The comedy, whose fourth series hits Netflix this week, shows France’s TV can match its film

Fast approaching 50 and fed up after two exhausting decades at Artmedia, the top talent agency in Paris, Dominique Besnehard decided, one day in 2005, that he would quite like to turn his hand to producing something of his own.

“At the time,” Besnehard told Le Monde, “Desperate Housewives was all over the telly, a huge success. I just thought, with a couple of colleagues, we could maybe make a series a bit like that, but about the job we do for a living.”