Looking for a Saturday night film? Instead of Notting Hill try Nations United | Richard Curtis

In 2015, 193 countries agreed a blueprint for a better planet. 2020 was supposed to be a Super Year of progress – we can’t let the pandemic knock us off course

I’m aware this is a strange article to be writing. As most people struggle with the day-to-day complexity of life under the pandemic, how we do find the headspace to think about something as global as the sustainable development goals? But I’m inspired by a recent article by the activist and author Arundhati Roy. “Historically, pandemics have forced humans to break with the past and imagine their world anew. This one is no different. It is a portal, a gateway between one world and the next,” she wrote.

And for me, the roadmap on this journey comes from the global goals – the superdetailed blueprint, agreed by 193 countries in 2015, for transformation for people and planet by 2030.

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Yesterday credits row shows trouble’s never far away in film writing

Jack Barth’s claim he did not receive credit he deserved shines light on movie industry machinations

As a premise, it is surprisingly simple: a young musician who is the only person in the world to know the Beatles’ back catalogue forges a successful career by covering their songs. But the more complex question of who should get credit for the Hollywood movie it became has put the opaque machinations of the film industry in the spotlight.

The idea ultimately became Yesterday, the Richard Curtis film directed by Danny Boyle and starring Himesh Patel, which made more than £125m at the box office worldwide. But Jack Barth, a writer whose work has appeared on The Simpsons, claimed last week he had not received the full credit he said he deserved for writing the original screenplay that provided the basis for the film.

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