The xx’s Romy: ‘I can now write about loving a woman and not feel afraid’

Her forthcoming solo album is a love letter to formative years of queer clubbing and 00s Euro-dance, as the singer swaps black clothes and bleak moods for Technicolor euphoria

The problem with being an introvert writing dance music is that eventually you will have to dance in front of other people. “I’m definitely quite a shy dancer,” says Romy Madley Croft over a video call from the home she shares with her girlfriend, the photographer Vic Lentaigne, in north London. In lockdown, with no prospect of live shows, this wasn’t a problem, but now she’s starting to nervously ponder how she will perform her upbeat, house-indebted new music. “It’s taken a long time to get to the place where I really enjoy being on stage.”

Fifteen years, in fact. The familiar image of Madley Croft is as bassist and singer with the xx, the band she formed with London schoolfriends in 2005: dressed in black, shielded by her guitar, expression ranging between pensive and troubled. Even performing a sparkling dance track on stage, such as Loud Places by her fellow wallflower and bandmate Jamie xx (“I go to loud places to find someone to be quiet with,” she sings on the chorus), she stayed largely rooted to the spot. Yet on the cover of her debut solo single, Lifetime, in an acid-hued image captured – like the ones accompanying this article – by Lentaigne, she is caught in motion, arms raised high, hair swooshed.

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Auf wiedersehen, techno: Berlin’s banging Berghain club reborn as a gallery

With nightlife in limbo due to Covid-19, the legendary temple of techno has reinvented itself as art gallery – with works by Tacita Dean, Olafur Eliasson, Wolfgang Tillmans and more

Inside a disused power station in east Berlin, a red-and-white buoy is bobbing mid-air, swooping six metres up and six metres down in rhythm to imaginary waves. The artist who had the idea to hang it there, Julius von Bismarck, has connected an automated pulley system via sensors to a real buoy in the Atlantic Ocean, mirroring its movements.

Usually, the waves crashing over the heads of visitors to these halls are made of sound, pumped out of a custom-built PA that many dance music connoisseurs consider the finest in the world: this is Berghain, Berlin’s mythical temple of bassy industrial techno.

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‘We lost the love’: UK nightclubs using Covid crisis to reassess scene

With 750,000 jobs at risk, some see pandemic as chance to reset industry and dance music

In front of an old mechanic’s workshop in Tottenham a collection of trestle tables, a makeshift bar and a pair of palm trees are being battered by an unseasonal downpour as remnants of a tropical storm soak north London.

The wilted greenery and sodden tables are part of Costa Del Tottenham, a tongue-in-cheek temporary outdoor venue in Tottenham Hale, which Stuart Glen and his business partners have created in an empty space next to the warehouse that houses their nightclub, The Cause.

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‘It’s a tough island to live on’: why coronavirus spells doom for Ibiza

Clubs on the White Isle are starting to cancel their events, a disaster for workers who survive on summer income. Pete Tong and others explain what happens next

Coronavirus and culture – a list of major cancellations

Ibiza welcomes more than three million visitors during the summer months, pumping billions into its economy. Close to 75% of the island’s 147,000-plus population get their income from tourism, directly and indirectly – besides the fabled nightclub scene, there’s the hotels, Airbnbs, restaurants, bars, shops, taxis, and other businesses that exist because of the pull of the clubs. But a huge question mark hangs over them all, with the clubs beginning to cancel their summer seasons due to coronavirus.

So far Hï Ibiza, Ushuaïa, Amnesia and Eden have all cancelled their May calendar. Pacha hosted a virtual house party with a promise to “#seeyousoon”; their latest social media post stating, “After this moment’s respite, Pacha and Ibiza will look even more beautiful.” DC-10 have cancelled their opening party and said they are currently unable to confirm any future dates at the club. Privilege have yet to comment.

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London gay nightclub XXL faces closure to make way for flats

Club complains of ‘social cleansing’ after being given three months to wind up

One of London’s biggest gay nightclubs is facing closure to make way for a £1.3bn apartment, hotel and office development, in a move that the club’s founder say amounts to “social cleansing”.

XXL is believed to be the last “bear” club in London, and DJ Fat Tony, a close friend of Elton John, regularly performs to 2,000 people a night. This week, developers backed by investors from Malaysia and Singapore gave the club three months to wind up after its owners lost a court appeal. The club has been operating for 19 years and 40 jobs will go.

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