Why stars should think twice before calling out their critics

From Lizzo to Lana Del Rey, celebrities have taken umbrage with reviews online. But arguing with journalists only warps the public’s view of the media, and puts writers under siege

In 2018, while working as a freelance writer, I travelled three hours outside of London on a train, and then a coach, to review a music festival. I camped in the cold and the rain, waking up at 8am each morning to make sure I didn’t miss anything. When I got home, I filed what I thought was a generous review. I did not expect the organiser and the founder of the festival to find me on Twitter to tell me that I clearly hadn’t attended, or that my three-star review was full of lies. They were hurt that I hadn’t given it five stars. I was hurt that my hard work – complete with blood blisters, swollen glands and glitter that took two weeks to wash out of my hair – was now seen as a declaration of war.

As an editor and sometime critic specialising in pop culture, differing perceptions are par for the course. I find it skull-crushingly boring to see the same TV show or album receive near-identical reviews across the board, or read identikit reviews of the same film. I inhale people’s opinions – the good and the bad, the funny and the touching, the flippant and the problematic – and exhale them. I don’t internalise them. I don’t agree with a lot of what I read, but I take something from it: someone else’s views. I go to certain people because I know, nine times out of 10, we think very, very differently (here’s looking at you, Camilla Long). Reviews can serve as a guide but they are also an artform in their own right. They entertain, inform and challenge readers. The writer AO Scott described criticism in his 2016 book Better Living Through Criticism as “art’s late-born twin”.

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Real-life plot twists leave Oscars struggling to adapt to new reality

Lockdowns, the rise of streaming and demands for diversity are forcing change on the 93rd Academy Awards

No full-blown red carpet, no outfit questions, no after-parties – many involved in Sunday’s Oscars are happy to take a break from a four-hour seated ceremony that, some argue, has long put the movie industry’s in-house favourites, the promotion of luxury lifestyles and virtue-signalling ahead of peer-reviewed creative recognition.

The event has been under reconstruction since the #OscarsSoWhite campaign forced an expansion of the voting body’s membership and drafting of inclusivity requirements that will come into effect next year.

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‘It’s wild!’ Carey Mulligan and Emerald Fennell on making Oscars history

Promising Young Woman’s five nods include the first for a female British director. Its star and writer-director discuss telling women’s stories, tackling difficult subjects – and feeling shellshocked

Promising Young Woman is audacious from the off. A genre-bending revenge thriller, it ricochets between romcom and horror to radical and unsettling effect. Carey Mulligan plays Cassie, a medical school drop-out traumatised by the assault of her best friend. By day, she works in a coffee shop; by night, she fakes blackout drunkenness in bars. If “nice guys” take advantage, Cassie snaps open her sober eyes to teach them a lesson.

The film made history this week, landing five Oscars nominations: picture, editing and actress (Mulligan’s second run at the award), as well as original screenplay and director for Emerald Fennell. With her debut feature, Fennell has become the first British woman to be nominated for the director prize. This is the first year in which two women (Fennell and Nomadland’s Chloe Zhou) are in the running; they are only the sixth and seventh women to be shortlisted.

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‘I was appalled to be tarred as misogynist’: Variety critic hits back at Carey Mulligan’s sexism accusations

Exclusive: Dennis Harvey, the critic whose review of Promising Young Woman prompted outrage from its star and an apology from his editors, has spoken out

Dennis Harvey, the veteran film critic whose review of Promising Young Woman has sparked a furore across the industry, has hit back at accusations of misogyny amid calls for Variety to fire him.

Harvey’s review was published more than a year ago, following the film’s premiere at the Sundance film festival. Largely positive, it called Mulligan’s performance “skilful, entertaining and challenging” while also querying the central casting. While “a fine actress”, wrote Harvey, Mulligan “seems a bit of an odd choice as this admittedly many-layered apparent femme fatale”.

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‘Alarmingly sexist’: Variety review boosts calls for more diverse film critics

Male writer’s comments on Carey Mulligan’s looks said to highlight ‘double standards’ in industry

Film criticism is facing renewed condemnation over a lack of diversity after a review deemed by many – including its subject – to be alarmingly sexist.

“I just couldn’t believe it,” said Carey Mulligan, who was judged by the veteran Variety reviewer Dennis Harvey to be insufficiently attractive to convince in her latest role.

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‘They said I wasn’t hot enough’: Carey Mulligan hits out again at magazine review

Variety review of black comedy Promising Young Woman prompts actor to speak out on industry’s institutionalised sexism

Carey Mulligan has said she was alarmed after a major publication ran a review of her new film questioning whether she was attractive enough for the role.

Related: Variety's apology to Carey Mulligan shows that the critic's ivory tower is toppling | Peter Bradshaw

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How Promising Young Woman shows the limits of #MeToo revenge

The tart Oscar-tipped dark comedy offers an intoxicating revenge plot against bad men. But can insight be found in assuming everyone’s worst potential?

Promising Young Woman, writer/director Emerald Fennell’s acidic dark comedy which coats an incendiary rape revenge plot with a pastel sheen, runs an alluring, looping trap: Cassie, a singularly obsessed character played with singularly impressive depth by Carey Mulligan, pretends to be near-passed-out drunk at a bar, plays along to a skeevy man’s predatory machinations, then flips the switch when he begins to sexually assault a woman he believes is too drunk to notice or care. “What are you doing?” she asks, suddenly stone-cold sober. The first time Cassie pulls the trap, in the film’s first sequence, it’s not quite shocking – if you’ve seen the trailer, you know her revenge scheme – but given that it’s The OC heartthrob Adam Brody as the aw-shucks predator, Mulligan’s archly calibrated facade drop is an enticing and unnerving jolt.

Related: Promising Young Woman review – Carey Mulligan ignites fiery #MeToo revenge tale

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