Swedish music stars profit from blockbuster year for Mamma Mia! production company Littlestar Services
Abba stars Benny Andersson and Björn Ulvaeus have shared in a dividend of nearly £1m after a surge in profits at the production company behind the Mamma Mia! stage musical and film adaptations.
The Swedish music legends received the payout after a blockbuster year for Littlestar Services, the licensing and production company behind the musical based on the pop group’s hits.
Continue reading...Guitarist says he doesn’t know if he wants ‘to hang around that long’ to see Abba Voyage-style recreation of the band
Keith Richards has reflected on the likelihood of a hologram performance by the Rolling Stones, saying it is “bound to happen”.
In an interview with Matt Wilkinson on Apple Music 1, Wilkinson asked if “in 10, 20 years’ time, we could be watching holograms of the Stones on stage”. Richards replied: “I certainly wouldn’t rule it out. I’m pretty sure that is bound to happen. Do I want it? Now, that’s another thing. I don’t know if I want to hang around that long, man. But at the same time, it won’t be up to me, will it?”
Continue reading...A clean sweep led by Harry Styles was an ‘astonishing’ high note for the music industry – but the domination of older songs reflected the impact of streaming
For the first time since year-end charts were introduced more than 50 years ago, British artists have made up the entirety of the year’s 10 most popular songs in the UK.
Topping the biggest songs of 2022 in the UK was Harry Styles’ omnipresent As It Was; Ed Sheeran had two songs on the list, while new artists such as south London songwriter Cat Burns and Scottish dance duo LF System rubbed shoulders with Kate Bush, whose 1985 single Running Up That Hill topped the UK singles chart for the first time last year after being featured in the latest series of Netflix drama Stranger Things, having originally peaked at No 3.
Continue reading...Adele, Ed Sheeran, Abba, Lana Del Rey and Drake all found success in 2021 by delivering more of the same – a result of how our chaotic lives, on and offline, are informing our taste
The biggest album launch of 2021 began with a social media statement tacitly assuring fans that nothing had changed. Adele was once more in a state of heartbreak – “a maze of absolute mess and inner turmoil … consumed by my own grief” – and that the contents of her album 30 would reflect that, as mired in romantic misery as its predecessors, 25 and 21. It was the musical equivalent, she said, of a friend who comes over “with a bottle of wine and a takeaway” to discuss the disastrous state of your love life.
The second-biggest album launch of 2021 was preceded by its creators proudly announcing they had written it “absolutely trend-blind”. Abba had traversed a considerable musical distance over the course of their original career, buffeted by the shifting musical trends of the 70s and early 80s – from the clompy Europop of their debut album to the sophisticated, chilly electronics of The Visitors, by way of glam and sleek disco – but Voyage would offer them preserved in amber, exactly as they were in the late 70s, unspoiled by any musical trends from the 40 years since their split.
Continue reading...We celebrate everything from Lil Nas X’s conservative-baiting Montero to Wet Leg’s instant indie classic – as voted for by 31 of the Guardian’s music writers
Continue reading...Olivia Rodrigo, Doja Cat, Billie Eilish and Lil Nas X also among those with multiple nominations in top categories
The highly versatile, socially conscious pianist, singer and composer Jon Batiste has topped this year’s Grammy nominations, with 10 nods.
Batiste’s nominations straddle everything from the top prizes of record and album of the year, to inclusions across R&B, jazz, roots and classical categories. His score for animated film Soul, made with Trent Reznor and Atticus Ross of Nine Inch Nails, is also nominated, as are the directors of his music video Freedom.
Continue reading...(Polydor)
The return of the Swedish super troupers has plenty of bittersweet erudition, plus a good dollop of mass-market cheese
Nearly 40 years after their break-up, Abba’s reunion album upholds the contradictory legacy of the very first Swedish pop powerhouse. Half of this record finds hatchet-burying divorcés Benny Andersson and Anni-Frid Lyngstad, Agnetha Fältskog and Björn Ulvaeus returning as titans of emotionally literate pop. There are songs here with a cinematographic grasp of gesture allied to countermelodies of aching prettiness, almost casually thrown away. In the very same breath, though, Voyage packs in a surfeit of hokey oompah and two Christmas tunes too many. The saccharine children’s choir on Little Things is an inevitability; cynically, Andersson and Ulvaeus probably wanted a slice of the never-ending fruited royalty pudding that comes with Christmas-themed songs.
In short, Voyage is an album that asks: “Which Abba are you – frothy or full-on?” as you hit the skip button. But you’ll be glad Abba made it. Both a monument to bittersweet pop erudition and a mass-market sop, it finds all four singers in strong voice, their effortless harmonies evidence of much water having flowed under Stockholm’s bridges, interpersonally speaking.
Continue reading...World exclusive: Here we go again! After nearly 40 years, Benny, Björn, Agnetha and Anni-Frid are back together. We get the inside story of the greatest reunion in pop
It started with a mysterious image on billboards all over the world (and the internet). The sun rising above four dark planets; the only words Abba: Voyage. By the time an announcement was made on 2 September, it had fair claim to call itself the most anticipated comeback in pop history.
And the details exceeded expectations. Not only was there a new album, Voyage, the first in 40 years: 10 new songs that brought the original band together in the studio for the first time since a split that had been precipitated by the couples in the band divorcing. Not only that, but there was to be a new “immersive live experience”, in a bespoke stadium in London – nobody seemed to have noticed the planning application being published online – featuring futuristic de-aged “Abbatars” playing a potentially never-ending series of gigs. In the depths of a miserable year, it seemed, Abba were coming to rescue 2021.
Continue reading...Our readers share their reactions to the return of the pop legends after four decades
Related: Abba singles race to top of streaming charts in comeback triumph
Continue reading...Swedish pop group shows cross-generational appeal, amassing 5.5m likes on TikTok since 1 September
Two singles released from Abba’s first album in 40 years have raced to the top of the streaming charts, in a comeback that has generated praise and excitement among fans who remember the original releases and a new younger audience.
The first two singles from Abba’s forthcoming album, to be released on 5 November, were in first and third place on YouTube’s trending rankings in 12 countries on Friday, including the UK. I Still Have Faith In You gained 4.4m views within 24 hours in Britain and Don’t Shut Me Down 1.4m views.
In a further confirmation of the Scandinavian pop band’s cross-generational appeal, Abba have already amassed 991,000 followers and 5.5m likes on TikTok despite only joining the platform on 1 September.
Swedish hitmakers to release album of brand new material in November, and digital avatars will appear in London concert residency in 2022
One of the most anticipated comebacks in pop culture has finally come to pass: the return of Abba.
Forty years after the bitter songs written in the wake of two band divorces for their last album, 1981’s The Visitors, the Swedish pop quartet have reunited for Voyage, an album of brand new songs that will be released on 5 November – including, they say, a Christmas song. Two tracks from it, the stately and epic ballad I Still Have Faith in You and the shimmying Don’t Shut Me Down, are out now.
Continue reading...