Pedro Almodóvar and Jacques Audiard lead European Film Awards nominations

Posted on November 5, 2024 by Admin

Emilia Peréz and The Room Next Door are both up for honours in prizes regarded as Oscars bellwethers

A genre-bending musical about a trans cartel boss and a Spanish veteran director’s English-language debut lead the nominations for this year’s European Film Awards, with Jacques Audiard’s Emilia Peréz and Pedro Almodóvar’s The Room Next Door both up for honours in four categories.

The French and Spanish auteurs gained nominations for best film, best director and best screenwriter, the European Film Academy announced on Tuesday ahead of this year’s ceremony in the Swiss lakeside city of Lucerne on 7 December.

Parallel Mothers review | Peter Bradshaw’s film of the week

Posted on January 27, 2022 by Admin

Pedro Almodóvar’s poetic conviction and creative fluidity flow through this moving baby-swap drama about two single mothers and buried secrets from the Spanish civil war

Not parallel actually: that would mean they don’t touch. Here we have convergent mothers; intersecting mothers whose lives come together with a spark that ignites this moving melodrama, which audaciously draws a line between love, sex, the passionate courage of single mothers, the meaning of Lorca’s Doña Rosita the Spinster and the unhealed wound of Spain’s fascist past. Pedro Almodóvar’s new movie has the warmth and the grandiloquent flair of a picture from Hollywood’s golden age (something starring Bette Davis and Joan Fontaine maybe, with music by Max Steiner) and the whiplash twists and addictive sugar rush bumps of daytime soap.

As ever with Almodóvar, there are gorgeously designed interiors with fierce, thick blocks of Mondrian colour, huge closeups of the female leads and overhead shots of food preparation. It’s impossible to watch this film without just feeling grateful that its director is still so fluent, so creative, still making us a gift of these films. There is a lot going on here, and perhaps the emotions and thoughts spill over the edges of its narrative form. But it would be obtuse not to let yourself travel downstream on this film’s emotional surge.

Pedro Almodóvar on Spain’s tragic past: ‘You can’t ask people to forget’

Posted on January 22, 2022 by Admin

With his new film Parallel Mothers, the director dials down the camp to address the shadow of fascism hanging over his homeland

Pedro Almodóvar is in Madrid at his production company El Deseo (The Desire). El Deseo could not be a more fitting name: desire has been at the heart of his films. All sorts of desire: for love, sex, justice, acceptance and truth. Behind him are DVDs, books and a phalanx of awards. He has five Baftas, five Goyas and is the only Spanish director to have won two Oscars (best foreign film in 1999 for All About My Mother and best original screenplay for Talk to Her in 2002).

He is sitting on a purple chair, wearing a pink jumper, his hair quiffed into a punky white meringue. You suspect that every colour in Almodóvar’s life has been carefully handpicked – just as in his films. His back is ramrod straight, his manner both warm and regal. Almodóvar is a man used to being in control, and today there is a translator (despite his fluent English), assistant and publicist at his service. When I met Almodóvar previously, in Madrid in 2004, he was tense throughout our conversation, and only began to relax after the interview. At the end, he gave me a copy of a calendar I had admired, featuring pictures he had shot on location. He signed it “Things are simpler and yet more complicated”. Somehow, it seems to sum up his films and worldview perfectly.

Pedro Almodóvar’s films – ranked!

Posted on August 12, 2021 by Admin

With his new film, Parallel Mothers, to be shown at Venice film festival, we take a look through the director’s ribald, pell-mell and beautifully colour co-ordinated output

Airline staff and passengers take drugs and act out their sexual fantasies as their plane prepares for an emergency landing. Not so much Airplane! as a sexed-up The High Life, but frothier. Best watched with tequila, poppers and the campest chums you can find.