Radiohead: Kid A Mnesia review – two classic albums, plus surprises

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The band’s 20th-anniversary reissue of Kid A and Amnesiac along with unreleased material makes for fascinating listening

Recorded together but released a year apart, Kid A (2000) and Amnesiac (2001) marked a huge departure from the increasingly baroque guitar-led anthems of Radiohead’s first three albums. The broadening of their palette to embrace Warp-influenced electronica, free jazz and krautrock abstractions initially baffled many (the Guardian awarded Kid A two stars, while Melody Maker’s reviewer was reduced to describing it as “post-bollocks”), but get past the glitchiness and the occasional moments of discord, and here were songs as affecting and powerful as those on OK Computer, just framed somewhat differently.

The change in direction clearly coincided with a particularly fertile period for the band, because this 20th-anniversary box features a bonus disc of unreleased contemporaneous material together with the two original albums. Perhaps unsurprisingly, nothing here eclipses Pyramid Song or Optimistic. Instead there are intriguing alternate versions (including yet another iteration of Morning Bell, this time a lullaby-like instrumental take), half-finished sketches, the gorgeous string arrangement of How to Disappear Completely in isolation, foreshadowing Jonny Greenwood’s Oscar-nominated score for Phantom Thread – and two previously unreleased songs.

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‘We had a fierce anger and suspicion’: Thom Yorke and Stanley Donwood on Radiohead’s Kid A and Amnesiac

In this extract from a book compiling artworks made by Donwood and Yorke for Radiohead, the pair discuss how alienation with Cool Britannia saw them retreat into landscapes, labyrinths and inadvertently inventing Twitter

Stanley Donwood I can’t believe the innocent world we lived in when we were making this work. It was before 9/11, before the “war on terror”, before the conjoining of the police and the military – all of the social changes that have led towards the position we now find ourselves in. It wasn’t possible to know what was going on around the world in the same way that it is now, when news has become a sort of surrogate entertainment.

Thom Yorke Everybody involved felt like we’d been in some weird circus for quite a while, after OK Computer. Personally, I mentally completely crashed, as did Stan. We all did, in a way. Rather than immersing ourselves in this congratulatory atmosphere around us, we felt the total opposite. There was this fierce desire to be totally on the outside of everything that was going on, and a fierce anger, and suspicion. And that permeated everything. It was completely out of proportion, deeply unhealthy – but that’s where we were at.

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Madonna, Motown and Mongolian metal: the music to listen out for in 2020

The queen of pop gets intimate, Taylor Swift feels the sunshine and Stormzy takes on the world … plus, classical celebrations begin for Beethoven’s 250th

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Radiohead release hours of hacked MiniDiscs to benefit Extinction Rebellion

Thom Yorke describes hours of recordings from OK Computer sessions as ‘not v interesting’, while climate activists thank the band for ‘unprecedented support’

Radiohead have released a vast collection of unreleased tracks made during the sessions for 1997 album OK Computer, after a MiniDisc archive owned by frontman Thom Yorke was hacked last week by an unnamed person, who reportedly held the recordings to ransom for $150,000.

The band have now made the 18 MiniDisc recordings, most of them around an hour in length, available on Bandcamp for £18. Proceeds will go to climate activists Extinction Rebellion.

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