The man who lives in Maradona’s head: opening a window on the new Naples

Ciro Maiello, whose home is adorned with a painting of the player, says Napoli’s first Serie A win since Diego’s days heralds a new dawn for the city

At 10.37pm on 4 May the man who lives in Diego Maradona’s head threw open the window of his flat in the Spanish Quarter district in Naples for the first time in months, erupting in a cathartic scream as the city celebrated another moment in its rebirth.

Ciro Maiello, a 50-year-old pork butcher, moved to the apartment block featuring a giant mural of the Argentinian in 2006 and lived there through a period he called the “dark days [when] dozens of people were killed in these streets.” The mural was painted more than a decade earlier, in honour of the player who gave the city’s football team the most successful period in its history, including its first Serie A title win, and whose veneration by Neapolitans is comparable only to the adoration of its patron saint, Gennaro.

Continue reading...

How Maradona inspired Paolo Sorrentino’s film about Naples, Hand of God – and inadvertently saved his life

The Italian director’s new, semi-autobiographical film reveals a charming and rarely seen side of his home city

‘This, for me, is the most beautiful place on Earth,” Paolo Sorrentino told Filippo Scotti, the actor playing the director’s younger self in his latest film, as their 1980s Riva speedboat chopped the waves of the Bay of Naples. Their view stretched from the precipitous peninsula of Sorrento all the way west towards Posillipo. The two promontories flank the sprawling port city, offering a warm embrace to all those who disembark there. Sorrentino’s new film, the Hand of God, opens with that same view: the sun-mottled bay, whose peace is disturbed by the sound of four Rivas as they speed towards the shore. The film is both a love letter to, and a portal into, Paolo Sorrentino’s Naples.

In cinemas now and on Netflix this week, The Hand of God sees the Academy award-winning director return to his home city for the first time since One Man Up, his 2001 debut. Sorrentino tells the story of his own coming of age, up to the moment when his life is shattered by the death of his parents in a tragic accident. Sorrentino’s story is a tale of great grief, loss and perseverance, set in a middle-class part of Naples, a far cry from the impoverished neighbourhoods shown in the city’s other recent portraits: Elena Ferrante’s My Brilliant Friend or the mafia-focused Gomorrah series.

Continue reading...