Kristen Stewart says Hollywood’s self-congratulation over gender equality ‘feels phony’

The actor said that making movies by a small number of female film-makers was not cause for celebration. ‘You’re like, OK, cool. You’ve chosen four’

Kristen Stewart has chastised Hollywood’s efforts at gender equality, saying that the industry clapping itself on the back for an embrace of female film-makers “feels phony”.

Speaking to Porter magazine for the release of Love Lies Bleeding, a violent romance set in the world of female bodybuilding, Stewart said much of the high-profile greenlighting of female stories was lip service.

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Robert Pattinson: the heart-throb who dared to be repellent

Playing Batman finally puts the boy from Barnes on the A-list, after years spent sabotaging any hope of mainstream success

At first glance, it looks like a neatly managed movie star career path: the graduation from teen-franchise heart-throb to a starring role in a superhero flick. But Robert Pattinson’s journey from Twilight – which made him, along with co-star and sometime girlfriend Kristen Stewart, one of the most famous people on the planet – to the latest incarnation of the nocturnal vigilante Bruce Wayne in The Batman, has been intriguingly circuitous.

He took a decade-long detour through arthouse and auteur cinema, through offbeat roles – the freaks and weirdos, the feckless and the fundamentally untrustworthy – before he finally circled back, via scene-stealing supporting performances in The King and Tenet, into the kind of lead role which cements an actor’s A-list status. It could be viewed as a risky strategy, but it is one that paid off handsomely. Pattinson, who is now 35, has honed his mercurial talent. He is not just a movie star, he’s a thrillingly unpredictable and daring character actor. And he has nurtured something that is in short supply in his generation of groomed and polished media-savvy contemporaries: a refreshing oddball eccentricity.

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Golden Globes 2022 tries to do better as Lady Gaga brings the outrage

After a year of criticism over diversity, the Golden Globes have come up with a decent slate of nominees, with Gaga surely the favourite for best actress

Full list of 2020 nominations

The Golden Globes nomination list has been announced with a solemn introduction from the Hollywood Foreign Press Association’s president Helen Hoehne, to the effect that the Globes’ much-criticised controlling body was “trying to be better” and that its constituent membership was more diverse than at any other time in its history. Which is better, I suppose, than being less diverse than at any time in its history.

At any rate, leading the pack are Belfast, Kenneth Branagh’s unashamed heartwarmer about the home town of his early childhood, with seven nominations and Jane Campion’s stark, twisty western-Gothic psychodrama The Power of the Dog, set in 1920s Montana with Benedict Cumberbatch as the troubled, angry cattleman who begins a toxic duel with his new sister-in-law played by Kirsten Dunst and her sensitive teenage son, played by Kodi Smit-McPhee.

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Where does the Oscar race stand after this year’s big festivals?

With a more normal awards season on the way, it’s time to sift through what’s been loved and hated and look forward to what performances could make an impact

As we all edge slowly closer to something vaguely sorta kinda resembling a loose idea of normality, so too does Hollywood, its relatively fixed annual schedule going from blurry to a bit less blurry. After an almost normal summer, the fall festivals followed and while they weren’t quite back up to snuff (some had a semi-virtual element, some big films were notably missing), there was a dramatic improvement from 2020 and, importantly, they were pulled off with very few infections.

Related: ‘We want people to freak out’: inside Hollywood’s Museum of Motion Pictures

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Spencer review – Princess Diana’s disastrous marriage makes a magnificent farce

Kristen Stewart’s entirely compelling Di has no escape from the dress-up game of monarchy in Pablo Larraín’s unreverential movie

Sandringham, Christmas 1991. Bare trees, frosted fields, dead pheasants on the drive. Inside the grand house the dining table has been laid in readiness, but one of the principal guests – arguably the main course – is running late and lost. She grinds her car to a halt, tosses her perfect hair in frustration. “Where the fuck am I?” asks Diana, Princess of Wales.

And so begins this extraordinary film, which bills itself as “a fable from a true tragedy” and spotlights three days in the dissolution of Charles and Di’s marriage. Working off a sharp script by Steven Knight, Chilean director Pablo Larraín spins the headlines and scandals into a full-blown Gothic nightmare, an opulent ice palace of a movie with shades of Rebecca at the edges and a pleasing bat-squeak of absurdity in its portrayal of the royals. Larraín’s approach to the material is rich and intoxicating and altogether magnificent. I won’t call it majestic. That would do this implicitly republican film a disservice.

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Oscars 2022: who might triumph at next year’s ceremony?

After a year of delays, the next 12 months offers a wealth of big, awards-aiming movies from intimate dramas to historical epics

It’s not often that the word unusual gets attached to the Oscars, one of the most staid and predictable nights of the year, as sober as the Golden Globes is drunk. But after an unusual year, the awards season followed suit, extended by two months, films dropping in and out of the race and some that might otherwise have been ignored instead taking centre stage.

Related: And this year’s Oscar for inclusivity goes to … the Academy!

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Doe-eyed Kristen Stewart might just take the crown as Princess Diana

In a highly competitive field, the American actor has perfected the put-upon princess look for Spencer, the latest royal biopic

Some films have to work harder than others to get bums on seats. Some can charm audiences with big stars, or the lure of a continuing franchise, or the promise of a scene where King Kong takes a swing at Godzilla like he’s half-cut in a Wetherspoons car park. And then, right at the other end of the scale, is Spencer.

Make no mistake, Spencer will have to be brilliant to make people go and see it. Better than brilliant, even. It will have to be the perfect movie; entertaining and fun and moving and so technically accomplished that film historians will come to view it as the moment that cinema entered a new epoch. Anything less than that and Spencer is done for.

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Is Kristen Stewart too good for big-budget blockbusters?

The Twilight lead turned arthouse mainstay is delving back into the mainstream yet again with $80m monster movie Underwater but it’s another awkward fit

There are two sorts of movie stars, and the demands of the market are such that the first type must occasionally pretend to be the second type. The first type is the critical darling, accomplished thespians who command crowds of screaming admirers at Cannes even though they may not be household names. They appear in glowingly reviewed indies and attract the attention of international auteurs, regularly landing on year-end best-of lists and awards lineups. They inspire rapturous reviews filled with flowery prose about nuance and subtlety, the exquisite artistry of the acting craft, et cetera.

Related: Underwater review – Kristen Stewart's soggy, silly monster movie

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Robert Pattinson: ‘I don’t really know how to act’

He’s about to appear in what might be his best film yet. So why is one of Britain’s finest actors so convinced he can’t act? Robert Pattinson talks to Alex Moshakis about stage-fright and why he couldn’t say no to a role in The Lighthouse

Do you want to hear a funny thing about Robert Pattinson? Robert Pattinson is convinced he doesn’t know how to act. Willem Dafoe can act, Pattinson thinks. Willem Dafoe can act the socks off anyone in the business. And Joaquin Phoenix. Joaquin Phoenix could tie his shoelaces on film and be nominated for an award. And Bruce Willis – Bruce Willis! – now there’s a leading man. But Robert Pattinson? Nope. “I only know how to play scenes, like, three ways,” he says. Three! That’s all. Despite more than a decade in the industry. “I’m nervous on, like, every single movie.”

Pattinson, who is 33, is sitting in a booth in a low-lit restaurant in Notting Hill, west London, dunking table bread into a pot of something. It’s the early evening, dark and cold outside. He has arrived from rehearsals for The Batman, which started not long ago and which are taking place, to his delight, in the studio in which he filmed Harry Potter in the mid-aughts. The Batman is the first time he’s worked in a studio in “like, forever,” and his first mainstream leading role since he retired his best-known character, Twilight’s Edward Cullen, sexy vampire. That was in 2012.

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Charlie’s Angels review – ramshackle action reboot goes at half throttle

There’s intermittent fun to be had in this throwaway relaunch of the female secret agent franchise but the party is cut short by incoherent action and a clunky script

Back in 2000, the glossy relaunch of Charlie’s Angels felt like a genuine pop culture event. The central casting of Cameron Diaz, Drew Barrymore and Lucy Liu, all at the height of their fame, was an impressively inspired get. The accompanying lead single from Destiny’s Child was not only a smash hit but a deserved one. The gaudy aesthetic and post-Matrix bullet time action were laughable but also undeniably of the moment. It was the most 2000 film released in 2000, and at the time it was impossible to avoid – a slick, pre-packaged blockbuster received with as much enthusiasm as it was made. Almost 20 years, one sequel and one failed TV series later, the franchise is back, but all that buzz has been replaced with something else: deafening silence.

Related: Elizabeth Banks: ‘My film is loaded with sneaky feminist ideas’

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Kristen Stewart roasts Donald Trump with sexuality confession: ‘I’m so gay, dude’

The Twilight actress has been open about dating women, and is believed to be currently seeing Victoria's Secret model Stella Maxwell . The 26-year-old was the host on SNL and used her opening monologue to rip into President Donald Trump.