‘People think I’m very odd’: how Ibrahim Mahama brought Ghana’s past to Manchester

From second-hand train seats to old school cupboards, the artist has transported discarded objects from his west African homeland to create a ‘parliament of ghosts’

‘We’re haunted all the time by ghosts of the past,” says Ibrahim Mahama as we sit on dirty old plastic second-class Ghana Railways carriage seats in Manchester’s Whitworth Art Gallery. Even these seats from an abandoned railway? “Especially these,” he says, smiling.

Mahama, a junkyard utopian whose art involves recycling stuff that’s lost its purpose, bought up rows and rows of these seats. He packed them into shipping containers and sent them on a 5,000-mile trip, from his west African homeland to the Whitworth, along with some school cupboards no longer fit for purpose, exercise books of children now grown up, and the minutes of Ghanaian parliamentary debates now deemed obsolete.

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Nico in Manchester: ‘She loved the architecture – and the heroin’

She had been a top model, then sang with the Velvet Underground, and in 1981 Nico moved to Manchester. Her friends there share their touching, alarming memories of ‘a true bohemian’

An imperious blond German ex-model with a voice once described as like “a body falling through a window”, Nico was already extraordinary by the time she leant her vocals to songs including Femme Fatale and All Tomorrow’s Parties on the Velvet Underground’s classic first album, produced by Andy Warhol.

Soon after that, she embarked on a solo career, and made records, such as The Marble Index, that were even darker, with despairing lyrics and a wheezing harmonium accompanying Nico’s Teutonic tones. By this time, she was no longer blond – she disdained her traffic-stopping looks – and was addicted to heroin.

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