Test runs and a shock-absorbing cage: how Bayeux tapestry was moved to UK

Medieval artwork safely delivered to British Museum before display from September in carefully controlled conditions

The Bayeux tapestry has survived myriad perils, from cathedral fires to its potential destruction for use as wagon covers. Now, with the embroidery about to be displayed in a blockbuster London exhibition, experts must contend with a host of more insidious dangers.

The arrival of the tapestry at the British Museum in the small hours of Friday morning was a historic moment – albeit less dramatic than the landing of William the Conqueror it portrays.

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‘Of course we will give it back’: Bayeux tapestry set for secret journey across Channel

Operation will use specially built container to protect fragile 11th-century embroidery

As the Bayeux tapestry wends its way across the Channel in a top secret operation there will be no jolts, no bumps, no shakes or vibrations – unlike the voyage of William the Conqueror whose 1066 victory at Hastings the artefact recounts.

“Nothing has been left to chance,” Catherine Pégard, the French minister of culture, told a gathering to mark the historic loan, which will be physically achieved with the tapestry, which is really an embroidery, transported in a specially constructed cradle within a container, the minister said.

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Historians dispute Bayeux tapestry penis tally after lengthy debate

Two Bayeux scholars at loggerheads over whether dangling shape depicts dagger or the embroidery’s 94th phallus

In a historical spat that could be subtitled “1066 with knobs on”, two medieval experts are engaged in a battle over how many male genitalia are embroidered into the Bayeux tapestry.

The Oxford professor George Garnett drew worldwide interest six years ago when he announced he had totted up 93 penises stitched into the embroidered account of the Norman conquest of England.

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