One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who and D’Angelo. But the Welsh musician has hidden from the spotlight – until now

By his own admission, Pino Palladino is not a man much accustomed to giving interviews. “Very reticent,” he nods during a Zoom call, his accent speaking noticeably louder of his childhood in Cardiff than his current home in LA. “You know, there was a time when I was featured in all sorts of musicians’ magazines, and then I just thought to myself, ‘Move over, there’s people out there that actually need the publicity.’ Not to blow smoke up my own arse,” he adds hurriedly, “but really I just didn’t want to see or hear from myself.”

It’s a remark in keeping with the astonishing career of one of the most celebrated bass players in the world. It’s hard not to blanche when you consider the sheer number of records that have been sold featuring his work. He played on not one but two of the biggest selling albums of the 21st century: Adele’s 21 and Ed Sheeran’s Divide, as well as with Rod Stewart, Elton John, Bryan Ferry, Simon and Garfunkel and Keith Richards. They’re the biggest names in a startlingly diverse back catalogue of collaborations: Palladino’s playing is the thread that links Perfume Genius with Phil Collins, Harry Styles with Chris de Burgh, and Nine Inch Nails with De La Soul. Indeed, his versatility and omnipresence is a running joke within the music industry. When another fabled bass player, Pink Floyd’s Guy Pratt, got married, he opened his groom’s speech with the words: “I’m only here today because Pino couldn’t make it.”