’t understand a lyric’: Patti LuPone laments lost art of projection in musical theatre

Award-winning star, who is bringing the concert A Life in Notes to London’s Coliseum, says lyricists’ words are not reaching audiences clearly, due to a lack of training and overbearing sound mixes

Over a 50-year career she has sung lines written by musical theatre’s biggest names but the Tony award-winning star Patti LuPone fears that lyricists are being failed by today’s productions. “I cannot understand a lyric,” she said, referring to Broadway’s current wave of musicals.

LuPone blamed the problem on sound mixing that drowns out singing voices and actors who have not learned the art of projection because forehead microphones are now so widely used. “Young performers have no idea how to project,” she said, adding that they should ask themselves “who are you doing this for?” when on stage and remember “they are singing for the back row”.

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Dolly Parton announces Broadway musical: ‘You’ll laugh, you’ll cry, you’ll clap’

Hello, I’m Dolly, a stage show inspired by the superstar’s life, will include her classics and new songs

Dolly Parton is heading to Broadway with the musical Hello, I’m Dolly.

The star is writing new songs to go along with some of her past hits and co-writing a stage story inspired by her life – a stage show that she hopes to land on Broadway in 2026.

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Rufus Wainwright blames UK’s ‘narrow outlook’ after Brexit for Opening Night’s flop

Exclusive: Audience had ‘vitriolic reaction’ to European tone of musical, forced to close early

Rufus Wainwright has defended his musical Opening Night, which was forced to close early after mixed reviews, saying West End audiences lack “curiosity” after Brexit and the British press had turned on the project because it was “too European”.

Opening Night was Wainwright’s first musical and is an adaptation of John Cassavetes’ 1977 film about an actor struggling to cope, who is played by Sheridan Smith. Directed by Ivo van Hove, it opened in March at the Gielgud theatre but a month later announced it would be closing two months early.

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Move over Abba: new ‘riskier’ wave of British musicals to challenge West End’s established order

Theatreland is taking a gamble on a wave of quirky little shows to challenge the big but tired box office beasts

A fresh kind of musical theatre show, set apart by having started life on the fringe or in a small-scale provincial production, is challenging the established order in London’s West End this season.

A wave of new, quirky productions will be taking their places alongside Phantom of the Opera-style classics and all those big, popular musicals that rework a familiar film title or milk a superstar legacy.

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Actor drives 150 miles to star in Evita after lead and understudy fall ill

Jessica Daley rushed to the rescue after Curve theatre in Leicester put out a call for someone who knew the role

An actor travelled more than 150 miles to ensure the show went on after both the lead and understudy became ill and could not perform in a musical.

Jessica Daley travelled from her home in Middlesbrough to the Curve theatre in Leicester to sing the starring role of Eva Perón in a 7.30pm performance of Evita on Saturday.

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London theatregoers escorted from Grease the Musical by police

Rest of audience applauds after people causing ‘disturbance’ removed from Dominion theatre on Saturday

Theatregoers were escorted from a London performance of Grease the Musical by police on Saturday night, to cheers of approval from the rest of the audience.

Footage posted online shows eight police officers and staff from the Dominion theatre lining the stairway in the balcony as audience members chant “out, out, out!”.

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Kylie Minogue to appear digitally in new Stock Aitken Waterman musical

The I Should Be So Lucky singer will play a ‘specially created character’ in the touring show which will feature a string of pop hits by the songwriting trio

Kylie Minogue is to step back in time for a new musical featuring the songs of Stock Aitken Waterman that shot her to chart success in the late 1980s. The Australian singer, currently enjoying a summer hit with Padam Padam, will “digitally appear” throughout the tour of the show, playing what is described as “a specially created character unique to the musical”.

I Should Be So Lucky: The Stock Aitken Waterman musical is written and directed by Debbie Isitt whose series of Nativity! films also inspired a stage musical. The show uses more than 25 numbers created by the songwriting and production trio Mike Stock, Matt Aitken and Pete Waterman, including the title song from 1987 which brought Minogue her first UK No 1 hit.

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Andrew Lloyd Webber’s Bad Cinderella to close on Broadway

The musical will close on 4 June, after receiving mixed reviews from US critics and failing to receive a nomination at the Tony awards

Andrew Lloyd Webber’s Bad Cinderella is to close on Broadway just over 10 weeks after its official opening night. The show, which did not receive any nominations at this year’s Tony awards, has announced that “the ball must come to an end” and that it will bow out at New York’s Imperial theatre on 4 June. Ticket sales have dipped despite a low average price for a big Broadway musical ($54 for last week). It will have played 33 previews and 85 performances.

The musical is a retooled version of Cinderella, which ran for just under a year (including a Covid-related break in performances) and suffered heavy losses at London’s Gillian Lynne theatre. Lloyd Webber was criticised for the manner in which some current and future Cinderella cast members learned of its closure in 2022 via social media and for his suggestion, in a letter read out at its final night, that opening a new musical during the pandemic “might have been a costly mistake”. (He later issued a statement saying his words had been misunderstood and that he was proud of the show.)

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Why are British audiences suddenly so out of control? – podcast

From fights at the Bodyguard musical to wild drunken antics at comedy clubs and even heckling at the opera, performers and theatre staff say crowds are getting out of hand. What’s going on?

From drunken revellers singing over emotional ballads at jukebox musicals to an opera-goer heckling a child performer, there has been a growing number of news stories since the pandemic about people behaving badly at entertainment venues. Then came the headlines about the police being called to the Bodyguard musical to quell an actual fight.

So what, exactly, is happening to British audiences, which are stereotypically seen as polite and even repressed? Theatre critic Alice Savile tells Nosheen Iqbal about her recent wild nights out at the theatre, and how front-of-house staff are finding it hard to cope. We hear from usher Bethany North on the abuse she’s experienced.

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Why Berlin’s U-Bahn musical shows no sign of hitting the buffers

The longest-running production in Germany, restaged for a new generation of theatregoers, is a curious mixture of 80s nostalgia and politics … with great tunes

The four men dressed in widow’s weeds of black bombazine had hardly stepped on to the stage when the first yelps of delight rippled through the audience at Berlin’s Grips theatre, an intimate 360-seat venue in the west of the city. By the time the quartet in drag have locked arms to kick up their heels, the mixed-age crowd is clapping in time to the oompah beat.

The Wilmersdorf Widows song is to Volker Ludwig’s musical Linie 1 (Line One) what All That Jazz is to Chicago, or Time Warp to The Rocky Horror Picture Show: the catchy showstopper that brings the house down.

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Andrew Lloyd Webber’s eldest son, Nicholas, dies of gastric cancer aged 43

Oscar-winning composer says son, also a successful composer, died on Saturday in hospital surrounded by family

Andrew Lloyd Webber has announced that his eldest son, Nicholas, has died from gastric cancer aged 43.

The Oscar-winning composer wrote on Twitter that his son, who was also a successful composer, died on Saturday at Basingstoke hospital in Hampshire surrounded by his family.

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