An intricate tapestry of 17th-century political intrigue and family feuding is bolstered by fabulous costumes as Chinese invaders are dealt with

The Swordsman, a pacy, crisply choreographed South Korean action film set in the 17th century handicaps itself by opting for such a bland, generic title. It’s like naming a Hollywood action movie The Gunman or The Cop. Debutant writer-director Choi Jae-Hoon could have been a little more specific about the protagonist Tae-yul (played by boy-band-beautiful star and sometime rapper Jang Hyuk) by calling it The Blind Swordsman, given the character’s vision impairment. But then that title has already been used several times. Also, Tae-yul is not quite blind yet, although the threat to his vision and his need to access an expensive medicine hang over the plot throughout.

As it happens, the intricate tapestry of action, family drama, political intrigue and period spectacle is anything but generic. Unfolding during a period when ruling dynasties in China and Korea were in major flux, the story springboards off the fall of the Joseon dynasty’s 15th king; a disgrace in combat sends Tae-yul, one of the finest swordsmen in the country, into exile with his baby daughter.