Black British films as valuable as other UK and European genres, says academic

Clive Nwonka says genre should stand with traditions such as the French new wave and British social realism

The black British urban genre should be as valuable to British film culture and academia as the French new wave and British social realism, a leading academic has said.

Clive Nwonka, an associate professor of film, culture and society at UCL, began his academic research in 2010, during a critically important era of black representation in British film and TV.

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The stars of Top Boy: ‘Are drug dealers going to Black Lives Matter marches? I doubt it’

Britain’s edgiest crime drama is about to return – and this time its scope is bigger than ever. Ashley Walters, Little Simz, Kano and more discuss turning Drake down, the call of Hollywood and not depicting BLM

You know a show has made it when it’s prepared to say no to its main backer, especially when that backer is a megastar rapper who is singlehandedly responsible for the show even being on TV. “When we first met Drake to talk to him about helping us to revive the series, he said, ‘Look, I’d love to be in it!’” says Top Boy creator Ronan Bennett, but this offer gave him a problem. “If Drake were to appear, it would have been a distraction. It would be hard to maintain Top Boy’s level of authenticity – so it didn’t happen.”

Since its launch in 2011, Top Boy has had a reputation for an unblinking depiction of the drug trade rife on inner-London estates. Soon, viewers will be treated to its second, hyper-realistic season on Netflix, nine years after it was cancelled by Channel 4 following two runs. Longtime fan Drake helped convince Netflix to commission the series, becoming executive producer along the way. It was also helped by calls from fans – including famous ones. When Kane “Kano” Robinson, the grime musician who plays gang leader Sully in the show, met Noel Gallagher, the first thing Gallagher said was: “When’s Top Boy coming back?’”

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