Fused from jungle, rave and soul, trip-hop filled the coffee tables of the 90s, and is now inspiring Billie Eilish’s generation. So why is the term so despised by many?

Nobody really wanted to be trip-hop. The stoner beats of Nightmares on Wax’s 1995 Smokers Delight album were era defining, but it carried the prominent legend: “THIS IS NOT TRIP HOP”. James Lavelle’s Mo’ Wax label flirted with the term after it was coined by Mixmag in 1994, but quickly switched to displaying it ostentatiously crossed out on their sleeves. Ninja Tune did print the phrase “triphoptimism” on a king size rolling paper packet in 1996, but only as a joke about escaping categories.

“I always disliked the term,” says Lou Rhodes of Lamb, “and I would always make a point in interviews of challenging its use in regard to Lamb.” Mark Rae of Rae & Christian similarly says: “I would give a score of 9/10 on the lazy journalist scale to anyone who placed us in the trip-hop camp.” And Geoff Barrow’s ferocious hatred of the term – let alone its application to Portishead – has become the stuff of social media legend.