Aubrey Plaza calls husband Jeff Baena’s death ‘an unimaginable tragedy’

Actor and her late partner’s family issue joint statement thanking supporters and asking for privacy

Aubrey Plaza has released a statement after the death of her husband, Jeff Baena, who was found at his Los Angeles home on Friday after taking his own life.

“This is an unimaginable tragedy,” the actor and Baena’s family said in a joint statement shared with media on Monday. “We are deeply grateful to everyone who has offered support. Please respect our privacy during this time.”

In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@samaritans.org or jo@samaritans.ie. In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on 988lifeline.org, or text HOME to 741741 to connect with a crisis counsellor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at befrienders.org

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Indie film-maker Jeff Baena dies aged 47

Husband of actor Aubrey Plaza was known for writing and directing Life After Beth and co-writing I Heart Huckabees

Independent director and screenwriter Jeff Baena – who was known for quirky hits such as Life After Beth and was the husband of that flick’s star, Aubrey Plaza – has died, according to reports. Baena was 47.

The Los Angeles medical examiner said that Baena died on Friday at his home in that city at about 10.39am local time. Officials did not immediately provide Baena’s cause or manner of death.

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Emily the Criminal review – Aubrey Plaza charges taut thriller

A gig worker turns to credit card fraud in a tense debut feature with an electrifying central performance

It’s hard to really blame Emily (Aubrey Plaza) for choosing a life of crime. A low-paid service gig brings nothing but stress. A seemingly inescapable student loan is gathering interest by the day. A couple of minor, years-back criminal charges have closed off a world of employment. It’s a familiar predicament that plagues many in America and even though first-time writer-director John Patton Ford might only show it in the broadest of strokes, it’s an effectively infuriating set-up.

When Emily is offered an opportunity for an extra income, she nervously inches down the rabbit hole. It starts off simple. She’s given a cloned credit card and has to buy a TV. She then takes it to her new bosses and gets paid $200. It’s easier than she anticipated and soon she’s doing it on the regular, edging closer to taskmaster Youcef (Theo Rossi) who slowly becomes more than her mentor. But how far is she willing to go?

Emily the Criminal is showing at the Sundance film festival with a release date to be announced

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