How Velázquez’s slave became a renowned artist in his own right

Juan de Pareja’s story sheds light on the role of slavery in creating the great works of Spain’s golden age

The portrait, showing a man of African descent gazing frankly towards the artist, set the art world abuzz when it was revealed by Diego Velázquez in 1650.

The painting cemented the artist’s stratospheric rise, but the spotlight has been recently cast on the extraordinary trajectory of the man who is the subject of the portrait, Juan de Pareja, who went from being enslaved in Velázquez’s studio for more than two decades to becoming a successful artist in his own right.

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Velázquez painting brought to life by historical reenactment group in Seville

Surrender of Breda, immortalised by painter, was significant moment in Dutch war of independence

Anyone wandering along a quiet street in central Seville at 8.30pm on Saturday would have witnessed the odd sight of a 17th-century Dutch governor wearing a Covid-19 mask as he once again handed over his city to Spanish forces.

The Surrender of Breda, a significant moment in the Dutch war of independence immortalised in Diego Velázquez’s eponymous painting, was brought to life by a historical reenactment group to mark the 395th anniversary of the event, and the Spanish painter’s 421st birthday – both on 5 June, albeit 26 years apart.

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