Fifteen years ago, when the word podcast was added to the dictionary, only the tech-savvy were listening. Now, as star names pile in, they’re big business. Can the quality survive?
Hello friends! Do you fancy listening to “a new type of time-shifted amateur radio”? No? How about a brilliant podcast? Of course you do.
Fifteen years ago, Macworld, a magazine for fans of Apple products, announced, with limited fanfare, that Apple was about to add podcasts to iTunes, its music download offer. Unfortunately, few readers knew what a podcast was, hence Macworld’s “time-shifted radio” definition. In June 2005, the idea of having thousands of ready-to-hear audio shows, anything from true-crime documentaries to all-chums-together comedy, to up-to-the-minute news to gripping drama to revealing interviews, and being able to listen to these shows whenever you want, wherever you are – well, that wasn’t quite happening. So Apple’s move didn’t seem important. Nor did the fact that the Oxford English Dictionary added “podcast” to its lexicon in the same year, after tech journalist Ben Hammersley came up with the term in 2004 (which was also the year the BBC launched a downloadable version of In Our Time). Podcasts were new. It takes time for the new to become everyday.
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