Chechnya bans dance music that is either too fast or too slow

Ruling means music in Russian republic must ‘conform to Chechen mentality and sense of rhythm’

The Russian republic of Chechnya has banned dance music it deems either too fast or too slow, in an attempt to quash a “polluting” western influence on the conservative majority-Muslim region.

Musa Dadayev, the culture minister, said “all musical, vocal and choreographic works should correspond to a tempo of 80-116 beats per minute” to make music “conform to the Chechen mentality and sense of rhythm”, according to the Russian news agency Tass.

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Brit awards 2024 – full list of winners

The winners of every category at the 2024 Brits, updated as the ceremony progresses

Brit awards 2024: women dominate as Raye scores record-smashing six wins
Brit awards 2024: as it happened

Blur – The Ballad of Darren
J Hus – Beautiful and Brutal Yard
Little Simz – No Thank You
Raye – My 21st Century Blues – WINNER!
Young Fathers – Heavy Heavy

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Printworks London may reopen by 2026 after developers submit plans

British Land and AustraliaSuper want to create cultural venue that will include offices and shops

Printworks London, the 6,000-capacity post-industrial superclub, could reopen by 2026 after property developers that own the site filed their plans to Southwark council.

British Land and its partner AustralianSuper, one of the country’s largest pension funds, submitted a detailed proposal to the council on Monday to redevelop the site in Rotherhithe into a permanent cultural venue just over a year after the cavernous club shut its doors.

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Amp Fiddler, funk musician with all-star collaborations, dies aged 65

Joseph Fiddler performed and recorded with Prince, Seal and Maxwell, and mentored hip-hop producer J Dilla

Joseph Fiddler, the funk musician known as Amp Fiddler who was acclaimed for solo work and collaborations with generations of diverse musicians, has died aged 65.

A statement on social media read: “Detroit’s own world renowned ambassador of funk, soul, & electronic music, keyboardist, producer, afro-futurist, and guiding force of light for so many, has transitioned at the age of 65. After an extensive and noble battle with cancer, he now gracefully rests in peace and power.”

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Mercury prize 2023: London group Ezra Collective secure first ever jazz win

Band say unexpected win is ‘testimony to good, special people putting time and effort’ into helping young people to play music

The 2023 Mercury prize has been awarded to Ezra Collective, the London band whose propulsive blend of jazz, funk and Afrobeat has electrified audiences and cemented the capital’s jazz scene as one of the world’s most exciting.

“We met in a youth club,” said drummer and bandleader Femi Koleoso on accepting the award for the year’s best British or Irish album for Where I’m Meant to Be, the band’s second release. “This moment we’re celebrating right here is testimony to good, special people putting time and effort into [helping] young people to play music … let’s continue to support that,” he added, citing grassroots collectives in London such as Tomorrow’s Warriors and Kinetika Bloco.

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UK’s top 10 singles of 2022 were all by British artists

A clean sweep led by Harry Styles was an ‘astonishing’ high note for the music industry – but the domination of older songs reflected the impact of streaming

For the first time since year-end charts were introduced more than 50 years ago, British artists have made up the entirety of the year’s 10 most popular songs in the UK.

Topping the biggest songs of 2022 in the UK was Harry Styles’ omnipresent As It Was; Ed Sheeran had two songs on the list, while new artists such as south London songwriter Cat Burns and Scottish dance duo LF System rubbed shoulders with Kate Bush, whose 1985 single Running Up That Hill topped the UK singles chart for the first time last year after being featured in the latest series of Netflix drama Stranger Things, having originally peaked at No 3.

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Trax Records faces lawsuit over alleged unpaid royalties and lack of payment

Marshall Jefferson and Adonis are among more than a dozen artists suing the pioneering Chicago house label

More than a dozen artists are suing the pioneering Chicago house label Trax Records, the estate of co-founder Larry Sherman, and current owners Screamin’ Rachael Cain and Sandyee Barns, Rolling Stone reports.

The plaintiffs, among them Trax co-founder Vince Lawrence and musicians Marshall Jefferson, Adonis and Maurice Joshua – allege that the label owes them unpaid royalties and in some cases that the label never paid them anything at all, according to a copy of the lawsuit seen by the Guardian.

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Aria awards 2022: Rüfüs Du Sol and Amyl and the Sniffers among top nominees

Dance group leads with seven nominations, with Flume, the Kid Laroi, Baker Boy and Vance Joy also winning multiple nods

Rüfüs Du Sol has dominated the 2022 Aria award nominations, featuring in a total of seven categories, followed by Amyl and the Sniffers and Flume.

The Sydney electronic trio’s latest album, Surrender, continues to pay dividends for the band, who won best group and best dance song for their track Alive at last year’s Arias. Alive also won them best dance song at this year’s Grammy awards.

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Klaus Schulze, German electronic music pioneer, dies aged 74

Multi-instrumentalist who played with Tangerine Dream and Ash Ra Tempel before admired solo career is hailed for his ‘innovative spirit’

Klaus Schulze, the German multi-instrumentalist whose work with drones, pulses and synthesisers was hugely influential on generations of electronic music makers, has died aged 74.

Frank Uhle, managing director of Schulze’s label SVP, wrote: “We lose and will miss a good personal friend – one of the most influential and important composers of electronic music – a man of conviction and an exceptional artist. Our thoughts in this hour are with his wife, sons and family. His always cheerful nature, his innovative spirit and his impressive body of work remain indelibly rooted in our memories.”

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‘I was astonished’: how a TikToker sent his dad’s unreleased 43-year-old song viral

Zach Smith recorded himself jamming out to a tune he found in his car. Now it’s racked up 3m plays – and might be on its way to Marvel

Zach Smith never expected the song to go so viral.

On 4 January, the 19-year-old pressed play on an old track he found in his car; he was struck by how catchy it was – he’d never heard this song before.

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Neo rhythms: why techno music and The Matrix are in perfect harmony

The films’ heroes look like they’ve just stepped off the Berghain dancefloor – and the connection isn’t merely aesthetic. The series shares the genre’s philosophy of liberation

“We can’t see it,” says a character in The Matrix Resurrections, “but we’re all trapped inside these strange repeating loops.” Small surprise techno producer Marcel Dettmann was commissioned to write music for this latest film in the franchise. It’s a natural fit. Its director, Lana Wachowski, goes clubbing at Berghain, the Berlin techno club where Dettmann is resident and where, cut off from the everyday world, people have surreal, liberating experiences. Techno continues to inspire the franchise’s aesthetics.

When club techno arose in 1980s Detroit, African American producers were reimagining the deindustrialised city as a site of futurist fantasies. Cybotron’s dystopian 1984 track Techno City was inspired by Fritz Lang’s Metropolis and the Tokyo of Yellow Magic Orchestra’s track Technopolis. “I extrapolated the necessity of interfacing the spirituality of human beings into the cybernetic matrix,” said Cybotron’s Rik Davis (using the word “matrix” before the film existed), “between the brain, the soul and the mechanisms of cyberspace.”

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‘The Wizard of Oz of entertainment’: the incredible career of Robert Stigwood

He managed the Bee Gees and created Saturday Night Fever but the closeted impressario ‘never felt that sense of success’ according to a new documentary

According to film director John Maggio, two types of executives run the entertainment industry – one far rarer than the other. “The vast majority of them don’t know what’s good, or what will be a hit, until ten other people tell them,” he said. “But a few can tell you right away. They’re the visionaries.”

For an extended time, one of the most clairvoyant was Robert Stigwood. Yet no one had made a feature documentary about him until now. Mr Saturday Night lays out the rocket-like trajectory of this manager turned producer turned impresario who scored hits in the worlds of music, theater, concerts and film. Stigwood’s projects ranged from managing the Bee Gees to running a record label featuring artists like Eric Clapton to producing two of the biggest movies of all time – Saturday Night Fever and Grease, as well as the successful movie version of the Who’s Tommy – to bankrolling smash plays like Jesus Christ Superstar and Evita. “For a time, he was the Wizard of Oz of entertainment,” said Maggio, who directed the film, to the Guardian. “Between 1970 and 1978, he could not not make a hit.”

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Barbados’s icon: why Rihanna’s national hero status is so apt

Honoured by her newly independent country, Rihanna has always proudly worn her Bajan heritage – broadening her sound from her Caribbean roots, while staying true to them

Rihanna’s designation as a national hero of Barbados, to coincide with the country’s transition to an independent republic, could not be more apt. Not only has she been an official ambassador for culture and youth in the country since 2018, the singer remains the country’s most famous citizen and indeed advocate. She has never softened her Bajan accent, and her music, while tapping into pop, R&B and dance music, has remained rich with her Caribbean heritage.

In her investiture ceremony, the country’s prime minister Mia Mottley addressed the pop singer, fashion icon and hugely successful entrepreneur as “ambassador Robyn Rihanna Fenty: may you continue to shine like a diamond” – a reference to 2012’s global hit Diamonds – “and bring honour to your nation, by your words, by your actions, and to do credit wherever you shall go. God bless you, my dear.”

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‘Music dug up from under the earth’: how trip-hop never stopped

Fused from jungle, rave and soul, trip-hop filled the coffee tables of the 90s, and is now inspiring Billie Eilish’s generation. So why is the term so despised by many?

Nobody really wanted to be trip-hop. The stoner beats of Nightmares on Wax’s 1995 Smokers Delight album were era defining, but it carried the prominent legend: “THIS IS NOT TRIP HOP”. James Lavelle’s Mo’ Wax label flirted with the term after it was coined by Mixmag in 1994, but quickly switched to displaying it ostentatiously crossed out on their sleeves. Ninja Tune did print the phrase “triphoptimism” on a king size rolling paper packet in 1996, but only as a joke about escaping categories.

“I always disliked the term,” says Lou Rhodes of Lamb, “and I would always make a point in interviews of challenging its use in regard to Lamb.” Mark Rae of Rae & Christian similarly says: “I would give a score of 9/10 on the lazy journalist scale to anyone who placed us in the trip-hop camp.” And Geoff Barrow’s ferocious hatred of the term – let alone its application to Portishead – has become the stuff of social media legend.

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The greatest songs about the climate crisis – ranked!

As Cop26 opens in Glasgow, we provide the soundtrack, ranging from Gojira’s metal fury to gorgeous environmental paeans by Childish Gambino, Neil Young and Joni Mitchell

From its cover shot of a submerged bedroom down, 2019’s Titanic Rising feels like an album informed by the climate crisis, but the lyrics seldom address it explicitly. Something to Believe is the perfect example: a plea not to feel overwhelmed by or nihilistic about the challenges faced, beautifully steeped in the lush sound of early 70s Los Angeles.

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Candi Staton: ‘When the promoters tried not to pay I had to get my gun out’

Between the ‘chitlin’ circuit’ and her new rave tunes, the soul diva even picked up praise from Elvis. In our new series where you ask the questions, this storied musician reveals a few untold yarns

Why do you think that your early 70s classic albums (I’m Just a Prisoner, Stand By Your Man, Candi Staton etc) are less canonised than other ‘classic’ albums of that period by the Stones, the Beatles etc? mesm

Back then I didn’t get on the same chart as those guys because Black artists on smaller labels were put in the R&B charts, not the pop charts. It was musical segregation. To cross over you needed a big label and money behind you. There was a lot of politics. In the UK there was one chart, which is how it should be.

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From hardcore to bardcore: Kedr Livanskiy, the Russian producer inspired by Tolkienists

Livanskiy’s operatic vocals and hazy beats put her at the forefront of Moscow’s underground club scene. Now she’s retreated from the city to the forest to nurture her imagination

Yana Kedrina’s earliest exposure to music came in a wooden dacha in a pine-forested village 2,000 miles from Moscow. Kedrina’s grandmother, who built the summer cottage with her husband, would invite Kedrina and her seven sisters over to sing Russian folk songs and drink cherry leaf tea. The rustic surroundings and feelings of kinship nurtured in Kedrina an infatuation with her culture’s folklore and a devotion to community.

“A large family, gathering to connect to its ancestral heritage, was an experience unique to a time that predated this individualism we live in now,” Kedrina says, speaking in Russian. Her grandmother never lived to see her blossom into an internationally recognised musician under the name Kedr Livanskiy (Russian for the Lebanese cedar tree). But Kedrina, 31, takes solace in the fact that her career has spiritually fulfilled her grandmother’s dream of travelling beyond her village in Russia’s Tomsk region.

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Maria Mendiola, half of Spanish vocal duo Baccara, dies aged 69

Group’s 1977 disco hit Yes Sir, I Can Boogie has become the unofficial anthem of Scotland football fans

Maria Mendiola, one of the members of Baccara, whose 1977 disco hit Yes Sir, I Can Boogie is the unofficial anthem of Scotland football fans, has died.

Mendiola, who was one half of the Spanish duo, was best known for her rendition of the hit song. She died in Madrid surrounded by her family on Saturday morning at the age of 69. Cristina Sevilla, her partner in a later iteration of the group, expressed her gratitude on social media in a message written in Spanish.

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DJ Carl Cox: ‘When I tell people my story, they don’t believe it’

The three-deck wizard’s new memoir details a life behind the decks, from the Houses of Parliament to Honolulu – and tragedy in Venezuela. Now, he says, his baking is as popular as his music

In late November 2007, Carl Cox’s DJing career was over – or so he thought. A few days earlier he had played a set at a festival in Caracas, Venezuela, as part of a tour of South America. The vibe was good and the crowd was bouncing. “I heard all these fireworks go: ‘Bang, bang, bang.’ Everyone was going: ‘Woooo! Yeeaaaah!’” Cox mimics dancing behind the decks. “Then there were more bangs and I thought: ‘Yay, more fireworks!’ But then I looked at the crowd and something was wrong. They were dispersing. I realised: ‘Fuck, that’s not fireworks, that’s gunfire.’”

Two rival gang members had met on the dancefloor and begun shooting. Cox got down on the floor and crawled to a backstage locker room where he and his tour manager barricaded themselves in. After an hour, they were escorted out to a car, past scores of police vans and ambulances. Four people had died and nine were injured. “Seeing people shot on the dancefloor and dying in front of me, blood everywhere …” Cox says, rubbing his eyes. “One minute we were having the time of our lives and the next we were cowering for our lives.”

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