Jazz star Charles Lloyd: ‘Miles Davis wanted all the girls and money’

He played gigs to a young Elvis, got high with the Grateful Dead and made an enemy in Miles Davis. And, at 83, the saxophonist who collided jazz and rock still has his spirit of adventure

“We played the Royal Albert Hall in 1964,” says Charles Lloyd, recollecting his first ever UK performance. “Packed it to the rafters.” He was 26, playing tenor saxophone in Cannonball Adderley’s majestic band and getting his first taste of a world beyond US jazz and blues clubs. “I’m looking forward to returning,” says Lloyd of this weekend’s appearance at the EFG London jazz festival.

Now 83, he speaks in a drawl that mixes jazz argot and spiritual entreaties – he says he spent the pandemic “building steps”, meaning to a higher plane rather than a DIY project – and is raring to re-engage with an audience. “I’ve been playing in front of audiences since I was nine. Been a professional musician since I was 12. It’s what I do.”

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‘He’ll make your head explode’: sax stars on the genius and tragedy of Charlie Parker

He was nicknamed Bird and he soared in his music – if not in his life. For the centenary of the saxophonist who redefined jazz, today’s players reveal how his dizzying speed and spirituality changed their lives

Outside jazz circles, Charlie Parker might not be a household name like Miles Davis or Louis Armstrong, but the saxophonist, who died of cirrhosis aged 34 after struggling with addictions to heroin and alcohol, was one of music’s true innovators. By inventing the dizzyingly fast style known as bebop, Parker turned jazz from dance music into something intensely intellectual and spiritual. As the London jazz festival celebrates his centenary with a tribute, today’s jazz stars talk about the shattering impact of the man nicknamed Bird.

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