John Lydon hopes to highlight ‘torture’ of Alzheimer’s with Eurovision bid

Former Sex Pistol competing to represent Ireland with love letter to wife of 44 years who is living with the illness

John Lydon has said he is competing to represent Ireland at this year’s Eurovision song contest primarily in order to raise awareness of Alzheimer’s disease. The former Sex Pistols frontman (once known as Johnny Rotten) will appear with his band, Public Image Ltd, on the Late Late Show on 3 February, performing Hawaii, a love letter to his wife of 44 years, Nora Forster, who is living with the illness.

“I’m doing it to highlight the sheer torture of what Alzheimer’s is,” said the singer, who holds an Irish passport as well as US citizenship. “It gets swept under the carpet, but in highlighting it, hopefully we get a stage nearer to a cure.” Lydon insisted that spreading this message was much more important than competing to win, so he isn’t listening to the five other entrants.

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Poly Styrene’s inspiring sensitivity should be the true legacy of punk

Mixed race, with braces on her teeth, Poly broke the mould of UK punk. A new documentary explores her struggle to find meaning in the Day-Glo chaos of modern life

The moment I heard that Marianne Elliott-Said, AKA Poly Styrene, had died, I was at band practice. We put on X-Ray Spex and jumped around, screaming along to Identity, Oh Bondage Up Yours! and Germ Free Adolescents. On that day in 2011 we lost one of punk’s greatest heroes and one of the few who really looked and sounded like me. She broke the mould of UK punk stereotypes. She was brown, chubby, weirdly dressed and had braces on her teeth. Even in an era when quirky, abrasive style was all the rage, she stood out.

Poly Styrene embraced this. She played with the attention her weirdness attracted, making a cartoon of herself. To be an artist is often to feel like a shiny trinket – hip and trendy one moment and disposable the next – and Poly had a fascination with all things garish and throwaway. She knew that through selling her art, she herself would inevitably become the product. Consumer culture overwhelmed and horrified her at times but she poured those thoughts and feelings into surrealist, confrontational art and music.

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