Category Archives: Rufus Wainwright

‘Height of blasphemy’: Rufus Wainwright and Leonard Cohen estate oppose Trump use of Hallelujah

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Classic ballad was played during bizarre campaign event in which Trump told audience: ‘Let’s just listen to music’

The estate of Leonard Cohen has issued a cease and desist order to Donald Trump, after a recording of Rufus Wainwright singing Cohen’s song Hallelujah was played at a bizarre campaign event.

Wainwright has also condemned Trump’s use of the song at the town hall in Oaks, Pennsylvania. The singer characterised Hallelujah as “an anthem dedicated to peace, love and acceptance of the truth. I’ve been supremely honoured over the years to be connected with this ode to tolerance. Witnessing Trump and his supporters commune with this music last night was the height of blasphemy. Of course, I in no way condone this and was mortified, but the good in me hopes that perhaps in inhabiting and really listening to the lyrics of Cohen’s masterpiece, Donald Trump just might experience a hint of remorse over what he’s caused. I’m not holding my breath.”

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Rufus Wainwright blames UK’s ‘narrow outlook’ after Brexit for Opening Night’s flop

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Exclusive: Audience had ‘vitriolic reaction’ to European tone of musical, forced to close early

Rufus Wainwright has defended his musical Opening Night, which was forced to close early after mixed reviews, saying West End audiences lack “curiosity” after Brexit and the British press had turned on the project because it was “too European”.

Opening Night was Wainwright’s first musical and is an adaptation of John Cassavetes’ 1977 film about an actor struggling to cope, who is played by Sheridan Smith. Directed by Ivo van Hove, it opened in March at the Gielgud theatre but a month later announced it would be closing two months early.

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Martha Wainwright: ‘Forget rock excess, life on the road was a juggling act for me’

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The Canadian-American singer-songwriter on why she needed to tell a different story in her candid autobiography

The rock autobiography is typically a male genre, telling tales of excess so competitive that readers could be forgiven for wishing Keith Richards, Neil Young, Roger Daltrey, et al, would break the monotony by taking up wood whittling.

But now comes Martha Wainwright, whose autobiography, published this week, is a female-gaze account of what it takes to juggle relationships, familial and domestic circumstances with life under the stage lights.

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